Ron Wimberly Opening Thursday, October 5 at Superchief Gallery NY, 7 pm to midnight. On view through October 26.
Ronald Wimberly is not only a visual artist creating compelling and colorful images, but has also designed and completed narrative illustrations for multiple graphic novels and companies like Nike and Marvel. He’s even drawn a comic combining Brooklyn gentrification and vampires. This week, you won’t just find Wimberly’s work within the pages of comics like Prince of Cats and Black History In Its Own Words, but on view in a solo show at Ridgewood’s Superchief Gallery. There, you can see unique renditions of sports players, rappers, bubblegum-colored cartoon creations, and surely much more, as Wimberly has a lot of work out there. More →
Photo: Siebren Versteeg, Daily Times, 2012, courtesy of the artist (via BAM)
2017 Next Wave Art Opened Monday, September 25 at BAM, 6 pm to 8 pm. On view through December 22.
If you are involved in media or even know someone involved in media, you have probably heard frequent mentions of the phrase “pivot to video.” This typically means deciding your digital media company is going to focus on making videos instead of producing written editorial content, and frequently means writers getting fired. Many argue that this new focus on short-form video content that’s prone to autoplaying all over Facebook is happening because it’s an easier way for advertisers to make money in an unstable industry. It could also signal a change in how people want to consume content. More →
The Future Is (Black) Femme Opening Friday, September 22 at 329 Broome Street, 6:30 pm to 9:30 pm. On view through October 3.
While the rest of our art opening recs for this week correspond with the return of Bushwick Open Studios, this show is happening in Manhattan. Lower Manhattan, so you Brooklyn dwellers don’t have to travel very far, don’t worry. The Future Is (Black) Femme is, unsurprisingly, an art exhibition of work by black femme artists. For the uninformed, “femme” is a term that describes a feminine-presenting person that may but doesn’t necessarily have to conform to the binary identity of “woman.” It can also mean a feminine-presenting lesbian, used as the opposite of “butch.”
Enough about semantics, on to the art. The exhibition is curated by Jessica Pettway, Josette Roberts, and Miranda Barnes, and features the work of 14 artists, including Roberts and Barnes. Though every artist identifies as a black femme and an artist, the show’s content spans a wide variety of artistic disciplines and themes, as every artist has something unique to say about existing in this country as a black femme. These lived experiences can often be painful, but the exhibition’s description notes that “similar themes of kinship, tenderness and rejoicing” are present throughout all the works.More →
Orchestra di stracci – vetro diviso (Rag Orchestra – Divided Glass) — Michelangelo Pistoletto, 1968
Rags, bricks, fabric, glass, kettles, steam, hot plates
2 glass panels, each: 0.4 x 130 x 90 cm / 1/8 x 51 1/8 x 35 3/8 in
Installation: 50 x 320 x 270 cm / 19 5/8 x 126 x 106 1/4 in (approx.)
When you think about Italian art, the Renaissance probably is the first thing to come to mind. However, as many of us have come to know far too late in life, what you were taught in your history classes is far from the whole picture. In this case, Italy is and has been home to a wide variety of artistic movements, and not all of them involved painting elaborate portraits for wealthy patrons. More →
Omg Random Opening Tuesday, September 5 at Benson’s NYC, 7 pm. On view through September 19.
Some art shows are tightly curated, conceptually driven projects that claim to elegantly tackle a Big Theme. Others are just selections of nice-looking stuff. Both types of curation are valid, but sometimes you want to give your lil’ old brain a break and just look at some fun, colorful works of art. Luckily, it appears that the aptly-titled Omg Random, opening tonight in the Lower East Side, will deliver all this and a bag of chips. But probably a bag of chips in painting form.
The show consists of work by Mary Houlihan, Max Rosen, and Rosie Morales. They will be showing paintings, mixed media works, collages, and more. Some of you may know Mary as a comedian, but she also makes very fun paintings. I once commissioned her to make a custom dog painting that really turned out great. I have not commissioned dog paintings from the other artists, but they seem top-notch as well. And if you like what you see, prints will be available for sale at the opening.
Trash Capsules: Archives of Illness, Food, and Diaspora Opening Monday, August 28 at New Women Space, 7:30 pm to 10 pm. One night only.
Our bodies tell us a lot about ourselves. Other material objects do too, such as what we throw away, what we eat, and what we hold on to. Performance and visual art showcase Trash Capsules asks artists and creators working across disciplines to create something that deals in stories of chronic illness, assimilation, food-based rituals, and cultural memory. These topics vary, but they all relate to what makes us human. Artists posting on the show’s Facebook event are attempting to crowdsource items like a baby pool, baby toilet, and a blender, so it seems like it will be an interesting and probably messy night. More →
Body Farm Opening Thursday, August 24 at Paradice Palase, 4 pm to 9 pm. One night only.
Ok, to ease your nerves (or disappoint you), this isn’t an exhibition of an actual body farm. If you’re unfamiliar with the term, body farms are decomposition research facilities. So then, what is this Body Farm? It’s a one-night-only pop-up exhibition being put on by Paradice Palase, a Brooklyn space that “believes in a community-supported gallery model and getting artists paid for their efforts.” TBH, really all you have to say is that this is an organization that cares about paying artists and that would make their show worth going to. Plus, there seems to be a neon pineapple sign involved, which sounds fun. More →
Tom Butler, analog photography (image via Foley Gallery)
Analog v. Digital Opening Wednesday, August 16 at Foley Gallery, 6 pm to 8 pm. On view through August 26.
Nowadays, it’s common to hear that film photography is dead and that anyone can be a photographer who has enough money to get the iPhone with that fancy Portrait Mode built-in. Nothing like automated depth of field to convey the illusion of skill and craft! However, this group show at Foley Gallery seeks to uplift both analog and digital forms of photographic art.
The gallery defines “analog” as “the photographer using light sensitive paper or film in the process” and “digital” as “using hardware requiring a digital component (point and shoot, cell phone or dSLR cameras) regardless of how it was printed.” Fifty artists in total, approximately 25 in each category, will demonstrate the wide range of photography that’s still out there. It’s one of the rare times that focusing on the merits of “both sides” isn’t a totally useless thing to do.
Milk Curd and Cherry Pits: Color Stories by Naomi Clark Opening Tuesday, August 8 at Cooler Gallery, 7 pm to 10 pm. On view through August 25.
Not everyone has a favorite color, but surely there is a shade that reminds you of a specific time, place, person, or feeling. For those with conditions like synesthesia, colors can take on an even more tangible role in memories and associations. To others, they can just look nice, without being imbued with any sort of deep meaning.
In Milk Curd and Cherry Pits, her exhibition at Cooler Gallery, painter and textile artist Naomi Clark connects color with her childhood. Even the title itself conjures a simpler, more rustic time, when everyday items like the pits within cherries were new and surprising. She’s particularly drawn to yellows and blues, creating simple shapes on small canvases. To Clark, these works are associated with relaxed, childlike creativity. To you, perhaps something else entirely.
A Becoming Resemblance Opening Wednesday, August 2 at Fridman Gallery, 6 pm to 8 pm. On view through September 5.
It’s hard to ignore Chelsea Manning lately. And rightfully so: Against all odds, her newly liberated presence, both on Twitter and IRL, remains one of the most fiercely optimistic in a pool of (justifiably) jaded folk. Ironic memes have no match for colorful emojis, it seems. But this Wednesday, Manning can be found in an art gallery, and her presence manifests in more ways than just the literal.
A Becoming Resemblance is a collaborative venture between Manning and interdisciplinary artist Heather Dewey-Hagborg, using and exploring the technology of genomic identity construction. The show consists of 3D-printed portraits constructed in 2015 from pieces of DNA (hair, nail clippings) Chelsea sent her collaborator from prison. This gave the world a chance to once again put a human face to her identity, which had been shrouded by incarceration for years. The show will also include a graphic novel the duo made last year in collaboration with illustrator Shoili Kanungo depicting Chelsea’s sentence getting commuted by Obama and her being able to see her 3D portraits in person. What was initially drawn as hopeful fiction can now become reality.