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Presidential Porn Portraits Are Just the Start of ‘Why I Want to Fuck Donald Trump’

"Why I Want To Fuck Donald Trump" on view now at Joshua Liner Gallery (Photo courtesy of Joshua Liner Gallery)

“Why I Want To Fuck Donald Trump” on view now at Joshua Liner Gallery (Photo courtesy of Joshua Liner Gallery)

Last week’s video of Donald Trump bragging about sexual assault threw a giant dildo into a campaign that seemed impervious to shame, just as the candidate had almost started seeming more presidential (at least, in light of the spotty track record of previous presidents). As screwed up as the whole thing is, nothing in the video was all that surprising. The “locker room talk” only confirmed Trump’s image as a billionaire playboy who trades skyscrapers (his most phallic assets) like Pokémon cards, and gets whatever his little Trump desires.

“His whole image is vulgarly sexual in a way,” agreed Alfred Steiner, the curator of a very timely new art show. “And he’s played right into that the whole time.”

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This Occultish ‘Rave for Adults’ is Using ‘Radical Intimacy’ to Find Realness in Art

An attendee of "The Hidden Valley" over the weekend looks on at a performance by Wild Torus (Photo: Nicole Disser)

An attendee of “The Hidden Valley” over the weekend looks on at a performance by Wild Torus (Photo: Nicole Disser)

If you’ve been to Wild Torus events before, it’s likely you know all about their marathon performance-art benders and messy parties. Guests are necessarily a part of the events involving immense creation and destruction within the same night (or 48-hour marathon). My first Torus encounter was a mind-jostling, brain-crushing, chaotic mess. It was a crush of humanity, all soaked in sweat, and stuck with gloopy, sticky materials, under an onslaught of hypnotic drumming, loud-as-hell discordant synth drone, and anything and everything you can imagine.

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This Week’s Art: A Fish Market Repurposed and Many Types of ‘Graphic Art’

Mike Taylor (image via Idio Gallery)

Mike Taylor (image via Idio Gallery)

Mike Taylor: Condensed Flesh
Opening Thursday October 13 at Idio Gallery, 6 pm to 11 pm. On view through October 30.

East Williamsburg space Idio Gallery put out a call for crowdsourced financial support several months ago, which very well could have signaled that it was beginning to scale down. However, with a show at Bushwick Open Studios and another show opening shortly after, they don’t appear to be going anywhere. This one is a solo show, presenting works on paper and paintings by renowned graphic artist Mike Taylor, created between 2012 and now. Finished works won’t be the only thing on display in this show, as Idio’s downstairs basement space will be transformed into a showcase of the artist in-process, with drawings not yet done, prints, and “printmaking debris” on view as well. Taylor’s work is bold and bright, often utilizing neon colors and mixing abstract patterns with notes of realism and the human form filtered through the style of the illustrator and comic artist.

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Troll Museum’s Comeback Lets Rev Jen Supporters Pay the Troll Toll

(Photo: Nicole Disser)

(Photo: Nicole Disser)

Even hazy patrons bumbling their way out of opium dens– if the dope cave hadn’t been replaced by frou frou cocktail bars– would have had a hard time missing a gallery boom like the one currently going down in Chinatown. Increasingly fancy art palaces are moving in, bringing with them pristine minimalism and white-walled remove, which presents a pretty dramatic departure from the existing chaotic density of saggy red-yellow-and-smog-colored awnings, old ladies in bucket hats hustling meat sticks, careening unmarked buses hiding in alleyways that you didn’t know New York City had, murky fish tank smells, frenetically blinking neon signs, and countless aging storefronts overflowing with sun-bleached gecko supplements, acupuncture diagrams, and yellowing, curly-edged Chinese calendars.

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Weekend Art Stops: Everyday Halloween, Crabapple Muses, and One Painting, Deconstructed

(image via Disclaimer Gallery)

(image via Disclaimer Gallery)

Everyday Things
Opening Friday September 9 at Disclaimer Gallery (inside the Silent Barn), 6 pm to 9 pm. On view through October 2.

Though artist Megan Tatem often works in illustration, creating works for magazines and doing graphic design over at Hearst Media, this “tongue-in-cheek” exhibition will showcase another side of her work: photography. The show provides commentary on imagery related to racial stereotypes, but wrapped up in a tight layer of sarcasm. This results in lighthearted visual observations on assumptions like “white people can’t dance” and who holds the highest proclivity for fried chicken, but also delves into darker, serious territory, also acknowledging how racial stereotypes like the assumption that people of color are dangerous or prone to crime can (and has) lead to unwarranted violence against them.

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Art Hearts: Beach Party in the City, Sunshine Ruins, and Bye Bye in Bed-Stuy

Peyton Freiman, "JFK was a Realist," 2015. Mixed Media on Paper mounted on Canvas, 6 x 3.5 inch. (image via Shin Gallery)

Peyton Freiman’s “JFK was a Realist,” 2015 (Image courtesy of Shin Gallery)

Long Gone and Missing
Opening Wednesday August 1, 7 pm to 9 pm at Shin Gallery. On view through September 10. 

Imagine a beach on the Lower East Side. Now imagine that beach stuffed inside an art gallery. Some might call it crazy, but this wacky dream will become reality at the opening of Peyton Freiman’s solo show, Long Gone and Missing. The Brooklyn-based artist (who also recently showed a piece in loft-gallery Club 157’s first group show) will transform Shin Gallery into a “veritable beach playground” filled with his colorful mixed media works on paper.

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Art Openings: Pins N’ Patches, Cheap Art, Magazines IRL

(via Strike Gently Co / Facebook)

(via Strike Gently Co / Facebook)

The Pin and Patch Show
Tuesday, August 2 at Chinatown Soup, 16 Orchard Street, Chinatown. Opening reception 6-9pm, show on view through August 9. More info here. 
Gallery and art space Chinatown Soup will host this event that’s part art show, part pop-up shop showcasing the work of 10 local companies who make pins and patches. Don’t expect vintage band logos or anything of that sort, as this is a show of new, original work by artists. The first 50 who come to the opening will receive a free pin or patch from Strike Gently Co., and free PBR will be a-flowing. Get there feeling eager, and leave full of beer with a slew of cool new accessories for your denim vest, tote bag, or whatever you’d like.

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At The Mystical Digital, Video Games Can Be Witchy Too

"Cyclothymia" and "Ritual of the Moon" on view at Babycastles (Photo: Kara Stone)

“Cyclothymia” and “Ritual of the Moon” on view at Babycastles (Photo: Kara Stone)

The term “gamer” usually conjures up a torrent of awful connotations– an exclusively white-male circle jerk where the only manifestation of “diversity” is between the Cheetos-stained 4chan nerds with a sunlight problem and fedora-wearing MRM creeps who fancy themselves activists. You can catch all of them gushing over first-person shooters and probably trading furry porn at a LAN party, a place where anybody else wouldn’t be caught dead.

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And Now There Are Two Art Fests Looking to Fill the Bushwick Open Studios Void

Bushwick Open Studios (Photo: B+B)

Lisa Levy performing “Rockin’ Granny Love,” Diego Barnes in her arms at Bushwick Open Studios 2015 (Photo: Jordan Abosch)

Stephanie Theodore of Theodore:Art was massively disappointed when Arts in Bushwick announced that Bushwick Open Studios was moving from summer to fall in an attempt to close the door on an eight-year tradition. But AiB had their reasons– BOS had ballooned into something of circus, an event that they believe had been co-opted and used by corporate interests and party promoters looking to cash-in on the thousands of people who swarmed the neighborhood each June. But galleries and individual artists also benefitted from the huge influx of people and the visibility that BOS brought to the area, so Theodore was hardly alone. “A lot of other galleries wanted something to replace BOS,” she told B+B over the phone today.

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Many Nudes, None By Dudes, at This Art Show Dedicated to the Female Gaze

Amanda Charchian "Ana in Costa Rica," 2012 at "In The Raw: The Female Gaze on The Nude" Exhibit, (Courtesy of Untitled Space Gallery, New York)

Amanda Charchian
“Ana in Costa Rica,” 2012 at “In The Raw: The Female Gaze on The Nude” Exhibit, (Courtesy of Untitled Space Gallery, New York)

Opening night for In the Raw: The Female Gaze on the Nude (on view now through May 21 at The Untitled Space) was predictably packed, and not just because it’s Frieze week and the gallery was giving out free booze. I’d like to think that people were there for the actual art exhibition, which was billed as an all-female, all-nude art show where 20 women artists, aged 21 to 60-something, from Russia, Chile, and beyond, “explore a perspective less chartered, that of a woman’s eye on another,” and in the process “challenge the status quo with a liberating and authentic beauty.” Or maybe they were there because Victoria de Lesseps (daughter of Real Housewives “star” Countess LuAnn de Lesseps) is also on the roster of participating artists. Who could tell?

Indira Cesarine, who curated the multimedia art show along with Coco Dolle of Milk and Night, told me that she felt the exhibition was a “timely” one. Dolle told Whitehot magazine that the work is “saleable.” They’re in no way wrong.

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Jeff Koons on His Dream Choo Choo and That Time Lady Gaga ‘Kind of Went Down’ On Him

Koons Cat

“Cat on a Clothesline (Red)” Jeff Koons at FLAG Art Foundation

Last week, when Jeff Koons spoke about an unrealized pet project of his– a giant, actual crane holding up a replica of a “choo choo train”– and casually estimated that it would cost somewhere around $25 million to $50 million to produce, I couldn’t help LOL’ing.

“I never think about failure,” Koons told the crowd at FLAG, where several of his sculptural pieces are on view through May 14 as part of Cecily Brown, Jeff Koons, Charles Ray“I let things resonate and when I’m ready to make a gesture, I just do it.”

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Tonight: A Pop-Up Show for Street Heroines, a New History of Women Street Artists

Anarkia, Brazilian street artist (Film still from "Street Heroines")

Anarkia, Brazilian street artist (Film still from “Street Heroines”)

Tonight, you can catch original works by no fewer than 17 street artists all in one place. In an effort to bring attention (and raise some cash money) for her work-in-progress documentary, Street Heroines, filmmaker Alexandra Henry is hosting a one-night-only pop-up exhibition and fundraiser with the help of some of local female street artists including Danielle Mastrion (you may recall her Beastie Boy murals in the East Village), Alice Mizrachi, and Lexi Bella. With the help of Howl Happening, Rabbithole Projects in Dumbo will play host to the free event, which starts at 7:30 pm.

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