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Pie an Artist in the Face and Then Eat the World’s Biggest Bagel and Lox

Imagine this bagel sandwich, but 50 times bigger. Photo courtesy of Acme Smoked Fish

If you’ve ever wanted to throw a pie in someone’s face, now’s your chance. Jennifer Rubell, the conceptual artist who built a giant cookie jar resembling Hillary Clinton’s pantsuit, is inviting you to fling pies at her during a performance at the new Meredith Rosen Gallery, opening next week. Or maybe you’d rather stuff your own face with bagels? Head over to Brooklyn’s Acme Smoked Fish next Friday, where they’re building a super-sized (we’re talking a few hundred pounds here) bagel sandwich in honor of National Bagel and Lox Day.

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City Planning Weapons, The Internet’s Queer Future, And More Art This Week

Zhang Enli
The Broken Sofa, 2017
Oil on canvas
220 x 180 cm / 86 5/8 x 70 7/8 in
© Zhang Enli
Courtesy the Artist and Hauser & Wirth

The Garden
Opening Thursday, January 25 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through April 7.

Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.

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Roomba As Painter, 3D Sound Fields, And More Art This Week

(image via Fridman Gallery / Facebook)

Channels
Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.

Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.

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A 4-Hour Hug and More Art to Embrace This Week

(image courtesy of Michael Alan)

Mind Body Sound
Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.

One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! More →

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New Exhibitions: One Artist In Two Galleries, Beautiful Soup, Native Transformers

(image via Disclaimer Gallery / Facebook)

First, Play / Second Date
Opening Wednesday, November 8 and Thursday, November 9 at Disclaimer Gallery and Field Projects, 6 pm to 9 pm and 6 pm to 8 pm.

It’s common to see many artists showing work in one gallery show, but less so to see a singular artist (who isn’t a long-deceased master or buzzy household name) exhibiting at multiple galleries in the same city at the same time. Though this may be rare, queer artist Loren Britton is far from ordinary. Both exhibitions explore the confines and freedoms of bodies and language, specifically in regards to the queer and gender non-conforming experience.

At Chelsea’s Field Projects, their charming but rough paper pulp wall reliefs reside. Over at Bushwick’s Disclaimer Gallery, a sandbox installation rife with pastel, pulp, and radical politics makes its home. At the former, it’s recommended attendees “stay clean”; at the latter, “getting dirty is encouraged.” Rounding out the artist’s presence is a coloring book collaboration with artist/designer Laura Coombs; people are encouraged to fill in the book on their time between exhibitions. More →