Judson Arts Wednesdays, a series of free music, dance, and theatrical-readings twice a month, wraps up the season with this final play reading.
Blind Crest was inspired by the true story of Ronnell Wilson and Nancy Gonzalez, this work by Monet Hurst-Mendoza is take on a “boy-meets-girl” story where a black man on death row and a newly-appointed corrections officer make a connection and plan to have a baby.
At The Annoyance, 367 Bedford Ave, Williamsburg. 8:30pm. $10. More info here.
A ragtag gang of particularly zany folk come together to present this supposedly long-awaited public showing of some of the citizens of Sparkleberry’s theatrical creations, a town full of kindred spirits who also happen to be incredibly dumb. Needless to say, such a combination will probably make for some engaging material. The production features Eliza Hurwitz (who has also created a show that is dedicated to her love of Duane Reade), Steven DeSiena (the Music Man in recurring cartoon/puppet/sketch show Cartoon Monsoon), and Bardia Salimi (who I meant to see in a backyard comedy show in May but he spent too long getting an ice cream.) With a team like that, what could go wrong?
Erin Markey: Humping A Gatorade Bottle At The Duplex, 61 Christopher Street, West Village. 9:30pm. $15 plus a two drink minimum. More info here.
Performance artist/comedian/writer/singer/actress/my friend Erin Markey is always a pleasure to watch onstage. Her cabaret shows at The Duplex and Joe’s Pub are full of strange and compelling life stories, odd characters, impressive voice work, jokes you might not realize are hilarious until five seconds after they’re told, and some very nice singing. This show, with the truly memorable subtitle of Humping a Gatorade Bottle, is sure to be no less wonderful and intriguing, in addition to being a “heartwarming crossfit program.” Now that’s what I call one-stop shopping.
Secret At La MaMa, 66 E 4th Street, East Village. 8pm. Free. More info here.
I can’t say I know a ton about Watoku Ueno’s one-night-only piece at La MaMa, but maybe they’re staying true to their name and keeping all the juicy details a secret… What I do know is that it’s based off Japanese folklore, specifically a story known as “Crane Wife,” where a man marries a woman who is really a crane in disguise and makes money by weaving her own feathers into silk brocade and leaves once her husband finds out she’s really a crane. That is true independence and craftiness, if I do say so myself. Secret includes not only dance and live music but also some glorious shadow puppetry that will bring this odd little tale to life. More →
This One Night at the Opera Continues every Wednesday through April 29 at The Red Room, 85 E 4th Street, East Village. 8pm (April 29 show at 7:30pm). Tickets are $20. More info here.
For over a year now, cabaret artist Salty Brine has undertaken what he calls his “Spectacular Living Record Collection,” where he takes a classic or beloved album (anywhere from Weezer to The Beatles) and performs it in full, giving it his own personal touch. This often includes delightful and surprising reinterpretations of songs, larger-than-life costumes, and storytelling interludes. After working in this style for so long, it’s only fitting Brine is taking on Queen’s harmonic behemoth A Night at the Opera, spinning it into a grand evening of theatrics and betrayal fittingly directed by opera director Jordan Fein.