Pat Ivers and Emily Armstrong are sifting through their voluminous archive of punk-era concert footage as it’s digitized for the Downtown Collection at NYU’s Fales Library. This week: a look back at DNA.
“How dare you play your guitar like that! Don’t you know that’s the same instrument that Eric Clapton plays?” Audience members were often quick to share their dissatisfaction with the screeching dissonance that Arto Lindsay wrung from his instrument during a feverish set. So whenever his no wave band DNA finished up, Lindsay was sure to pack up quickly.
“It was the music I liked to play,” Lindsay says. “I thought the more far out you were, the more likely you were to be hailed as the next Jimi Hendrix. I just wanted to see what music would do to people. “ More →
If you, like us, have a drawer full of t-shirts that shrank in the wash or tragically stained with ramen-burger sauce (or both), listen up. After a launch party tonight, you’ll be able to head into Greenpoint’s newest art gallery anytime this month and get your favorite tee turned into a snazzy hat. More →
Morgan Z has long been drawn to the work of film-score composers like Vangelis, Tangerine Dream and Giorgio Moroder. That much is clear when you listen to Chrome Canyon’s debut LP “Elemental Themes,” produced mostly at Morgan’s spacious Greenpoint apartment. That’s where he keeps some of his favorite toys, including a Juno 60 synth and a Korg PE 1000. More →
L to R: Shepard Fairey and Erik Foss at Lit earlier this week. (Courtesy Erik Foss)
On Wednesday, Fuse Gallery held its last regular opening after 11 years as a hub of downtown cool and creativity. Guests like Lower East Side graphic designer Kenzo Minami and Lobster Joint owner Tommy Chabrowski gathered in the little room behind Lit Lounge to play with Aliya Naumoff’s photos of musicians who, in some cases, have shown at Fuse Gallery themselves (e.g. Karen O of the Yeah Yeah Yeahs and ex-Smashing Pumpkins guitarist James Iha). More →
A reminder: if you missed Tuesday’s screening of Clayton Patterson’s Tompkins Square riot footage in its 3.5-hour entirety, stop by the New Museum tonight for From the Underground and Below, a screening of several short documentaries (and an excerpt of the riot footage) by Patterson on the “art, performance, and popular struggle” of the Lower East Side.
Over in Williamsburg, it’s Every Second Friday again tomorrow, so all these galleries are staying open late, and a few others are even holding openings. Read on for our weekend art picks. More →
Last night, Adam Green of the Moldy Peaches came together with other local artists and designers for the opening night of the Deep End Club, Tennessee Thomas’s new collaborative creative space and cool-kid hangout (and store!) next to a Repeat Performance. More →
A slew of East Villagers — including poet Bob Holman and Times writer Colin Moynihan — shuffled into Anthology Film Archives last night to watch Clayton Patterson’s 3.5 hours of footage of the Tompkins Square Police riot, on its 25th anniversary. More →
With over 200 companies clamoring for attention at New York International Fringe Festival, it can be super tough to decide which of the 1,200+ performances to attend. But one thing’s for sure: gimmicks help a production stand out, and there’s no better gimmick (or “plot device,” if you prefer) than using a celebrity, dead author, or an Austrian shrink or two as your subject matter. Here now are 15 people who are serving as fodder for some of this year’s standout productions — from deities to Wilhelm Reich to a singing Sigmund Freud. More →
Take From Dusk Till Dawn and National Lampoon’s Vacation; subtract Chevy Chase, John Candy, Quentin Tarantino and bloodthirsty vampires; add Jennifer Aniston as a stripper and Dodgeball director Marshall Rawson Thurber, and you’ve got We’re The Millers.