Before Pete Kuhns became the Village Voice’s sports photographer, he covered Seattle’s punk scene during the ’80s for the biweekly Seattle music newspaper The Rocket. The difference between documenting Black Flag and yellow flags isn’t as big as you’d think: Kuhns’s high-endorphin action shots of The Clash, X, Dead Kennedys, and Public Image Ltd are all printed in black-and-white for maximum drama, and there are plenty of fit, bare-chested men, if you’re into that.
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dead kennedys
Nightclubbing | The Offs
Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

LP cover.
We recall Don coming to our apartment the day he got the ink, his arm still red and a little bloody. “Paul Simonon is getting the same one!” he told us, excitedly. It was the summer of 1981 and everyone in the East Village was getting tats, even The Clash. Bob Roberts, The Offs’ saxophonist — and also a tattooist — had done the work for both.
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Nightclubbing | Dead Kennedys

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library. Today, they look back on the N.Y.C. debut of the Dead Kennedys.
For die-hard NYC punks, the West Coast seemed a little daunting. It was so bright! But in the fall of 1979, we went to Los Angeles to be on a panel at an early MTV music video conference. We stayed at the Tropicana Hotel, which was the preferred accommodation for traveling rockers. Jim Morrison and Tom Waits had lived there – on this trip, it was Nina Hagen and The Slits hanging at the pool. More →