gallery openings

No Comments

Choreographed Photos, Experiments In Light, and More Art This Week

Image: Jenna Westra, Mariana Sits on “The Complete Photographer, An Encyclopedia of Photography” (1949), Volume 6, Pages 2178-79, ‘Best Fashion Study and Best Action Production Still Taken in a Studio’, 2018. Archival pigment print, 26 x 21.75 inches (image courtesy of Lubov)

Parts Of Some Quartet, Fruits
Opening Saturday, March 24 at Lubov, 6 pm to 9 pm. On view through May 6.

The Tribeca gallery Lubov is small, tucked away on the second floor of an office building, but within it you’ll find none of the monotony typically associated with such work. Instead, you’ll be greeted with contemporary art of all sorts, including their newest exhibition Parts Of Some Quartet, Fruits. In addition to being a very good exhibition name in my opinion, it’s also an assortment of analog photography by Jenna Westra that focuses on what happens when you don’t shy away from the act of purposefully trying to create an engaging scene ripe for the snapping. The scenarios recall a kind of captured choreography, such as an amateur model (or maybe a dancer?) kneeling with their dirt-dusted feet squarely sitting on (what else?) a book of photography, simultaneously desecrating and establishing its position as subject. Keep Reading »

No Comments

Art This Week: Diaspora, Borders, and Healthcare

(image via Aperture Foundation / Facebook)

Home Away From Home
Opening Wednesday, March 14 at Aperture Gallery, 7pm to 8:30 pm. On view through May 10.

For some people, home is the place they have lived for their entire lives. But for immigrants, it’s not always so clear-cut. Photographer Taysir Batniji is originally from Gaza, in Palestine, but he is also French and splits his time between the two places. Members of his family, on the other hand, have ended up in America, in places like California and Florida. Batniji paid these people a series of visits, photographing and interviewing them about their sense of home and experience living in America. His new solo exhibition at Aperture Gallery combines these new images with archival material, such as old photographs and sketches of their family home made from memory, creating a portrait of generational memory and history contrasted with current lives. Keep Reading »

No Comments

Spring/Break, Emma Sulkowicz, and More Art To See

(image via SPRING/BREAK Art Show / Facebook)

Spring/Break Art Show
Opening Tuesday, March 6 at 4 Times Square, 5 pm to 9 pm. On view through March 12.

While it may not be spring quite yet, we will soon see the return of the Spring/Break Art Show, springing (sorry) back into action during Armory Arts Week for a seventh year. This show in particular stands out among the dizzying array of art shows and fairs and shows-within-fairs due to both its focus on art that’s a little more out-there than some contemporary offerings, and its location, which utilizes “underused, atypical, and historic” space rather than some pristine white box or whatever. It would take me a very long time to count all the artists involved this year, which range from Iggy Pop and Robert Mapplethorpe to Parker Day and Azikiwe Mohammed, so I can only assume there are hundreds and you will have plenty to see. Granted, you’ll have to go to Times Square to do it, but it will probably be worth it. Keep Reading »

No Comments

City Life, Bodily Resistance, and More Art This Week

(image via Tina Kim Gallery / Facebook)

Jeong
Opening Wednesday, February 28 at Tina Kim Gallery, 6 pm to 8 pm.

You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made. Keep Reading »

No Comments

Meditations on Lip-Locking, and Other Art Shows to Catch This Week

Camae Ayewa/Moor Mother, detail from He’s Got the Whole World, 2017 (image via The Kitchen)

Camae Ayewa / Moor Mother
Opening Wednesday, February 21 at The Kitchen, 6 pm to 8 pm. On view through March 17.

Camae Ayewa, who some may know by her musician moniker Moor Mother, is a truly multifaceted artist. She writes poetry, pens and performs visceral electronic noise protest songs referencing black activists and theorists, photographs, leads community workshops, makes collages, and if you’re impressed already, that’s merely a partial list of what she’s capable of. If your curiosity has been piqued, head on over to The Kitchen for a comprehensive look at Ayewa’s creative output and process. Though this is an art exhibition, it’s so much more than that; created as an accompaniment to her second solo album (and its subsequent instrumental accompaniment), the show delves into the album’s creation and inspirations by way of collage, film, soundscape, and poetry. On March 6 and 7, Moor Mother will take to the stage. Keep Reading »

No Comments

Art This Week: Environmental Imaginings, Sonic Voids, and More

(image via The Bellwether / Facebook)

Hair Paintings & Other Stories
Opening Tuesday, February 6 at La MaMa Galleria, 7:30 pm. On view through March 3.

The Bellwether and Codify Art team up with La MaMa Galleria to present this solo exhibition by multidisciplinary creator Jarrett Key. Though yes, it’s technically a showcase of just work created by Key, it’s representative of so much more than that. Their works deal specifically with “the collective bodily memories and rituals of the Black community,” so each one of them manages to be deeply personal while also literally containing multitudes. As you may have guessed by the title, hair has a significant presence here, which can be seen both in the exhibition description (“Key grew up in rural Alabama to their grandmother singing, ‘your hair is your strength'”) and the look of the actual paintings themselves, which often resemble vast and complex tangles you could get lost in. Keep Reading »

No Comments

Art This Week: Marking a Year of Resistance, and More


“America” ONE YEAR OF RESISTANCE artwork by Touba Alipour

One Year of Resistance
Opening Tuesday, January 16 at The Untitled Space, 6 pm to 9 pm. On view through February 4.

Though it feels like several eternities, it’s been about a year since Trump was inaugurated. A large array of artists have been asked to channel their rage and other such emotions into their work, resulting in the wide spread that is One Year of Resistance, a group show at The Untitled Space in Tribeca. This gallery is no stranger to art that responds to the current political climate; the month of the 2017 inauguration they presented group exhibition Uprise / Angry Women. For One Year of Resistance, which serves as a follow-up to Angry Women, curator and gallery director Indira Cesarine has asked over 80 artists of all genders to contribute work inspired by “the controversial policies and practices of our current president.” The work ranges from literal depictions of Trump to more symbolic renderings of #resistance. Can you believe it’s only been a year? Keep Reading »

No Comments

A 4-Hour Hug and More Art to Embrace This Week

(image courtesy of Michael Alan)

Mind Body Sound
Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.

One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! Keep Reading »

No Comments

Streetball Letterman Jackets, Art & AIDS, and More Exhibitions This Week

(image via Fort Gansevoort)

I’ve Been Heard
Opening Thursday, November 30 at Fort Gansevoort, 6 pm to 8 pm. On view through

“Public Parks to this day exist as one of the very few remaining spaces that are designed to be democratic: free and open to all,” proclaims a statement for artist and boxing teacher Cheryl Pope’s latest installation at Fort Gansevoort. While the intent for a location isn’t always put into practice by all, it does remain true that public parks provide, or attempt to provide, such a freedom. Pope’s installation focuses on NYC youth, who often flock to parks and the street basketball courts that accompany them. After speaking with an array of young people, she created banner flags and “All-American Varsity Letterman Jackets” displaying some of their statements, elevating the words of youths who may be often ignored into literal fine art. Keep Reading »

No Comments

Art This Week: Sculptural Decay, Immigrant Portraits, Post-Apocalyptic Paintings

(image courtesy of Derek Eller Gallery)

Dawn of the Looney Tune
Opening Thursday, November 16 at Derek Eller Gallery, 6 pm to 8 pm. On view through December 23.

Not all sculptures involve components like carrots and bread, but Michelle Segre’s sculptures certainly do. You can see them this Thursday at LES space Derek Eller Gallery, when her latest exhibition opens. As these works often involve organic matter such as the aforementioned carrots and bread, and gallery shows are often on view for quite some time, it is almost guaranteed that Segre’s work will subtly change as time goes by. More specifically, that organic matter is probably going to get mushy. Or grow fur. Or change colors. Either way, it will shift. And you will get a healthy reminder that like it or not, we are all slowly but surely decaying. Happy Monday! Keep Reading »

No Comments

Art This Week: Continued Haunts, Queer Ceramics, and Planning Ahead For Death

(image via Leslie-Lohman Museum / Facebook)

Objectified
Opening Friday, November 3 at Leslie+Lohman Prince Street Project, 6 pm to 8 pm. On view through November 5.

This swift three-day exhibition shows the work of queer ceramic artist Caitlin Rose Sweet. I first encountered Sweet’s work when I interviewed her about a show she was doing inspired by Bosch’s notorious triptych The Garden of Earthly Delights. Since then, she hasn’t stopped whipping up sculptural pieces that impressively mix elements of grotesque and feminine. Friday, her solo show Objectified is unveiled to the public, placing the queer femme body in all its manifestations on view. Sweet’s ceramic sculpture creations can resemble traditional craft art, domestic home goods, genitalia, gnarled fingers, and fantastical beasts all at once. Will you be entranced or spooked? Keep Reading »

No Comments

Art This Week: Lasers And Dust, Queer Art Auction, Bodies Reimagined

Particulates
Opening Tuesday, October 17 at Dia:Chelsea. On view through June 2.

The space at Dia:Chelsea is big and expansive, as it used to belong to the Alamo Marble Company. This makes it a particularly good fit for Rita McBride’s Particulates, a light sculpture installation consisting of sixteen lasers, water molecules, “surfactant compounds,” and appropriately, some marble dust. The result of this interesting collection of materials is a recreation of what seems to be the vast expanse of outer space mixed with a neon sci-fi world of the future, which should be good news to the people who have always wanted to feel enveloped in the galactic void but do not have the means to actually get up there. For those who cannot make it to the exhibit in-person, there is also a livestream of it. Keep Reading »