Entropy and much else haunts New York’s rapid transit system, one of the oldest in the world. The subway is fertile grounds for fear: the rats, the tons of dirt above your head, and the leaks you hope are water. And when you get home, you may find that bedbugs got off at your stop. Inspired, Andrew Duncan Farmer has written a collection of “Scary Stories to Read on the Subway,” with illustrations by Bats Langley.
In his first book, Making Rent in Bed-Stuy (HarperCollins, 2017), New York-based writer and filmmaker Brandon Harris uses his memoir of “trying to make it in New York City” as the starting point for a complex, multi-layered discussion of race, class, and gentrification.
The city’s popular “Summer Streets” program — in which seven miles of New York streets are temporarily turned into pedestrian-only parks — returns the first three Saturdays of August.
Our fair city’s government — or the program’s sponsors, anyway — have spared no expense. The smorgasbord of activities announced at a Department of Transportation press conference on Astor Place this morning includes crowd favorites like waterslides and ziplines — as well as some eccentric new additions, including a “smell walk”; an event described as “a silent disco, but for your tongue”; and the opportunity to bathe in a “giant washing machine.” Yet riding our subways is like participating in the Stanford Prison Experiment. Remarkable.
Anyway: This year’s theme is “the Five Senses,” hence novelties like the smell walk. Created by artist and designer Kate McClean, who previously created “smellmaps” in cities like Amsterdam and Paris, it’s described as “45 minutes of walking slowly and sniffing followed by a 15-minute visualisation exercise to communicate your smell encounters to those who missed the opportunity.” You can RSVP to be one of the 30 lucky smellwalkers here.
In keeping with the sensuous new theme there will also be a greater emphasis on food this year, with “food sessions” organized by New York chef John Mooney of Bell Book & Candle in the Village (known for growing vegetables on its roof). During the culinary silent disco, designed by Daily Tous Les Jours, a Montreal-based “interaction design studio,” participants will dine at a banquet while wearing headphones so their experience can be complemented by a soundtrack and narrator.
The “giant washing machine” will apparently be that — a 30’ wide by 50’ long inflatable washing machine filled with giant plates and utensils that participants run through while being splashed by jets of water. For the more pedestrian among us there will also be mini-golf, a dog park, bouldering walls, and the aforementioned waterslide and zipline, among other attractions.
Astor Place is one of Summer Streets’ designated “rest stops,” and several of the activities — including the “smell walk,” the mini-golf, the interactive banquet/silent food disco, and a virtual-reality tour of Mt. Everest — will be located there.
This is the tenth year of the Summer Streets program, noted speakers at the press conference this morning, who described the program as part of a broader shift in New York toward a more pedestrian-friendly, environmentally-friendly, and creative city. As last year, the main sponsor is Citi.
Summer Streets will take place from 7am to 1pm on Aug. 5th, 12th, and 19th along Park Avenue, Lafayette, and Centre Streets from Brooklyn Bridge to Central Park. All activities are free; some require advance registration.
Center for Book Arts Summer Exhibitions Opening Wednesday, July 12 at Center for Book Arts, 6 pm to 8 pm. On view through September 23.
This Wednesday, The Center for Book Arts will unveil their two summer exhibitions, titled “Protest ≠ Profest: Global Burdens” and “Animation + Printing.”Though the institutions focuses on books (obviously), the exhibitions themselves span a variety of disciplines. “Protest ≠ Profest” is their annual Artist Members Exhibition, with the timely concept of showing work dealing with activism and “current societal concerns.” In order to narrow down the type of theme that could easily fill multiple rooms worth of art (and to keep with the book focus), works on display will either be artist’s books or works relating to the book arts.
“Animation + Printing” is predominantly a short film showcase, but all films have been created using techniques typically applied to the creation of books, such asetching, moveable type, and silkscreen. A whopping 50-ish artists will be partaking, and the exhibition theme invites a cross-discipline experience for many, as several printmakers will be attempting animation and vice versa. More →
How did we watch films at home before Netflix and DVD? And before VHS? Denny Daniel will show you at his Museum of Interesting Things. This “speakeasy museum” pops up weekly at various locations in the city to show how our current-day technology is based on earlier inventions, often going all the way back to the late 19th century. From 1960s solar-powered walkie-talkies to carousel animations and parts of the original World War II Enigma machine, Daniel has collected a wide array of antiques and curiosa.
In October of 1929, a New York Times headline announced: “Odd-Type Buildings to Overlook Church.” Those odd-type buildings would’ve been New York’s first glass skyscrapers, designed by Frank Lloyd Wright to surround St. Mark’s Church-in-the-Bouwerie. Starting Monday, a meticulously restored model of his East Village towers will be exhibited for the first time in over 50 years, as part of a new retrospective at MoMA.
Emergence: Emerging Artists in New York Opening Tuesday January 17 at The Living Gallery, 6 pm to 9 pm. One night only.
The term “emerging artist” has been a bit of a buzzword for quite some time now. To some, it means someone who has literally just started creating, to others, it is someone who’s been on the scene for a couple years but hasn’t won any fancy awards. And sometimes it’s somewhere in between. But this art show really owns the title in a way that’s clear: simply, Emergence is showing work by New York artists who have never shown their work in a gallery before. There will be over 20 artists covering the gallery in their work, whether it be painting and sculpture, performance, or even fashion pieces. Come one, come all, and witness the emergence.
Female Behavior Opening Tuesday January 10 at Cooler Gallery, 7 pm to 10 pm. On view through January 31.
Firstly, let’s discuss this gallery’s name. Sure, it sounds sort of pompous, in a cooler-than-you kind of way, and maybe that’s what they think of themselves. But the origin of this gallery is actually, well, cool. It exists within a “repurposed industrial icebox” in the Brooklyn Navy Yard, so it really is a cooler gallery. Plus, it seeks to display work that involves elements of manufacturing, so it’s aware of its roots. But enough about the gallery, let’s get to the show: artist Kate Hush makes massive sculptures of neon light, and what she is particularly trying to capture in her solo show, Female Behavior, are women and their so-called “wicked ways.” She writes of light being produced when bonds are broken, such as the cutting of a diamond, so she has crafted female silhouettes to portray those who are seen as cruel and conniving simply for being “sharp” or for cutting ties with a man who will then call her crazy. May women burn bright and powerful as much as they can, especially now.
Banjela Davis (Photo courtesy of La MaMa’s Squirts)
Nowadays, it’s common to see one generation insisting that the other will never understand them, whether its Jerry Seinfeld lamenting that college kids are “too PC,” the drag performer Lady Bunny balking at “crybabies” and new pronouns, or tweens making memes decrying the whole bootstraps thing (every Boomer’s favorite piece of outdated advice).
Given this disconnect, it’s not everyday that you see a generational cross section of people in the same room together, let alone actually listening to each other. This rings especially true for people in the queer community, who experience generational differences in even starker terms because of the gaping hole that the AIDS epidemic left behind. But bridging this gap is exactly what La MaMa’sSquirts: Generations of Queer Performance seeks to do.
Vapid & Screaming Opening Monday January 2, 6 pm to 9 pm at 208 Bowery. On view through January 4.
Nowadays, gallery space in Manhattan is pricey, yet art is still being created left and right. For those still clinging on to the last kernel of hope that there is hope for the island, well, there might be something there. At least, for pop-up shows.
Take 208 Bowery–a former restaurant supply shop-turned-pop-up hub which recently featured a Drake-themed event, among other art shows and will now be the site of Vapid and Screaming, a pop-up show of work by “emerging fag, femme, and queer artists.”