This swift three-day exhibition shows the work of queer ceramic artist Caitlin Rose Sweet. I first encountered Sweet’s work when I interviewed her about a show she was doing inspired by Bosch’s notorious triptych The Garden of Earthly Delights. Since then, she hasn’t stopped whipping up sculptural pieces that impressively mix elements of grotesque and feminine. Friday, her solo show Objectified is unveiled to the public, placing the queer femme body in all its manifestations on view. Sweet’s ceramic sculpture creations can resemble traditional craft art, domestic home goods, genitalia, gnarled fingers, and fantastical beasts all at once. Will you be entranced or spooked? More →
Street Theater September 20-October 4 at The Eagle Bar, 7 pm: $25
The “father of modern queer theater” is back, and fittingly doing a show inside a gay leather bar in Manhattan. Yes, the late playwright and Stonewall Uprising participant Doric Wilson, who recently received a lifetime achievement award for his contributions to gay theater, is bringing his satirical Stonewall play Street Theater to Chelsea’s The Eagle.
Street Theater, which won an Innovative Theater award for a recent prior revival, was written in part to chronicle the events and people Wilson experienced personally at Stonewall in 1969. It’s produced by The Other Side of Silence (TSOS), one of the city’s first LGBT-centric theater companies, initially co-founded by Wilson and “resurrected” in 2002 by Wilson, Street Theater‘s director Mark Finley, and Barry Childs. Plus, after the show tonight, it’s “jockstrap night” at the bar. More →
The Future Is (Black) Femme Opening Friday, September 22 at 329 Broome Street, 6:30 pm to 9:30 pm. On view through October 3.
While the rest of our art opening recs for this week correspond with the return of Bushwick Open Studios, this show is happening in Manhattan. Lower Manhattan, so you Brooklyn dwellers don’t have to travel very far, don’t worry. The Future Is (Black) Femme is, unsurprisingly, an art exhibition of work by black femme artists. For the uninformed, “femme” is a term that describes a feminine-presenting person that may but doesn’t necessarily have to conform to the binary identity of “woman.” It can also mean a feminine-presenting lesbian, used as the opposite of “butch.”
Enough about semantics, on to the art. The exhibition is curated by Jessica Pettway, Josette Roberts, and Miranda Barnes, and features the work of 14 artists, including Roberts and Barnes. Though every artist identifies as a black femme and an artist, the show’s content spans a wide variety of artistic disciplines and themes, as every artist has something unique to say about existing in this country as a black femme. These lived experiences can often be painful, but the exhibition’s description notes that “similar themes of kinship, tenderness and rejoicing” are present throughout all the works.More →
How did we watch films at home before Netflix and DVD? And before VHS? Denny Daniel will show you at his Museum of Interesting Things. This “speakeasy museum” pops up weekly at various locations in the city to show how our current-day technology is based on earlier inventions, often going all the way back to the late 19th century. From 1960s solar-powered walkie-talkies to carousel animations and parts of the original World War II Enigma machine, Daniel has collected a wide array of antiques and curiosa.
After a decade and a half as a staple of the Williamsburg flea market scene, Artists & Fleas is opening its fourth location, smack dab in the middle of Soho, on the corner of Prince and Broadway. Look out, Prada.
Founded by Brooklyn-based Amy Abrams and Ronen Glimer in 2003, A&F allows independent artists and designers to sell their wares (or wears. . .get it?), resulting in a hodge podge of hip stuff: vintage clothing, jewelry, leather products, art items, handbags, food, and, of course, beard oil.
Installation view, Expanded Visions: Fifty Years of Collecting, at Leslie-Lohman Museum of Gay and Lesbian Art, 2017. (photo: Riya Lerner)
Despite the suffocating amount of luxury stores, there are still some small pockets of Soho that retain the neighborhood’s old gritty art spirit. As you pass The Performing Garage, where experimental troupe The Wooster Group and others still rehearse and perform, you’ll now encounter an new and improved iteration of the Leslie-Lohman Museum of Gay and Lesbian Art. After lengthy renovations, the museum has reopened and nearly doubled in size with Expanded Visions: Fifty Years of Collecting, an exhibition rich in the history and scope of queerness and the artistic expression surrounding it.
Dokonoko, a new Williamsburg-based womenswear brand, launched its debut line last night in Manhattan. For the next three months, you can peruse the label’s colorful, funky pieces at the new Soho location of Bulletin, the local-designer showcase that also has a store in Williamsburg.
Dokonoko was launched by Tokyo-born graphic designer Reina Sugiyama and her fellow New Yorker Lacey Voss, who has designed for American Outfitters and Victoria’s Secret. The brand describes itself as “a play on many things: Japanese and American cultures, femininity and feminism, identity and stereotypes, and the seriousness of the retail world.” The quintessential “Dokonoko woman,” according to the brand’s manifesto, had an international upbringing (Sugiyama was a globe-trotting diplomat’s daughter) and “found her freedom to be truly herself” in New York City.
The annual NADA New York art fair kicked off yesterday in Soho. With a new space (Skylight Clarkson North) and a new time of year (Armory Week), NADA remains a cacophony of serious art enthusiasts and neophytes. Among the 100 exhibitors are a host of downtown galleries like Jack Hanley Gallery, Regina Rex, Rawson Projects, Alden Projects, and Brennan & Griffin. In classic style, nearly everyone was dressed in an all-consuming black. Here’s a look at what was on display this year.