White Lies Opening Thursday, October 11 at Derek Eller Gallery, 6 pm to 8 pm. On view through November 11.
For better or for worse, we can all agree something there’s no shortage of in today’s world is information. From partisan pundits to much-maligned “fake news” to legitimate educational content, it’s hard to tune it all out completely, even if you try. This is evident in the work of painter Despina Stokou. What initially looks like colorful abstract work is revealed to be artistic, chaotic renderings of words: Twitter posts, political commentary, hashtags, and the multifaceted feelings of people living in America today. But of course, some of these painted-on phrases have become hard to understand, quite literally erased by broad strokes of white. Sound familiar?More →
Watermelon Melange Opening Saturday, October 6 at 21 Ludlow Street, 7:30 pm to 10 pm. On view through October 7.
Have you ever been to a silent disco? You know, the kind of weird outdoor party where everyone’s wearing bulky headphones and dancing to the various channels of music blaring from them, making them look strange to any onlooker who doesn’t know what’s going on? This art exhibition by Mason Roberts, a painter from Perth, Australia whose 26,000 Instagram followers are equally likely to see both documentation of his artistic process and shirtless selfies, provides a somewhat similar experience. He’s partnered with lo-fi hip-hop artist Stirling Caiulo to create a multisensory artistic experience—don noise-canceling headphones and walk into a dark gallery, then you’ll hear beats n’ tunes while you steadily discover a series of paintings on display, lit by spotlights.More →
Inside Out Here Opening Thursday, September 27 at La Mama Galleria. On view through October 20.
La Mama, the historic East Village theater space primarily known for presenting a range of experimental performance, also maintains a gallery space on Great Jones Street. Thursday, it will open Inside Out Here, an exhibition by multidisciplinary artists Devin N. Morris and Frederick Weston. Morris was born in 1986 and Weston in 1946, 40 years prior; uniting these two to create work around queerness, blackness, and how these communities have made space for themselves throughout history has made for a show that quite literally stretches across generations.More →
It’s no secret that the city is filled with all sorts of microorganisms—yes, even the kind you’d rather not think about. They’re there! Rather than focus on just the unsettling spores, a uniquely scientific new installation at the Storefront for Art and Architecture seeks to reimagine the city and the many neighborhoods and cultures it contains using the framework of the “human microbiome.” This posits that each city in the world, and each subculture or pocket within them, has their own “gut biome,” just like human beings do. The installation (by Kevin Slavin, Elizabeth Hénaff, and the collective The Living) normalizes the idea that there are microorganisms everywhere in a city, collecting them through wood in the exhibition space’s facade as well “bio-receptive wooden tiles” scattered throughout the city. This wood is then displayed and analyzed, simultaneously art and scientific specimen.More →
There’s something inexplicably entrancing about the colors that pervade vintage printed matter, such as ads or movie posters. The colors tend to look impossibly vivid, or at least they do to my eyes. I get a similar feeling when viewing the work of the late artist Nassos Daphnis, who also developed a color theory stating each primary color, plus white and black, “occupies a number of planes on a scale of 1 to 100.” It’s no surprise, then, that the man stuck with these five shades in his art-making as well. This show at Richard Taittinger Gallery is a “reimagining” of a 1983 show at Leo Castelli Gallery, a place Daphnis exhibited at often, though it also includes works that haven’t been shown before. If you’re into fine lines, bold colors, geometric precision, and a minimal-yet-vivid take on radio waves and the like, this is the show for you.More →
Back To Nature Opening Wednesday, September 5 at Front Room Gallery, 7 pm. On view through October 21.
If you ever rode the Haunted Mansion ride at Disneyland, you’ll recall paintings hung on some of the walls that had eyes that appeared to follow you as you moved your own from side to side. Spooky! That’s sort of how I feel when I look at the wide-eyed paintings done by Amy Hill, who is opening a solo exhibition at Lower East Side’s Front Room Gallery on Wednesday. Her portraits are realistic while also being surreal and a little creepy (even the cats stare at you with unblinkingly large eyes), bringing the style of 19th century American folk art into more modern times. Rather than setting her figures in the 21st century, she curiously grounds them in 1960s counterculture, where peace-sign necklaces and fringed leather replace any peasant frocks. We never actually found that peace, did we…More →
August Summer Residency Showcase Opening Wednesday, August 29 at Con Artist Collective, 7 pm to 11 pm. On view through August 31.
It’s the end of the summer, which means people are scrambling to get the last of their leisure time in before it feels less justifiable to do so. This often means less events and other artistic goings-on. After all, it’s hard to have an art show when you don’t want to leave the beach. But the restless vigor of Con Artist Collective continues—on any given day (including in the midst of the end-of-summer lull) you can probably find them up to something, whether that be the party-filled unveiling of a new art exhibition or something else entirely. Starting Wednesday night, the Lower East Side art space’s summer studio residents will be showing their latest creations.More →
The title of this new group show from ISCP conjures some immediate images: two artists, lounging on the beach. Their peaceful time is cut short due to the fact that they both really want to collect the same type of shells, but there are only a couple of those, so they start fighting over them. Dare I say, all shell breaks loose? I forget if you can even take shells from beaches, but still. The actual content of this show, which features nine artists from ISCP’s Ground Floor Program, appears to be more interesting (or soothing) than my strange musings about beaches. With a goal of “lull[ing] the viewer into a state of relaxation,” the show offers vacation-centric content like thoughts on summer road trips and an interactive piece that quite literally gives the gallery’s front desk staff a break from working. It’s summer, after all.More →
Surface Tension Opening Tuesday, July 31 at Cooler Gallery, 7 pm to 9 pm. On view through August 12.
Some art has sweeping sociopolitical messages, while other art serves a primarily aesthetic purpose. Neither is better or worse: sometimes you want to be provoked into thinking deeply about the world around you and sometimes you just want to be dazzled by how cool something looks. The work of mixed media artist Senem Oezdogan (presented in partnership with Uprise Art) falls more into the latter category, consisting largely of “fiber-based geometric studies” inspired by architecture, shapes, and the textures of fabrics. They’re fairly simple pieces, featuring abstract shapes and rich splashes of color, and manage to convey an alluring calmness in their playful minimalism. Rather than fixating on what message an artwork might be trying to proclaim, Oezdogan’s work invites you to merely appreciate the visuals. If it makes you feel nice, you don’t need to question it. More →
Strange Beach Opening Tuesday, July 24 at Fridman Gallery, 6 pm to 8 pm. On view through August 31.
Summertime is a time for going to the beach, but that’s not what this group exhibition at Fridman Gallery is about, despite the name. Rather, it’s a “metaphor for the body,” framing one’s physical form as a vessel of sorts that can advance, retreat, swallow up others, be intruded upon, amass debris and valuable items alike over time. Three artists comprise Strange Beach: Arghavan Khosravi, Nate Lewis, and Tajh Rust, who incorporate themes of race, social history, portraiture, and the marginalized retaking their own narratives, whether this be through drawing on photographs to create something celestial or painting portraits of people using their own skin tones to inform the color palette. More →