Asia Gagnon’s ‘The Kind of Thing You Don’t Talk About’ at SipFest
SipFest Now through March 14 at Wild Project, various times, various prices
The nature of live theater is that anything can happen at any time. Sometimes this is good, but not always. Spaceman, a high-tech play from Loading Dock Theater about a woman astronaut’s journey to Mars, was supposed to have a run at Wild Project currently, but had to be canceled due to an injury sustained by the lead performer. However, the venue will not be empty. A last-minute festival of original performance works by women and queer artists called Sipfest will run at the Lower East Side venue in its stead. There, you’ll find a solo show digging into how we discuss sexual assault, drag performances, femme ballads, a play inspired by the fanfiction epic My Immortal, and more.More →
Woke AF: A Mind-Opening Variety Show Thursday, March 1 at UCB East, 11 pm: $7
Minds are like doors, I guess. Some are closed and some are open and some are in between and uh, some have doorbells? I’m working on it. Instead of trying to continue this bit, let’s get to the point here: Woke AF is a comedy variety show that aims to open your mind by exposing you to a diverse group of people waxing poetic/comedic about social issues they feel particularly attached to. Maybe it’s a topic you’re well versed in but have never heard joked about lovingly, or maybe you’ll learn something totally new. However your mind will react to this proposed awakening, you can expect to see ruminations of all sorts from Jes Tom, Corin Wells, Timothy Dunn, Glorilis Tavarez, Jesse Roth, and Kami Dmitrova. Just remember not to be too performatively woke, even if this is a performance.More →
Magical Girl Burlesque Presents: The New Review Thursday, February 22 at Mayday Space, 8 pm: $5
Out with the old, in with the new, that’s what they say. Or at least, that’s what someone said, sometime, somewhere. Regardless of your opinion on the old, you can see the new coming out in full force at the inclusive troupe Magical Girl Burlesque’s recurring show, The New Review. True to its name, it centers around showcasing both emerging and experienced burlesque performers who have new acts they’d like to workshop for an audience. Think of it as a kind of open mic for burlesque, except the lineup is technically pre-curated and there probably won’t be any white men telling jokes that they (and no one else) think are funny. More →
If you somehow haven’t made Valentine’s Day plans yet (and yes, I count staying home and groveling as ‘plans’), consider attending this sensorial sensation of a show at Secret Project Robot tonight. In addition to serving as home for the high-energy SSION’s first Brooklyn performance, you can also expect a hefty spritz of performance art, installations, and even perfume. The multi-talented Ziemba will not only be performing some new “boudoir songs” from her soon-to-be-released album ARDIS (which, might I say, doubles as a “feminist sci-fi fragrant musical”), she has also created a new fragrance specifically for tonight. On top of all that, Ziemba and SSION will be joined by performance art vixens Caitlin Baucom and Pauli Cakes, and they’ll be doing their thing in an installation created by Monica Mirabile that was once likened to a “modern Brooklyn dollhouse.” Plus, if you wear Valentine’s colors, you could score a free beverage. So, open your heart (and your nose) and get to SPR. More →
(image via Salty Brine’s Living Record Collection / Facebook)
How Strange It Is Wednesday, February 7 at Pangea, 7:30 pm: $20 advance, $25 doors
You may have first caught wind of this show back in 2016, when it happened at small East Village venue the Red Room. Whether you did or not, Salty Brine’s cabaret that uniquely puts Neutral Milk Hotel’s In The Aeroplane Over The Sea in a WWII setting has been enjoying an encore run at nearby spot Pangea for the past few weeks. The show is part of his longtime “Living Record Collection” project, in which he performs notable albums in their entirety with a conceptual twist. Past endeavors have included a German cabaret Abbey Road, a Prohibition-era She’s So Unusual, and a sentimental, seafaring rendition of Joni Mitchell’s Blue. Tonight will be the last night of this particular creation, so don’t be a “fool” (ha ha, get it, because that is one of the song titles) and get over there. More →
America Is Hard To See Now through February 24 at HERE Arts Center, 8:30 pm: $35-45
Do you ever have an idea and sort of less-than-halfway execute that idea, and then spend a really long time procrastinating doing any more work on it and then find out that someone has beat you to the punch but in a way that seems really interesting and cool so you can’t help but appreciate it? Whether you have or you haven’t, that very thing happened to me with this new play. In college, I started writing a play about a trailer park community of sex offenders with nowhere else to live, based on the real manifestations of this phenomenon. I never finished it, or even came close, because writing plot is hard. Life Jacket Theater Company did, and they even traveled to Florida’s Miracle Village and interviewed its residents to create their show. Add in a helping of methodist hymns and theatricality, and you’ve got the recipe for a play that seems truly nuanced and exciting, particularly in today’s tumultuous time of #metoo reckonings. More →
Magical Girl Burlesque Presents Birthday Battleship Burlesque Friday, January 26 at Bizarre Bushwick, 8 pm: FREE (suggested donation to benefit Southern Poverty Law Center)
Ah, Battleship. That classic game of pegs, coordinates, and nearly naked bodies. If you’re confused about that last part, perhaps you’ll have your memory refreshed on Friday night, when the performers of Magical Girl Burlesque take to the stage and somehow reenact an entire game of Battleship with a burlesque twist. Here’s how such a thing will work: each performer on the lineup represents a boat piece. Audience members will play the game in the classic way, and when the battleships are sunk, the performer will perform. So in this case, losing the game is actually winning the game. The show is free, but donations will be collected for the Southern Poverty Law Center. More →
Citizens United II: What Happened? Wednesday, January 17 at Ars Nova, 8 pm: $15
If you couldn’t tell from the title alone, this is a political show. Though just to clarify, it’s not a staged reading of the Hillary Clinton book. At least, I don’t think it is. “Leftist performance collective” Citizens United returns once more to the Ars Nova stage to parse through these troubled political times by way of drag shows, poetry, performance art, punk music, and more. The group joins the many artistic efforts happening this month to commemorate-slash-mourn the one-year anniversary of the presidential inauguration. In fact, the last time Citizens United brought their unique stylings to the stage was January 2017. What has happened since that fateful month is dizzying and often cringe-worthy to think of, and possibly perfectly summed up by a night of chaotic performance. More →
(photo: Ian Douglas, courtesy of American Realness)
American Realness Now through January 16 at Abrons Arts Center and other venues, various times and prices.
If you thought last week’s Performance Picks covered all the winter theater festival shows to see, you would be incorrect. There are actually more, believe it or not. Abrons Arts Center and Gibney Dance’s American Realness festival began yesterday, bringing with it a slew of dance and movement-based works, including several world premieres. Whether you’re interested in profound performance art, classic dance, or pop cultural tribute, American Realness likely has you covered.
Some intriguing titles include nora chipaumire’s punk salute to Patti Smith and Zimbabwe, Neal Medlyn’s investigation into Pina Bausch and his years as an “untrained dancer in New York contemporary dance,” NIC Kay’s solo performance inspired by queer ballroom and Butoh, Adrienne Truscott’s “dance about dance without any dance,” Claire Cunningham and Jess Curtis’s physical delve into the seeing and perceiving of bodies both disabled and not, and of course, more. More →
It is time once again for the slew of winter theater festivals that usually fill the month of January to its very brim, and cause many an artist to triple-check their schedule and/or wallets to see how they can make it all work. Beginning on Thursday is one of the most notable fests, Under The Radar, presented by The Public Theater. Though it’s only 12 days, there are more than 155 performances across five venues. Even slightly pondering that gives me scheduling-related anxiety.
A brief sampling of highlights: Roger Guenveur Smith and CalArts’s piece exploring the New Year’s Eve concert Jimi Hendrix played in 1969 in NYC, queer ensemble Split Britches’s meditation on anxiety and doomsday created in collaboration with local artists and elders, a concert of work by Erin Markey and Emily Bate, harunalee’s exploration of how memory can be gendered and racialized, Cuban company Teatro El Público’s underground drag-cabaret version of Antigone, and more. There is truly so much more. More →