It’s no secret that the city is filled with all sorts of microorganisms—yes, even the kind you’d rather not think about. They’re there! Rather than focus on just the unsettling spores, a uniquely scientific new installation at the Storefront for Art and Architecture seeks to reimagine the city and the many neighborhoods and cultures it contains using the framework of the “human microbiome.” This posits that each city in the world, and each subculture or pocket within them, has their own “gut biome,” just like human beings do. The installation (by Kevin Slavin, Elizabeth Hénaff, and the collective The Living) normalizes the idea that there are microorganisms everywhere in a city, collecting them through wood in the exhibition space’s facade as well “bio-receptive wooden tiles” scattered throughout the city. This wood is then displayed and analyzed, simultaneously art and scientific specimen.More →
There’s something inexplicably entrancing about the colors that pervade vintage printed matter, such as ads or movie posters. The colors tend to look impossibly vivid, or at least they do to my eyes. I get a similar feeling when viewing the work of the late artist Nassos Daphnis, who also developed a color theory stating each primary color, plus white and black, “occupies a number of planes on a scale of 1 to 100.” It’s no surprise, then, that the man stuck with these five shades in his art-making as well. This show at Richard Taittinger Gallery is a “reimagining” of a 1983 show at Leo Castelli Gallery, a place Daphnis exhibited at often, though it also includes works that haven’t been shown before. If you’re into fine lines, bold colors, geometric precision, and a minimal-yet-vivid take on radio waves and the like, this is the show for you.More →
Back To Nature Opening Wednesday, September 5 at Front Room Gallery, 7 pm. On view through October 21.
If you ever rode the Haunted Mansion ride at Disneyland, you’ll recall paintings hung on some of the walls that had eyes that appeared to follow you as you moved your own from side to side. Spooky! That’s sort of how I feel when I look at the wide-eyed paintings done by Amy Hill, who is opening a solo exhibition at Lower East Side’s Front Room Gallery on Wednesday. Her portraits are realistic while also being surreal and a little creepy (even the cats stare at you with unblinkingly large eyes), bringing the style of 19th century American folk art into more modern times. Rather than setting her figures in the 21st century, she curiously grounds them in 1960s counterculture, where peace-sign necklaces and fringed leather replace any peasant frocks. We never actually found that peace, did we…More →
August Summer Residency Showcase Opening Wednesday, August 29 at Con Artist Collective, 7 pm to 11 pm. On view through August 31.
It’s the end of the summer, which means people are scrambling to get the last of their leisure time in before it feels less justifiable to do so. This often means less events and other artistic goings-on. After all, it’s hard to have an art show when you don’t want to leave the beach. But the restless vigor of Con Artist Collective continues—on any given day (including in the midst of the end-of-summer lull) you can probably find them up to something, whether that be the party-filled unveiling of a new art exhibition or something else entirely. Starting Wednesday night, the Lower East Side art space’s summer studio residents will be showing their latest creations.More →
The title of this new group show from ISCP conjures some immediate images: two artists, lounging on the beach. Their peaceful time is cut short due to the fact that they both really want to collect the same type of shells, but there are only a couple of those, so they start fighting over them. Dare I say, all shell breaks loose? I forget if you can even take shells from beaches, but still. The actual content of this show, which features nine artists from ISCP’s Ground Floor Program, appears to be more interesting (or soothing) than my strange musings about beaches. With a goal of “lull[ing] the viewer into a state of relaxation,” the show offers vacation-centric content like thoughts on summer road trips and an interactive piece that quite literally gives the gallery’s front desk staff a break from working. It’s summer, after all.More →
Surface Tension Opening Tuesday, July 31 at Cooler Gallery, 7 pm to 9 pm. On view through August 12.
Some art has sweeping sociopolitical messages, while other art serves a primarily aesthetic purpose. Neither is better or worse: sometimes you want to be provoked into thinking deeply about the world around you and sometimes you just want to be dazzled by how cool something looks. The work of mixed media artist Senem Oezdogan (presented in partnership with Uprise Art) falls more into the latter category, consisting largely of “fiber-based geometric studies” inspired by architecture, shapes, and the textures of fabrics. They’re fairly simple pieces, featuring abstract shapes and rich splashes of color, and manage to convey an alluring calmness in their playful minimalism. Rather than fixating on what message an artwork might be trying to proclaim, Oezdogan’s work invites you to merely appreciate the visuals. If it makes you feel nice, you don’t need to question it. More →
Strange Beach Opening Tuesday, July 24 at Fridman Gallery, 6 pm to 8 pm. On view through August 31.
Summertime is a time for going to the beach, but that’s not what this group exhibition at Fridman Gallery is about, despite the name. Rather, it’s a “metaphor for the body,” framing one’s physical form as a vessel of sorts that can advance, retreat, swallow up others, be intruded upon, amass debris and valuable items alike over time. Three artists comprise Strange Beach: Arghavan Khosravi, Nate Lewis, and Tajh Rust, who incorporate themes of race, social history, portraiture, and the marginalized retaking their own narratives, whether this be through drawing on photographs to create something celestial or painting portraits of people using their own skin tones to inform the color palette. More →
yes no maybe Opening Tuesday, July 17 at Flowers Gallery, 6 pm to 8 pm. On view through August 24.
Thanks to social media, the word “algorithm” is no longer something only mentioned in math class. I’d say for better or for worse, but we all know that people typically invoke talks of The Algorithm when they are complaining about the latest way it’s seeming to screw them over. A new group exhibition at Chelsea’s Flowers Gallery, which takes its title from the mathematical theory of probability, asks five artists to create works using their own algorithmic processes. This may sound intimidating until you realize an algorithm isn’t much more than a purposeful pattern that repeats over time, which is something done in art often. The artists of yes no maybe (all prolific and regarded in their respective fields) take their algorithmic inspiration from topics as varied as geometric microscopic organisms, Berlin’s Tempelhof airport, jazz music, and hypercubes. At the opening, there will be a panel discussion with Beryl Korot, Manfred Mohr and Judith Stenneken, moderated by Zabet Patterson, a professor and writer who focuses on how contemporary art and computing interact. More →
Defining Form Opening Wednesday, July 11 at The Untitled Space, 6 pm to 9 pm. On view through August 1.
When one thinks of sculpture, it’s likely the old masters of yore come to mind: Donatello, Michelangelo, Bernini, even more modern creators like Duchamp and Calder. Something else these artists have in common, in addition to their acclaim and skill, is their gender. Surprise surprise, like most art historical figures, they’re all men. New group show Defining Form seeks to introduce the public to a new, more diverse generation of sculptors. Over 50 artists are participating in the exhibition, which features common motifs of feminism, unconventional materials, and technologically-advanced ways of creating art, such as 3-D printing. So, come and have your notions of what it means to be a sculptor expanded. More →
The 4th of July falls on a Wednesday this year, which for the people with Real Jobs means you probably have to drink less than you would if it was on a weekend. It’s also admittedly a weird and unsettling time to have a holiday that’s supposed to celebrate patriotism and America when in just the past week families were torn apart, children were kept in cages, journalists were shot dead at a local newspaper, and a Supreme Court Justice who occasionally voted in non-conservative ways announced his retirement. Even so, it can be comforting to come together for a little merry-making. If you’re looking for something to do before or after a rooftop party, backyard BBQ, or other outdoor activity, the artists of Con Artist Collective are putting up a show appropriately all about America, whatever that might mean to them. More →