If you’ve ever wanted to throw a pie in someone’s face, now’s your chance. Jennifer Rubell, the conceptual artist who built a giant cookie jar resembling Hillary Clinton’s pantsuit, is inviting you to fling pies at her during a performance at the new Meredith Rosen Gallery, opening next week. Or maybe you’d rather stuff your own face with bagels? Head over to Brooklyn’s Acme Smoked Fish next Friday, where they’re building a super-sized (we’re talking a few hundred pounds here) bagel sandwich in honor of National Bagel and Lox Day.
Opening Thursday, January 25 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through April 7.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.
Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.
Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.
Mind Body Sound
Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.
One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! More →
It’s common to see many artists showing work in one gallery show, but less so to see a singular artist (who isn’t a long-deceased master or buzzy household name) exhibiting at multiple galleries in the same city at the same time. Though this may be rare, queer artist Loren Britton is far from ordinary. Both exhibitions explore the confines and freedoms of bodies and language, specifically in regards to the queer and gender non-conforming experience.
At Chelsea’s Field Projects, their charming but rough paper pulp wall reliefs reside. Over at Bushwick’s Disclaimer Gallery, a sandbox installation rife with pastel, pulp, and radical politics makes its home. At the former, it’s recommended attendees “stay clean”; at the latter, “getting dirty is encouraged.” Rounding out the artist’s presence is a coloring book collaboration with artist/designer Laura Coombs; people are encouraged to fill in the book on their time between exhibitions. More →
Opening Tuesday, October 17 at Dia:Chelsea. On view through June 2.
The space at Dia:Chelsea is big and expansive, as it used to belong to the Alamo Marble Company. This makes it a particularly good fit for Rita McBride’s Particulates, a light sculpture installation consisting of sixteen lasers, water molecules, “surfactant compounds,” and appropriately, some marble dust. The result of this interesting collection of materials is a recreation of what seems to be the vast expanse of outer space mixed with a neon sci-fi world of the future, which should be good news to the people who have always wanted to feel enveloped in the galactic void but do not have the means to actually get up there. For those who cannot make it to the exhibit in-person, there is also a livestream of it. More →
A black-and-white illustration by David Wojnarowicz, on view last week at Chelsea gallery ClampArt, shows a grim reaper descending with a large scythe. The reaper claims to be “Democracy At Work,” but freely slices through individuals and activists voicing concerns like “No healthcare,” “Killer cops,” “Corrupt politicians,” and “Unemployment.” Though the piece was created in 1990, this so-called democracy keeps on wounding today.
2017 Next Wave Art
Opened Monday, September 25 at BAM, 6 pm to 8 pm. On view through December 22.
If you are involved in media or even know someone involved in media, you have probably heard frequent mentions of the phrase “pivot to video.” This typically means deciding your digital media company is going to focus on making videos instead of producing written editorial content, and frequently means writers getting fired. Many argue that this new focus on short-form video content that’s prone to autoplaying all over Facebook is happening because it’s an easier way for advertisers to make money in an unstable industry. It could also signal a change in how people want to consume content. More →
September 20-October 4 at The Eagle Bar, 7 pm: $25
The “father of modern queer theater” is back, and fittingly doing a show inside a gay leather bar in Manhattan. Yes, the late playwright and Stonewall Uprising participant Doric Wilson, who recently received a lifetime achievement award for his contributions to gay theater, is bringing his satirical Stonewall play Street Theater to Chelsea’s The Eagle.
Street Theater, which won an Innovative Theater award for a recent prior revival, was written in part to chronicle the events and people Wilson experienced personally at Stonewall in 1969. It’s produced by The Other Side of Silence (TSOS), one of the city’s first LGBT-centric theater companies, initially co-founded by Wilson and “resurrected” in 2002 by Wilson, Street Theater‘s director Mark Finley, and Barry Childs. Plus, after the show tonight, it’s “jockstrap night” at the bar. More →
Opening Tuesday, September 12 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through October 28.
When you think about Italian art, the Renaissance probably is the first thing to come to mind. However, as many of us have come to know far too late in life, what you were taught in your history classes is far from the whole picture. In this case, Italy is and has been home to a wide variety of artistic movements, and not all of them involved painting elaborate portraits for wealthy patrons. More →