Though digital photography (whether on fancy DSLRs or iPhones with portrait mode) is inarguably king today, there are still people out there shooting film. Though not quite a relic yet, the chemical-laden process of developing and printing your own film in a darkroom is something many people may not understand or even be aware of. One of the key components of doing this is laying the soon-to-be photograph in a tray filled with developer chemicals, which steadily brings the photo to life. Artist John Cyr, a photographer and printer himself, has latched onto the developer tray as an integral object to the working photographer. His images, portraying developer trays that belonged to notable and unknown photographers alike, cast these practical objects in a light usually reserved for more “important”-seeming items. Their unique textures, stains, colors, and designs documented for posterity illuminate film development as a historically-significant art practice in itself.More →
It is time once again for the slew of winter theater festivals that usually fill the month of January to its very brim, and cause many an artist to triple-check their schedule and/or wallets to see how they can make it all work. Beginning on Thursday is one of the most notable fests, Under The Radar, presented by The Public Theater. Though it’s only 12 days, there are more than 155 performances across five venues. Even slightly pondering that gives me scheduling-related anxiety.
A brief sampling of highlights: Roger Guenveur Smith and CalArts’s piece exploring the New Year’s Eve concert Jimi Hendrix played in 1969 in NYC, queer ensemble Split Britches’s meditation on anxiety and doomsday created in collaboration with local artists and elders, a concert of work by Erin Markey and Emily Bate, harunalee’s exploration of how memory can be gendered and racialized, Cuban company Teatro El Público’s underground drag-cabaret version of Antigone, and more. There is truly so much more. More →
Arlene Schulman: The First 100 Years Reception Tuesday September 20 at The David N. Dinkins Municipal Building, 5 pm to 7 pm. On view through September 29.
Bronx-born Arlene Schulman has had a robust career as a photographer, with an array of published books, including the award-winning The Prizefighters: An Intimate Look at Champions and Contenders. Her photos reflect a lifetime living in the city, and I mean lifetime: she started taking photos when she was a mere eight years old. They focus on the everyday and the working class, portraying subjects like police officers and boxers in large-format prints. And photography isn’t all she does– she also writes, edits, and teaches. This exhibit, presented by Manhattan BP Gale A. Brewer, seeks to showcase her large body of work and the unique way she sees the city. But careful, don’t go offering her the chance to shoot artful pictures of any lima beans or olives—she writes on her website that she hates those.
Closeup of “Baby Mobile,” 2016, wire hangers, fishing line, copper, 3d-printed plastic. (photo: Cassidy Dawn Graves)
You’ve heard the saying: “Don’t let people walk all over you.” If you’re a woman, this has probably been said to you especially often. But how often is it meant literally? At Kristin Smallwood’s debut solo exhibition IUD, now on view at American Medium in Bed-Stuy, the only way to access the art is by walking over scores of women (including photos of the artist herself), adhered endlessly and stickily to the gallery floor. The female figures are grinning lipstick-painted grins while your boot presses into their torso and your sweat drips onto their breasts.