You probably haven’t forgotten, but it’s Pride month. To sex-worker-centric event series Stigma Unbound, Pride means something more than merely slapping a rainbow flag onto your coffee mug or banner ad. “In contrast to corporate and official pride celebrations, we come together on this night to share personal stories and perspectives on what pride really means if you’re queer, a person of color, gender nonconforming, trans, or a sex worker,” they say. At a secret dungeon in Brooklyn, a variety of performances from sex workers and their allies will unfold, exploring topics such as queerness and trans identity, white supremacy, lost loved ones, and fantasy. After the show, the evening will turn into an inclusive, consent-focused, all-gender play party for those who want to engage in a little post-show steaminess. More →
(photo: Ian Douglas, courtesy of American Realness)
American Realness Now through January 16 at Abrons Arts Center and other venues, various times and prices.
If you thought last week’s Performance Picks covered all the winter theater festival shows to see, you would be incorrect. There are actually more, believe it or not. Abrons Arts Center and Gibney Dance’s American Realness festival began yesterday, bringing with it a slew of dance and movement-based works, including several world premieres. Whether you’re interested in profound performance art, classic dance, or pop cultural tribute, American Realness likely has you covered.
Some intriguing titles include nora chipaumire’s punk salute to Patti Smith and Zimbabwe, Neal Medlyn’s investigation into Pina Bausch and his years as an “untrained dancer in New York contemporary dance,” NIC Kay’s solo performance inspired by queer ballroom and Butoh, Adrienne Truscott’s “dance about dance without any dance,” Claire Cunningham and Jess Curtis’s physical delve into the seeing and perceiving of bodies both disabled and not, and of course, more. More →
Tonight, the theme of The Party by Ostbahnhof is Berlin underground. The house music is so loud that it punctuates bodies and walls. A heaving crowd populates the dance floor as video screens radiate kaleidoscopic images. Then, suddenly, the music stops. A woman in flapper pearls and a black lace teddy is covered from head to toe in powdery corpse paint. She raises a helicopter pilot’s microphone to her mouth and shouts a string of German words, brave and harsh-sounding.
It’s not every day you see a show where the cast ends up covered in fake blood and has to run to the venue’s backyard to use the outdoor shower (not to be mistaken for the rooftop hot tub) so they can rinse off and run back onstage to finish the show. But exactly this occurs in Slumber, a new slasher-inspired circus and dance show coming to Bushwick’s House of Yes later this week, featuring choreography by the MTV VMA-nominated duo Keone and Mari Madrid, who choreographed and performed in Justin Bieber’s hit video for “Love Yourself.”
Slumber follows a group of girls and one guy on what very well may be the last night of their lives, as one soon reveals themselves to be more murderous than others. It unassumingly begins with an onstage pillow fight, which acts as foreshadowing for the more literal fighting ahead. This pillow fight was one of the first inspirations for the show, as was Kanye’s song “Real Friends,” a chase scene, and the over-the-top nature of The Walking Dead. Throw some in some aerial silks and a Chinese pole, as well as performers from the Broadway revival of Pippin and a healthy dose of electronic and hip-hop tunes, and there you have it. Oh, and let’s not forget “more blood than you could ever imagine.” Um, fake blood, we swear. More →
Ignite At Bizarre Bushwick, 12 Jefferson Street, Bushwick. 10pm. $10 suggested donation. More info here.
Fire is normally regarded as a bad thing to be around, especially with the added element of drunk people at a bar. But don’t forget, Bizarre isn’t your average bar. I’ve seen my fair share of fire performances there, whether it be fire eating, fire breathing, fire dancing, or just someone who looked really hot. Miraculously, I felt safe for almost all of them. Tonight, you can see all that and probably more at this variety show that’s more fiery than average, in the most literal sense of the word. And don’t worry, these are professionals, so the only thing catching fire (aside from what’s regularly scheduled to) will hopefully be your heart.
When we last visited the Muse, the Williamsburg circus school that (along with Death By Audio) became another victim of VICE’s southward expansion, they’d just found a new home in an enormous industrial space in the farthest reaches of Bushwick. Angela Buccinni (aka Mama Muse) spoke of the school’s lofty plans to build out the huge space that is more than four times the size of their first location. Things have been quiet over there ever since but Buccinni says that, as of April 1, The Muse has been open for business. “Classes are in full swing,” she said. “I don’t think people understand we’re actually open yet.”