Since it was announced that Bushwick Open Studios will be taking place in October and not on their usual summer date, a couple fledgling fests have tried to fill the void. There’s been the Bushwick Arts Festival, which was a bit of a letdown, and the Bushwick Galleries Association’s Hot Summer Nights of extended hours, which are great but for galleries only. So when we heard tell of a new Bushwick art festival called the Bushwick Open Art Fair, we were skeptical. What would make their “Bears on Bicycles”-themed fair different from the other upstarts? But then the organizers told us they’re “currently looking into the permits required to have live animals at the show.” More →
“Cyclothymia” and “Ritual of the Moon” on view at Babycastles (Photo: Kara Stone)
The term “gamer” usually conjures up a torrent of awful connotations– an exclusively white-male circle jerk where the only manifestation of “diversity” is between the Cheetos-stained 4chan nerds with a sunlight problem and fedora-wearing MRM creeps who fancy themselves activists. You can catch all of them gushing over first-person shooters and probably trading furry porn at a LAN party, a place where anybody else wouldn’t be caught dead. More →
One of Melanie Park’s “What If Sappho” works. (Photo courtesy Mary Judge)
The sardonic #Hoffsome-approved Tumblr posts of “All Male Panel” keep us painfully aware of how underrepresented women are, well, everywhere, but especially in the world of art conferences, culture Q+As, academic panels, and business summits. (Oh wait, that’s just the entire public realm.) At least the female form will be better represented on paper starting tomorrow, with the opening of Italian Airs, the first-ever pop-up show hosted by Schema Projects, an all-art-on-paper, all-the-time gallery in Bushwick. (The exhibition will also be included in the inaugural Bushwick Hot Summer Nights.)
A new show at Bushwick gallery Victori + Mo approaches the supernatural from a firmly grounded perspective. By exploring the ephemerality of memory and the power of belief, artist Langdon Graves walks a tricky line on the edges of the occult while still keeping a healthy dose of skepticism.
On a recent Sunday afternoon in a Bushwick art studio, I took my top off, changed into a paper-thin, full-body Tyvek suit, and took a seat in front of a tall, blond man twirling a pair of surgical scissors. He cut off the top of the disposable suit and then wrapped my chest with clear tape, effectively pinning my arms to my sides. “This is starting to get a little too Dexter,” he said, before covering my neck with alginate.
Lisa Levy performing “Rockin’ Granny Love,” Diego Barnes in her arms at Bushwick Open Studios 2015 (Photo: Jordan Abosch)
Stephanie Theodore of Theodore:Art was massively disappointed when Arts in Bushwick announced that Bushwick Open Studios was moving from summer to fall in an attempt to close the door on an eight-year tradition. But AiB had their reasons– BOS had ballooned into something of circus, an event that they believe had been co-opted and used by corporate interests and party promoters looking to cash-in on the thousands of people who swarmed the neighborhood each June. But galleries and individual artists also benefitted from the huge influx of people and the visibility that BOS brought to the area, so Theodore was hardly alone. “A lot of other galleries wanted something to replace BOS,” she told B+B over the phone today.
Raul De Nieves “Fat Man” 2010 (Photo: Nicole Disser)
Over the weekend fancy people in an “acquisitive mood” milled around Frieze Art Fair, discreetly making it rain while rubbing shoulders with art dealers, the dapperly dressed, and a donkey named Sir Gabriel– an animal brought there by an artist who recently broke a personal record when his statue of Hitler sold for $17.2 million at auction.
Back in Bushwick, however, less absurd things were going down at a very different kind of art happening. As far as we can tell, there wasn’t a VIP section at the opening night of Body Language, the second art show to happen at Angelina Dreem’s art and technology educational hub, Powrplnt, and the first one dedicated to paintings and other 2D works by emerging and established artists.
Silk tapestry by Bill Zangewa, Afronova Gallery (Photo: Nicole Disser)
It’s pretty screwy that here, now, in the year 2016 many people still have a hard time grasping that Africa is an incredibly diverse continent home to vastly different cultures, languages, landscapes, and art traditions. Thankfully, we have things like the 1:54 Contemporary African Art Fair (held May 6 through 8 at Pioneer Works in Red Hook) at our fingertips to keep us in the know about the incredible (and, ahem, marketable) art work coming out of the 54 countries on the African continent.
If you made it to Frieze New York this weekend, chances are pretty slim that you managed to see everything the elite art fair had to offer, including more than 200 booths dedicated to “the world’s leading galleries” (or so the fair boasts), countless individual art works, installations, roving performances, and outdoor displays. Between the enormous octopus tentacles, the ultra-defensive IRL Soylent reps, and the live donkey, there simply weren’t enough hours in the fair’s four-day span (or alcohol in their refrigerators) to do so.