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Doc Series Burn to Shine from Fugazi’s Brendan Canty, Returns With ‘Vol.6 : Atlanta’

(Flyer courtesy of BTS)

(Flyer courtesy of BTS)

It’s been nearly a decade since Lee Tesche, guitarist for the Atlanta-rooted band Algiers (whose brain-jostling blend of gospel and hardcore punk has been sort of blowing up since the band release their self-titled debut last spring) convinced a longtime idol, Brendan Canty of Fugazi, that his hometown music scene was worth documenting. Canty, along with his collaborator Christoph Green, had been working on an episodic rock-documentary series for the past few years, Burn to Shine, a stripped-down take on various music scenes across the country. And Tesche wasn’t wrong in thinking it was high time they came to Atlanta. The doc captures bands like Deerhunter and Black Lips at the moment before they blew up big, as well as veterans like Shannon Wright, who went on to stake out even wider renown.

But Volume 6, shot in 2007, became something of a time capsule, after it failed to see an official release when Canty, Green, and many of the bands they had filmed, ran up against the collapse of the DVD industry and advent of YouTube mid-way through the project. Finally, almost ten years later, Burn to Shine 6: Atlanta is seeing a proper premiere as Algiers has set out on an East Coast mini-tour, playing music and screening Tesche’s portion of the series along the way. Tonight marks the band’s New York City stop, when they’ll be playing Le Poisson Rouge (along with Savak) following an 8 pm screening of the new BTS installment.

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Will Fussell of Mood Rings Got His Bucket Hat Stolen By a Groupie

Zach Wolfe

Zach Wolfe

Last month I had the glorious opportunity to see Atlanta-based band Mood Rings open for Cults but I didn’t because I was too busy getting drunk or straightening my hair (or getting drunk while straightening my hair). At any rate, this is now a deeply felt regret as yesterday evening they opened for Connan Mockasin at Mercury Lounge and they were just swell — despite being down their synth player, who could not make the 14-hour drive for personal reasons. Luckily, his absence was well compensated for with generously used effects and a setlist consisting largely of songs they had written back when they were a four-piece.
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