Circus Revue: Love, Trust, and Partnerships House of Yes, 2 Wyckoff Ave, Bushwick. 7pm doors, 8pm show. Also on Friday. Tickets are $15. More info here.
In a special edition of House of Yes’s recurring circus revue, this show is totally devoted to the magic number two. Yes, each act in this high-flying variety show will be a partnered one, so instead of the singular dazzling aerial, burlesque, dance, and circus acts you’re used to this glitzy venue delivering, you’ll be seeing double. In the spirit of deux, this show will be going on for two nights instead of its usual one, so there’s no excuse not to check it out. Plus, there’s a free dance party afterward, where you can probably unsuccessfully attempt some of the moves you saw.
Dead Darlings At Judson Memorial Church, 55 Washington Square South, Greenwich Village. Free. More info here.
Typically, when we go see a performance of any sort, the material we’re watching has been written, rewritten, and carefully narrowed down from a presumable slew of ideas. Dead Darlings, a monthly show curated by performer and female drag queen Amanda Duarte, seeks to assemble a group of artists to show work that didn’t make the final cut or has not yet found a home. This time is “book club edition,” so there’ll be a gaggle of authors reading their work: Dave Hill (Inside Amy Schumer), Michael Schulman (Her Again: Becoming Meryl Streep), Rebecca Traister (All The Single Ladies), and Cintra Wilson (Fear And Clothing).
Gad Elmaleh at Joe’s Pub (Photo courtesy of Jon Asher)
Mentioning Gad Elmaleh’s residency at Joe’s Pub to my American friends was a weird experience. “He’s the most famous comedian in France!” I said, full of jingoistic pride. The embarrassed silence that ensued made me realize that my announcement didn’t quite have the expected effect. So I tried a different approach. “He’s like the French Jerry Seinfeld, you know. They’re actually good friends. He’s even been a guest on Comedians in Cars Getting Coffee.”
“Oh… Really?” was the politest answer I could get. But I saw in my interlocutors’ perplexed eyes that they had no clue who the hell I was talking about.
An Audience With Molly Pope At Joe’s Pub, 425 Lafayette St., East Village; 9:30pm (also at 7pm on 1/27). Tickets are $20 and can be purchased here.
“Neo-retro” cabaret artist Molly Pope has performed many times all over the city and garnered much praise along the way, but this time she’s doing a little something more: recording her first album. Of course, that’s also happening in front of a live audience, led by a six-piece band. And don’t worry, there will be a sing-along, and audience members who partake will in fact be credited as back-up artists on the album. It’s your chance to be a star!
We kind of nerded out here at B+B when we heard news that an IDNYC enrollment station was popping up in the East Village through the month of December. The municipal identification program — the groundbreaking pet project of Mayor Bill de Blasio and the largest program of its kind across the country — gives all New Yorkers, regardless of immigration status, the right to an ID card. Of course, there are all kinds of perks to get us to develop some loyalty to these things and actually carry the cards around. Or maybe our lanky Mayor just loves us.
And actually, you might be inclined to think the latter now that we’ve been given the greatest holiday gift ever. The Mayor announced an extension of the free membership program linked to the card for at least another year. And just when we thought things couldn’t get any better, another IDNYC registration center is launching in Chinatown.
If you’ve decided that Stairwell Theater’s scatological Ubu Rex seems a little too extreme for you, there’s no shortage of oddball performance events around every corner this week. But sorry to all you straight-laced folk out there, none of them are particularly traditional.
If you’re a downtowner who’s been lazy about trekking uptown to get a city ID card, heads up: an IDNYC enrollment site is popping up at Middle Collegiate Church during the last three weeks of December.
You’ll want to move on this, too: December 31 is the last day you’ll be able to sign up for free year-long memberships at 33 museums and cultural institutions. After you’ve snagged the card, you’ll have to apply separately with each place for membership, but it’s worth it. Perks include discounted tickets at the Public Theater, 20% off food and drink at Joe’s Pub and The Library, half off movie tickets and same-day tickets to performances at BAM, and free admission to The Met, MoMA PS1, and Brooklyn Museum.
Whether you’re in the mood for scary stories, live nude bodies, or something completely different, there’s a show out there to tickle your funny bone or take your brain for a spin.
What Are You Afraid Of? Over the Eight, 594 Union Ave., Williamsburg. 8pm; tickets are $5 at the door.
Former child actress turned writer and comedian Mara Wilson hosts What Are You Afraid Of?, a comedy and storytelling show that explores fears and anxieties of all shapes and sizes. This particular show features a small but mighty lineup consisting of B+B favorite Sue Smith, Chemda, Susan Kent, and Wilson herself. Take a peek into these funny people and their frightened brains. Maybe you’ll find you have more fears in common than you thought.
The term “Lynchian” tends to evoke the dark, off-center sensibility of its carefully-coiffed namesake. It’s an adjective that could be used similarly to describe the indomitable comic stylings of a fellow Lynch named Jane. In this sense, “Jane Lynchian” refers to a no-bullshit, straight shooter always willing to share what’s on her mind (from Guatemalan ex-lovers to cocaine breakfasts). More recently, Lynch – as the jumpsuit wearing, draconian coach Sue Sylvester on Glee – added “songstress” to that list. But don’t take my word for it. Next week at Joe’s Pub you’ll be able to experience all that is “Jane Lynchian” courtesy of her new show, “See Jane Sing.”
Having begun her career on stage, Lynch’s tiptoe back toward theater was inevitable. Following her successful portrayal of Sue Sylvester, Lynch was cast as the equally villainous Miss Hanningan in last year’s Broadway production of Annie. Soon after, Lynch was invited by 54 Below, a local cabaret club, to perform her “act.” Though she had nothing prepared, Lynch accepted, improvising with a handful of what she says are “songs I just liked.”
Rachel Mason (Photo: courtesy of The Lives of Hamilton Fish)
Multidisciplinary artist Rachel Mason’s album turned surreal rock-opera film The Lives of Hamilton Fish owes its life to coincidence. In January 1936, two men from upstate New York named Hamilton Fish — one a sadistic serial killer, the other a minor statesman — died a day apart. Decades later, while volunteering as an art teacher at Sing Sing Correctional Facility (where killer Fish was executed), Mason discovered their side-by-side obituaries in a newspaper clipping that would spark her self-admitted “obsession” with the Fish men.