Hot on the heels of a Fader piece about “How Artists Have Helped Sustain Bernie Sanders’ Run To The White House”, another NYC-based creative type is #feelingthebern. Street artist Jim Joe, known for his rather Dada-esque scrawlings on street corners, billboards, and everyday objects, has joined the ranks of Sandernistas with a poster that may or may not become the Shepard Fairey’s “Hope” of this election season. (Take that, cardboard Hillary!) In it, the words “Human Being” are scrawled across the face of Bernie, who’s looking every bit the presidential hopeful as he longingly stares into the distance.
Arturo Castro alert: on Saturday the Broad City star paid a surprise visit to Comedy Central’s public painting party. Castro, who plays Jaime on the show, braved the cold along with Abby’s post-dentist shopping buddy Bingo Bronson to help hundreds of fans paint-by-number a #BC3 wallscape at North 11th Street and Wythe Avenue. Watch our video for a partial time lapse of the painting process and for Castro’s take on what fans can expect from season three, which premieres on Wednesday, February 17 at 10 p.m. The mural will remain up until February 28.
Prepare to witness the unholy union of street art and a multimillion dollar restaurant brand. Tomorrow night Vandal, a concoction from The Tao Group, will make its debut at 199 Bowery with the help of street artists from around the world.
Beginning today and running through October 10, the One Art Space gallery in Tribeca will be holding an exhibit titled Attack the Block – “a concise survey of contemporary street art in America.” With many of the featured artists having already had their work exhibited in museums and galleries like MoMA, the Whitney and the Brooklyn Museum, the show is what Daniel Giella, owner of One Art Space, describes as an “all-star game” of the street art world. But is the show also an oxymoron?
With Donald Trump getting lambasted in the form of Ronald McDonald and then a piñata, you knew it was only a matter of time before the Lower East Side’s consummate pop-culture absurdist took a swipe. Not to be outshined by his namesake street-artist-turned-amusement-park-operator, Hansky just threw up this masterpiece on the corner of Canal and Orchard. Unlike other Hanksies, this one appears to be pun-free — until you look at the sign next to it: “Private Property. No [ahem] dumping allowed.”
There’s a new face on the Brooklyn graffiti scene – literally. Jorit Agoch, a street artist known for his hyperrealist paintings depicting the human face, has a new mural in Williamsburg. His portrait of a boy named Camillo can be seen on North 10th Street, between Bedford Avenue and Driggs.
If you’ve seen street artist Flood’s Bill Cosby series—colorful images of iconic Fat Albert cartoon characters that, in an ironic twist, comment on the comedian’s rape scandal—you might be tempted to think they were flippant, sarcastic pieces by a smartass looking to stir up controversy. You’d be wrong: using the characters as mouthpieces for such an ugly topic was one of the hardest things the artist has ever done, and he continues his work despite being arrested earlier this year.
A massive mural on the side of 26 Second Avenue was completed over the weekend by Os Gêmeos, “the twins” known to their mother as Gustavo and Otavio Pandolfo. Described on their Instagram as an “independent project,” the work is dedicated “to the golden era #oldschool #mural #hiphop – Respect to everyone that has made and continues to keep the real Hiphop alive!”
I’d never seen art move so quickly off the walls as I did last night at Con Artist Collective‘s Lower East Side gallery. Things were so hectic that it was difficult even to talk to founder Brian Shevlin about the unusual exhibition. His eyes were too busy darting to and from the small, rectangular pieces of art as they were gently taken off the walls, wrapped in red plastic bags, and quickly replaced by more art works. It felt like a feeding frenzy, and I couldn’t help but join in. Snagging some art myself, I realized I’d never even considered buying art in a gallery before this. I mean, definitely the $20 price tag had something, a lot, to do with making an already appealing piece of work feel accessible. “We did this based on Bread & Puppet Theater’s Why Cheap Art? Manifesto,” Shevlin explained. “Basically, we believe that artists should be required to make cheap art.”
Walk down Morgan Avenue, past Owen Dippie’s recent mural of Renaissance artists sporting Mutant Ninja Turtle masks, and you’ll get to ASVP’s latest, “Triple Crown.” The black-and-white painting on the side of Sugarlift gallery shows three horses, all clean lines and free-flowing manes. “It’s derived from a larger theme that we’ve incorporated into some of our recent work,” a member of the anonymous duo told us. “The concept of finding wildness.”