Bushwick Hot Summer Nights

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Latest Bushwick Art Fair Is a Bit of a Circus

(Photo: @bushwickopen)

(Photo: @bushwickopen)

Since it was announced that Bushwick Open Studios will be taking place in October and not on their usual summer date, a couple fledgling fests have tried to fill the void. There’s been the Bushwick Arts Festival, which was a bit of a letdown, and the Bushwick Galleries Association’s Hot Summer Nights of extended hours, which are great but for galleries only. So when we heard tell of a new Bushwick art festival called the Bushwick Open Art Fair, we were skeptical. What would make their “Bears on Bicycles”-themed fair different from the other upstarts? But then the organizers told us they’re “currently looking into the permits required to have live animals at the show.”

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Curves and Hair Lift ‘Burden’ on Ancient Women at Sappho-Inspired Art Show

One of Melanie Park's "What If Sappho" works. (Photo courtesy Mary Judge)

One of Melanie Park’s “What If Sappho” works. (Photo courtesy Mary Judge)

The sardonic #Hoffsome-approved Tumblr posts of “All Male Panel” keep us painfully aware of how underrepresented women are, well, everywhere, but especially in the world of art conferences, culture Q+As, academic panels, and business summits. (Oh wait, that’s just the entire public realm.) At least the female form will be better represented on paper starting tomorrow, with the opening of Italian Airs, the first-ever pop-up show hosted by Schema Projects, an all-art-on-paper, all-the-time gallery in Bushwick. (The exhibition will also be included in the inaugural Bushwick Hot Summer Nights.)

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And Now There Are Two Art Fests Looking to Fill the Bushwick Open Studios Void

Bushwick Open Studios (Photo: B+B)

Lisa Levy performing “Rockin’ Granny Love,” Diego Barnes in her arms at Bushwick Open Studios 2015 (Photo: Jordan Abosch)

Stephanie Theodore of Theodore:Art was massively disappointed when Arts in Bushwick announced that Bushwick Open Studios was moving from summer to fall in an attempt to close the door on an eight-year tradition. But AiB had their reasons– BOS had ballooned into something of circus, an event that they believe had been co-opted and used by corporate interests and party promoters looking to cash-in on the thousands of people who swarmed the neighborhood each June. But galleries and individual artists also benefitted from the huge influx of people and the visibility that BOS brought to the area, so Theodore was hardly alone. “A lot of other galleries wanted something to replace BOS,” she told B+B over the phone today.

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