Off the 4th Avenue / 25th Street stop on the R Train, you can visit the Green-Wood Cemetery. Or, from tonight through November 15, you can stroll on over to the MIX Factory. Don’t be fooled, it’s not a new operation drumming up artisan cocktail mixes; rather it’s the name of the venue for MIX NYC, the annual New York Queer Experimental Film Festival now in its impressive 28th year.
For once count yourself lucky if you missed an art opening. Synaesthetics, a new exhibition at Reverse Gallery in Williamsburg opened last Friday; sure, there was free booze and great people watching, but the two interactive installations that are featured and the trans-sensory trips they inspire are best experienced in isolation or maybe at most with one other partner. Both Eunoia II, by Lisa Park, and Format No. 1, by Louise Foo and Martha Skou, strangely mimic our increasingly digital experience of the world, which is itself a lonesome, disconnected way of engaging with people more and more through social media.
Living Los Sures, a collaborative work-in-progress documentary project by UnionDocs, is a multifaceted portrait of Williamsburg’s South Side that has been four years in the making. The ambitious project—selections of which are now on display at Fordham University’s Idliko Butler gallery—was inspired by Los Sures, Diego Echeverria’s 1984 feature documentary about the then-blighted Hispanic neighborhood. “Remarkably,” wrote Eleanor Mannikka of the film, “some hope and ambition and drive are still present in spite of the crime and grime that settles over the neighborhood like dust.”
Several Brooklyn-based artists transported their signature aesthetics uptown this week, creating window displays and in-store installations for Bergdorf Goodman. Intuitively titled Ten Artists for Ten Spaces, it features the works of artists curated by Kyle DeWoody, founder of Grey Area – a company that continuously puts art in places one would least expect to find it (you’ll remember the Bic lighter ring).