Performance Picks

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Performance Picks: Battleship Burlesque, Benefit Shows, and More

FRIDAY

(flyer via Magical Girl Burlesque / Facebook)

Magical Girl Burlesque Presents Birthday Battleship Burlesque
Friday, January 26 at Bizarre Bushwick, 8 pm: FREE (suggested donation to benefit Southern Poverty Law Center)

Ah, Battleship. That classic game of pegs, coordinates, and nearly naked bodies. If you’re confused about that last part, perhaps you’ll have your memory refreshed on Friday night, when the performers of Magical Girl Burlesque take to the stage and somehow reenact an entire game of Battleship with a burlesque twist. Here’s how such a thing will work: each performer on the lineup represents a boat piece. Audience members will play the game in the classic way, and when the battleships are sunk, the performer will perform. So in this case, losing the game is actually winning the game. The show is free, but donations will be collected for the Southern Poverty Law Center. More →

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Responses To The Inauguration Anniversary, And More Shows To See

WEDNESDAY

(image via Ars Nova / Facebook)

Citizens United II: What Happened?
Wednesday, January 17 at Ars Nova, 8 pm: $15

If you couldn’t tell from the title alone, this is a political show. Though just to clarify, it’s not a staged reading of the Hillary Clinton book. At least, I don’t think it is. “Leftist performance collective” Citizens United returns once more to the Ars Nova stage to parse through these troubled political times by way of drag shows, poetry, performance art, punk music, and more. The group joins the many artistic efforts happening this month to commemorate-slash-mourn the one-year anniversary of the presidential inauguration. In fact, the last time Citizens United brought their unique stylings to the stage was January 2017. What has happened since that fateful month is dizzying and often cringe-worthy to think of, and possibly perfectly summed up by a night of chaotic performance. More →

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More Theater Festivals, Clowns, And Performative Activism

(photo: Ian Douglas, courtesy of American Realness)

American Realness
Now through January 16 at Abrons Arts Center and other venues, various times and prices.

If you thought last week’s Performance Picks covered all the winter theater festival shows to see, you would be incorrect. There are actually more, believe it or not. Abrons Arts Center and Gibney Dance’s American Realness festival began yesterday, bringing with it a slew of dance and movement-based works, including several world premieres. Whether you’re interested in profound performance art, classic dance, or pop cultural tribute, American Realness likely has you covered.

Some intriguing titles include nora chipaumire’s punk salute to Patti Smith and Zimbabwe, Neal Medlyn’s investigation into Pina Bausch and his years as an “untrained dancer in New York contemporary dance,” NIC Kay’s solo performance inspired by queer ballroom and Butoh, Adrienne Truscott’s “dance about dance without any dance,” Claire Cunningham and Jess Curtis’s physical delve into the seeing and perceiving of bodies both disabled and not, and of course, more. More →

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Under the Radar Festival and More Must-See Performance

A scene from Antigonón, un Contigente Épico, running January 10-14 at The Public Theater as part of The Public’s 14th Annual Under the Radar Festival. (Photo: Lessy Montes)

The Public’s Under The Radar Festival
January 4-15 at The Public Theater and other venues, various times and prices.

It is time once again for the slew of winter theater festivals that usually fill the month of January to its very brim, and cause many an artist to triple-check their schedule and/or wallets to see how they can make it all work. Beginning on Thursday is one of the most notable fests, Under The Radar, presented by The Public Theater. Though it’s only 12 days, there are more than 155 performances across five venues. Even slightly pondering that gives me scheduling-related anxiety.

A brief sampling of highlights: Roger Guenveur Smith and CalArts’s piece exploring the New Year’s Eve concert Jimi Hendrix played in 1969 in NYC, queer ensemble Split Britches’s meditation on anxiety and doomsday created in collaboration with local artists and elders, a concert of work by Erin Markey and Emily Bate, harunalee’s exploration of how memory can be gendered and racialized, Cuban company Teatro El Público’s underground drag-cabaret version of Antigone, and more. There is truly so much more. More →

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Performance Picks: Experiments in Comedy, Magic Mushrooms, and More

THURSDAY

(flyer via littlefield)

A Gay Show For All People
Thursday, December 28 at littlefield, 7 pm doors, 8 pm show: $10

If you’re looking to literally make the yuletide gay, you have plenty of chances to do so at the holiday spectacular edition of Aaron Jackson and Josh Sharp’s A Gay Show For All People. True to its name, this show features “comics and queers and mostly people who are both” doing their thing onstage while anyone who so desires to attend watches. The lineup is quite “stacked,” as the teens say, with Cole Escola, Naomi Ekperigin, Patti Harrison, Blake Daniel, Liza Treyger, Larry Owens, Bowen Yang and Matt Roger’s improv duo Sluck, Henry Koperski and His Straights, a live band playing “vodka songs,” and possibly more.

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Performance Picks: 30-Year Christmas Carol, Queer Vloggers, Gay Hell

THURSDAY

(image courtesy of A Christmas Carol)

A Christmas Carol Year Five: Home For The Holidays
December 14-18 at Pratt Institute’s Brooklyn Fashion + Design Accelerator, 8 pm or 7 pm: $30

Marriages are technically a commitment for life. The team behind this deconstructed, imaginative, and wacky riff on A Christmas Carol directed by Andrew Neisler and told through the story of a fictional couple has chosen something no less ambitious, particularly for live performance: they will perform a version of this show every year, for thirty years. Now, they’re on their fifth year. Things are changing, but they show no signs of slowing down. So, come on down to whatever a “fashion and design accelerator” is and pay this kind couple (Ryann Weir and Andrew Farmer, who also wrote the piece) a visit. Though Farmer was the writer behind the recent series of spooky subway-centric tales, I assume this show will be more seasonal than spine-chilling. Also, it includes unlimited beer and wine. More →

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Circus of Dreams Ends Its Five-Year Run, and More Performance Picks

WEDNESDAY

(image via Circus of Dreams / Facebook, photos by Nick McManus)

Circus of Dreams
Wednesday, December 6 at Bizarre Bushwick, 9 pm: $10 suggested donation

This performance art variety show, originally hosted by bearded street performer Matthew Silver, was one of the first shows in New York I saw that wasn’t a formal “theater” show, and it truly bewildered and impressed me. It was strange, daring, messy, stressful, loud, rule-breaking, sometimes all of those things, sometimes none of them. It made me realize that there was this whole community of performance I didn’t know about or thought wasn’t around anymore, and I found myself involved in the show first as friend of performers, then recurring door worker, then occasional performer. Since then, the host and producer has changed to show regular Lindsee Lonesome but the spirit has stayed the same. Tonight, after five years, Circus of Dreams will happen for the final time, and it truly feels like the end of an era. So, if you’re free, pop by Bizarre to see some of the show’s veterans and newbies alike take that scrappy stage for the last time. I’ll be at the door. More →

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Performance Picks: Patriarchal Trash, Woodland Puppetry, Black Remembrance

WEDNESDAY

(flyer via Fire Signs Present / Facebook)

Fire Signs Present: Sociable Sagittarians
Wednesday, November 29 at Artichoke Pizza, 9 pm: FREE

Artichoke Pizza is known far and wide for serving up very large, very rich, very cream-laden slices of pizza to late-night revelers and hungry lunch-searchers alike. But when they opened a Bushwick location in the old Northeast Kingdom space not too long ago, they also began hosting events and shows in their basement. One such monthly show is a woman-centric variety show helmed by Fire Signs Present, a duo (of fire signs, of course) comprised of performers Meg McDermott and Nancy Pop. Each month, they book women and femme comedians, storytellers, musicians, and anything in between, typically who belong to the astrological sign of the month, but not always. (Full disclosure: I performed at last month’s Scorpio show. Fellow Scorpio Risings…hello.) This time around, it is all about Sagittarius folk, specifically Hannah Abney, Thoughtress, Brittany Sherrod, and Aston Hollins McClanahan. Plus, there is free prosecco. More →

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Get Your Relationship Turned Into a Musical, and More Performance Picks

WEDNESDAY

(image courtesy of Rebecca & Evan)

Your Love, Our Musical
Wednesday, November 22 at Caveat, 7:30 pm: $15

If you’ve ever dreamed of turning your latest Tinder date into an original musical, I don’t know what kind of a person that makes you, but you can take a stab at making this odd dream a reality at the return of Rebecca Vigil and Evan Kaufman’s Your Love, Our Musical, now presented at new brainy venue Caveat. It’s fairly self-explanatory; the duo selects an actual couple from the audience and interviews them. After that, they work their magic and craft a whole (and wholly improvised) musical about what they’ve just heard. If you’re looking for a new perspective on your relationship but can’t afford therapy, this could be the way to do it. More →

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Performance Picks: Conspiracy Puppets, Thomas Paine, Synth Improv

THURSDAY

(image via Paul Pinto / Facebook)

Thomas Paine In Violence
Now through November 18 at HERE Arts Center, 8:30 pm: $25

While Paul Pinto may be known by some for his work as a performer in Natasha, Pierre, and the Great Comet of 1812, he is also a highly interesting composer in his own right. In collaboration with director Rick Burkhardt, he has whipped up an electro-acoustic opera centering around founding father Thomas Paine and a surreal, dreamlike radio station from another planet. Paine, played by vocalist Joan La Barbara, is attempting to deliver various messages on economic justice while a raucous chorus of sound unfolds around him. The show in particular concerns Paine’s 1797 pamphlet Agrarian Justice, considered a precursor of basic income theory and planted seeds for ideas such as Social Security and taxing those who owned land in order to provide for those who did not.

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