Harvest Moon: A Freak-Folk Cabaret Thursday, September 22 at The Wild Project, 8 pm: $10-20 sliding scale.
Come ring in the soon-arriving autumn with this mystical evening of live art, from music and dance to film and fairytales and everything in between. A gaggle of artists based in Bushwick and beyond (some are regulars at Bizarre Bar staple Circus of Dreams, others frequent the nearby Tarot Society or Living Gallery) will assemble to bring you their artistic bounty. And it’ll be a bounty, all right– there are over 15 acts on the bill, including Jason Trachtenburg, Tarot Society’s Darcey Leonard, Omer Gal‘s music ensemble Cookie Tongue, and a Texas-themed Butoh troupe. If you’re pressed for time, you can just pop in for the second act at 9:30pm (there are two entry times) but all tickets earn you access to the whole shindig. The weather may get to the high eighties today, but fall is a-comin’. Eventually.
This fall, fans of modern classical music will basically be rolling in a sonic leaf pile, as three modern masters make the scene.
Glenn Branca Symphonies, at the Red Bull Music Academy Festival.
Glenn Branca– whose sprawling guitar symphonies were a big influence on early Sonic Youth, among others– once collaborated with David Bowie on an audio-visual installation, as he mentioned during his 65th birthday celebration a few years ago and reminded us during his recent appearance a the Red Bull Music Academy festival. To honor his “hero,” Branca is debuting a new work, “The Light (for David),” at Roulette on Oct. 8 (advance tickets are $25-$30). He’ll also unleash a revised version of “The Third Ascension,” a followup to 1981’s acclaimed “The Ascension” that made its US premiere at The Kitchen in February. Bring earplugs, cuz Branca’s work can be ear-shattering and mind-melting.
Audio Visuals Sunday, Jan. 31, 3 pm to 7 pm at the Silent Barn: $5 suggested donation
Hey! It’s a combined live music/screening event at the Silent Barn in honor of the release of Kung Fu Crimewave‘s new music video for their very topical song, “Winter Squall.” The band is fluent in so-called “regressive rock,” or what sounds to us like a mix of weird-punk and psych– there’s a crush of instruments going on here but not in an annoying Arcade Fire way. But instead of having a traditional something-release show, the Kung Fu kids have brought together a bunch of local filmmakers (who have either dabbled in or are steeped in music videos) to share their work. There’s even a Q+A after the screenings, so if you’re curious about how they get stuff done, well here’s your opportunity to hear it straight from the horsies’ mouths.
Grace Jones, Queen of Everything (Via the Kitchen)
Dirty Looks: A One Man Show Monday February 8, 8 pm at The Kitchen: $10
So this one’s a little bit beyond this week, but we fear that if you don’t make plans quick-like, you’re gonna miss out. Tickets appear to be sold out online already, but the venue suggests that you contact them and hopefully they’ll have some availability at the door. DREAM BIG. Why? Because Grace Jones is worth it.
Just as we began to worry, rather dramatically, that New York had lost the last of its great geniuses, Glenn Branca, the uber influential modernist composer who at one point collaborated with David Bowie, has announced a rare live show. He’ll be leading the US premiere of The Third Ascension at The Kitchen on Feb. 23 and 24.
Interviewing Samara Davis and Sophia Cleary about their punk band is an exercise in willpower. It felt like no matter the topic we discussed, it was always punctuated by a double entendre and followed by a long guffaw or a hearty snort. How can you not acknowledge the elephant in the room — er, in this case the giant dong in the room — when you’re discussing a band called Penis?
If you missed Kathleen Hanna and Ad-Rock’s performance at the book party for St. Marks Is Dead, don’t worry, they may be sharing a stage again soon. Neal Medlyn, husband of the book’s author Ada Calhoun and the guy who brought the Beastie Boys-Bikini Kill power couple together for a round of punk covers at Cooper Union’s Great Hall, is performing as his ridicu-rap alterego, Champagne Jerry, and he’s bringing some of his famous friends with him.