East Village

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Monday, Join Our Conversation With the Editors of Vice

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Last week, Ad Age named Vice its Publishing Company of the Year and neatly summarized the bohemian behemoth’s acid-laced ascent: “What had started in Canada as Voice of Montreal in 1994 has now morphed into a Brooklyn-based multimedia empire that can land a deal with HBO — for ‘Vice,’ the Emmy-nominated documentary ‘news magazine’ series that was renewed this summer for a second season — while also playing with the magazine-world big boys (Vice was a 2012 National Magazine Award finalist in the General Excellence category).”

Monday at the Newsroom, top editors Jason Mojica (editor-in-chief of Vice News) and Rocco Castoro (editor-in-chief of Vice Media) will stroll over from their Williamsburg headquarters to tell us how, exactly, the skate-brat rag you used to pick up at Beacon’s Closet rose to such prominence that 21st Century Fox recently bought a 5 percent stake for $70 million. (That’s right, Murdoch is IN.)

Incidentally, we’re told the company has no plans as of yet to expand next-door into the Beacon’s space, as was widely reported — but it’s expanding just about everywhere else: the magazine boasts 25 editions covering 30 countries and a global circulation of over 1 million, the record label has over 50 artists, the publishing arm has put out a dozen books, and nearly 3.5 million subscribers watch YouTube shows like “Fresh Off the Boat with Eddie Huang,” in which the East Village chef bounces from Mongolia to Detroit.

Meanwhile, Vice.com continues to probe everything from sex on the Lower East Side (by B+B contributor Taji Ameen) to Obama’s drone strikes, via long-form video and gonzo reporting that — for better or worse, depending on where you stand — delivers a Fightland-style kick to the face of conventional journalism.

Join us Monday at 7 p.m., at 155 Grand Street, off of Bedford Avenue, as we explore Vice’s evolution from the fringes to the front lines. The event is free but seating is limited; let us know you’re coming.

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The Space at Tompkins Is Finally Getting an Actual Space From Which to Help the Homeless

Andrea Stella, center. (Photo: Space at Tompkins)

The Space at Tompkins, despite its name, is a “completely street-based” organization, according to co-founder Andréa Stella. But next month the non-profit — which connects the city’s transient homeless with anything from peanut butter sandwiches to clean needles — will get an actual space of its own. If only for a week.
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Peaches Does Herself Is an Anti-Jukebox Musical That Takes ‘Cock Rock’ Very Seriously

The film opens on a podium, where a stuffy professor lectures in un-subtitled German sprinkled with English words: “Teaches of Peaches,” “rock mainstream,” “Fatherfucker,” “clitoris.” Then he disappears, replaced by Berlin-based girl group Jolly Good, both wearing Plasmatics T-shirts and screeching “Rock Show.” It’s the first of 22 songs by the Canadian electro-clash rocker Peaches, best known for Lost in Translation’s “Fuck the Pain Away.”
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Croxley’s Will Soon Open a 48-Tap Belgian Outpost in Williamsburg

IMG_4056Pub chain Croxley Ales hopes to bridge the gap between its five Long Island locations and its East Village spot with a new location in Williamsburg. That is, once the Department of Buildings comes through.

Partner Chris Werle said the new Brooklyn location, at 63-65 Grand Street, is 90 percent complete and will open swiftly once they receive the permits to finish work. An internal wall in the onetime meatpacking plant still needs to come down.
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Watch These Two Musician Memoirists Remember Stanton Street Very Differently

Friday at the B+B Newsroom Rayya Elias, author of Harley Loco: A Memoir of Hard Living, Hair, and Post-Punk from the Middle East to the Lower East Side, and Brendan Jay Sullivan, author of Rivington Was Ours: Lady Gaga, The Lower East Side and the Prime of our Lives read from their recently published memoirs and talked about the changes they’d seen in the East Village and Lower East Side over the years. Play the video to watch the readings and conversation. And here’s what happened when an audience member asked the authors to compare the eras during which they moved to the city (the late ’80s and mid-aughts, respectively).
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Hang On to Yourself, We’ve Got 30 Images From BowieBall

Last week Glenn Branca recalled meeting David Bowie: “He was a trip. He really felt like he needed to be the person you imagined him to be.” Saturday at Le Poisson Rouge, everyone felt they needed to be the Thin White Duke, or Ziggy Stardust, or any of Bowie’s countless other personas, because it was the annual BowieBall. Click through to see Amy Lombard’s shots of the action and get a glimpse of life on Mars.

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‘Rent Is Too Damn High’ Guy Has Released a Funky Little Housing Court Jam

Now that Jimmy McMillan, founder of the Rent Is Too Damn High party, has achieved even more fame as a music video star, why wouldn’t he put his eviction fight to music? The East Village resident’s new tune, “Order in the Court,” is basically a primer (Jimmy McMillan style) on landlord-tenant law, and contains theories like “the judges that sit on the bench have been appointed by the landlord’s attorney who represent the landlord.” This may be the only time a scathing indictment of Article 31, Section 3120 has been put to funk music (unless George Clinton did it?).

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Hit This Open Bar and Check Out Lit Lounge’s New Back Room

openingFlyerAfter Fuse Gallery closed behind Lit Lounge, owner Erik Foss gave us a preview glimpse into the new back room, which will now hold a pool table, games, seating, and rotating installations on the wall (unlike when the space was a gallery, the artwork won’t be for sale and will be covered over by each new artist). Now the space has a name (Fuse Room) and an opening date (Wednesday, Oct. 16). The launch party for “Rollers” (the debut installation from Ivory Serra, BÄST, and Lance De Los Reyes) looks like a blast (a BLÄST?): there’s an open vodka bar from 9 p.m. to 9:30 p.m. and DJs include Steve Lewis, Jonathan Toubin, and Prince Terrence.

For the serious part, we go over to Foss: “We at Fuse and Lit felt that making a change was the best way to ensure our place in downtown culture and keep our vision of exposing the masses to things they would probably not normally get to see in person,” he writes in the invite, “and also to continue to help artists.”