In Living Color! Weekly on Wednesdays at UpNorth, 9 pm: FREE
There are so many drag shows in the city, they can be hard to keep track of. When a show happens every week, it can create a comfortable consistency; you always know it’s going to be there. The newest weekly sensation to hit Bushwick is In Living Color, a free evening of drag and burlesque hosted by effervescent drag performer Junior Mint, who may be new on the scene but has so much talent and vibrant presence that you’d never know it. Every Wednesday, she hosts a crop of multitalented local performers for your entertainment, while you sip drinks and dine on vegetarian food from the bar. This week features Rara Darling, Thee Suburbia, and Tink, with gogo dancing and kittening by Foxy Belle Afriq. More →
Whom among us has not quit something? This shared sentiment typically unites the room at Quitters, Sam Corbin and Ian Goldstein’s monthly comedy show that asks performers to ruminate upon the times they decided to throw in the towel. However, the quitting isn’t entirely pervasive, as the show is celebrating two whole consistent years of existence tonight. Yes, that’s two years without quitting, or at least without quitting this once specific thing. The folks helping the two hosts celebrate their commitment to the quit include Rachel Kaly, Shalewa Sharpe, Rachel Pegram, and Chris Donahue, and a portion of the ticket proceeds will be going to the ACLU. More →
Yes, 420 was last week, but maybe you had to work, or maybe you just can’t get enough of herb-centric events. Whatever you’re feeling, know that tonight you can experience yet another high-minded live performance experience. Drag and burlesque performers Vylette Tendency and Doll Body’s High Concepts variety show features burlesque acts, games, and a raffle to benefit Drug Policy Alliance. The intimate, speakeasy-style event embraces the fact that it’s a late 4/20 show, which admittedly does feel on brand for those who often partake of the herb, as scatterbrained-ness is always a possibility.
Internet Explorers Thursday, April 18 at Caveat, 9 pm: $10 advance, $12 doors
If you don’t have your eye glued constantly to social media, you might’ve missed that Instagram’s meme-makers have started to non-ironically unionize. It’s undeniable memes are a bigger deal than ever, so it only makes sense there’ll be a live comedy show about them tonight at Caveat, as part of Mark Vigeant’s recurring Internet Explorers show. As tonight is all about memes, Vigilant will be hosting online comic artist Branson Reese and a trio of journalists who report on all things internet (The Atlantic’s Taylor Lorenz, who wrote the aforementioned meme article, plus Buzzfeed’s Katie Notoupoulos and The New York Times’s Amanda Hess). There’ll also be a game of “meme Shark Tank,” where a group of comedians will try to out-meme each other.More →
The Favourites Friday, April 12 at Club Cumming, 8 pm: FREE
Most people with an awareness of pop culture have at least heard of The Favourite, Yorgos Lanthimos’s recent feature film that facilitated, among other things, a frequent (and queer) call for actress Rachel Weisz to take control of them in every which way. WithThe Favourites, a new queer comedy show from Tessa Skara and Jes Tom, perhaps you’ll find a new object of affection to request bodily harm from. Described as “part safe space, part dyke party, part comics to watch showcase at a liberal arts college,” the kickoff show features Becca Blackwell, Kiko Soirée, Mila Myles, Spike Einbinder, Jess Salomon, and Eman El-Husseini—plus, of course, some obligatory Weisz fawning.More →
Yourself, Your Body Thursday, April 4 at Union Hall, 9:30 pm: $10
Arti Gollapudi, who we interviewed back in 2017 about her aggressively inclusive Comedy Cunt Collective, has been quite busy lately. One of her many endeavors include the recurring show Yourself, Your Body, a comedy show (produced by Amanda Justice, also of Comedy Cunt Collective) perhaps unsurprisingly about how bodies and brains alike can be, well, extremely weird. Anyone with a human body (and maybe some without) knows there’s a lot to be mined from this topic. This time around, the funny folks waxing humorously about this weirdness include Rachel Sennott, Rebecca O’Neal, Drew Anderson, Mia Myles, Amanda Justice, and guest co-host Maya Deshmukh.More →
Eh Dah? Questions For My Father Now through April 14 at NYTW Next Door, 7:30 pm (some shows other times): $49 ($25 day-of cash only rush tickets available to artists, residents of the East Village and Lower East Side, seniors, and people 25 and under)
This new musical by Aya Aziz and Hypokrit Theater Company, which previously won two awards at 2016’s New York Musical Theater Festival, transcends cultures and continents. It centers around a multi-generational family spread across Egypt and America who are grappling with with what’s simultaneously a very 2019 issue and one that stretches far into the past: coming to terms with the best way to digest the stories we were told growing up, and figuring out what is more truth than fiction, particularly in a post-9/11 world.More →
Brown Privilege Comedy Thursday, March 21 at Friends and Lovers, 8:30 pm: FREE (donation suggested)
The 39th edition of Saurin Choksi and DJ Sareen’s Brown Privilege Comedy returns to Crown Heights bar Friends and Lovers tonight. As always, the show spotlights some of the best comedians of color the city has to offer, with nary a token white person to be found. This time, they’re bringing along Gibran Saleem, Aminah Imani, Ayanna Dookie, Kevin Iso, and Alex English. After all the jokes have concluded, stick around—DJ Sareen takes the stage and the show becomes a dance party.More →
Anything That Gives Off Light Now through March 30 at Joe’s Pub, 7 pm (some dates at 9:30 pm): $35
The latest endeavor from theater collective The TEAM—working in collaboration with the National Theater of Scotland and music duo The Bengsons—is staged not in a traditional theater space but the cabaret coziness of Joe’s Pub, inside the Public Theater. Of course, that’s purposeful, considering the show is partially set in a London pub. Amongst pints and whiskeys, two Scottish men and an American woman cross paths and begin a journey that takes them throughout Scotland, America, and the inner workings of the mind, all set to a Scottish-influenced folk-punk score.
Wet Cash Friday, March 15 at GG’s Social Trade and Treasure Club, 7:30 pm: $10 suggested donation
Yes, this comedy show to benefit Make the Road NY is named Wet Cash, but it’s probably not the greatest idea to stroll up to the venue (a Bushwick thrift store) and attempt to pay your suggested donation using a bunch of dollars that were once floating in a bucket of water. However, you might end your night with some—the team behind the show will be giving out drippy dollars (which could be a good band name) to a lucky(?) audience member. That’s not the only liquid present, however, there will also be free beer from Braven, and of course, comedy by Dylan Adler, Rachel McCartney, Ben Katzner, David Drake, and host Noah Rocklin.
What is there to say about cream sauce? It is indulgent and sometimes too filling, but it is also good. Those three descriptors could very well also characterize comedian Edy Modica’s play of the same name, coming to Ridgewood’s The Windjammer this Saturday. Fittingly, Modica will be presenting absurd anecdotes of all sorts inspired by the Italian side of her family, with help from fellow performers Brian Fiddyment, Eliza Kimberley, Francesca d’Uva, Rachel Kaly, Chase Montavon, and opener Steve Girard. Expect tales of pasta, funerals, cannoli, and of course, plenty of sauciness.
The hedonistic, hard-partying Greek god Dionysus has shown up in countless pieces of culture over the years, from the old classics to the name of a record label. Currently, you can find the wine-soaked deity in Madeleine George’s play Hurricane Diane, directed by Leigh Silverman. Rather than a bearded being clutching the traditional grapes and a drinking horn, George’s Dionysus takes the form of Diane, a butch lesbian gardener with a penchant for seducing housewives. Diane is played by actor Becca Blackwell, who describes themself as “someone living both genders,” and according to mythology, it’s likely that the actual Dionysus did too.
Eat The Devil Now through March 9 at The Tank, 8 pm: $25
The best way I can describe Eat The Devil, a multimedia-laden play by Nadja Leonhard-Hooper and Dan Nuxoll of Rooftop Films, is kind of like a cross between the movies Sorry To Bother You and Ex Machina, but way weirder, way more online, and with more theatrics. But even that doesn’t really do its uniqueness justice. The play, set in a strange-yet-feasible version of the future, centers around the development of Mia, an artificially intelligent sex doll played by nonbinary drag performer Theydy Bedbug. Meanwhile, airlines are sponsored by porn tube sites, Amazon is run by a flying Alexa device, Alex Jones is still screaming away, and furries are experiencing a cultural moment. It’s both a night of delightfully strange escapism and a harrowing vision of what very well may soon be our reality.
The Mess With Jesse Roth Saturday, March 9 at The Footlight, 7 pm: $5-10 sliding scale
Some comedians describe themselves as clean, but performer Jesse Roth prefers her work to err on the messy side of things. That doesn’t necessarily mean she’s into flinging food and mud around (though there have been comedy shows where those things happen), but rather, she embraces the flawed nature of experimentation. At her recurring show at The Footlight, Roth delves into stand-up, dance, sketch, solo performance, music, and more, finding out what works along the way, and what doesn’t. This Saturday’s show features guests Steve Jeanty of hip-hop improv group North Coast and Graham Techler.
First of all, if you don’t get that little children’s song in stuck in your head eternally after reading the title of this show, I envy you. Skinnamarink, the latest production from offbeat theater company Little Lord, takes its inspiration from McGuffey’s Eclectic Readers, a series of vintage children’s books dating back to the 1800’s that aimed to teach the youth to read. Using this source material (and peanut butter, so if you’re allergic, consider yourself warned), the ensemble immerses the audience in a “little one-room schoolhouse of horrors” to educate on the curiously dark state and history of the American education system.