John Driscoll (image via Fridman Gallery / Facebook)
Slight Perturbations / The Weight of Things Opening Wednesday, January 16 at Fridman Gallery, 6 pm to 8 pm. On view through February 13.
Fridman Gallery’s new space on Bowery has two levels, upper and lower. Fittingly, there will be two exhibitions opening there this Wednesday: a show of of interactive sound sculptures by John Driscoll in the upper space, and a two-channel video installation by Dana Levy centered around the Palace of Versailles in the lower space. Driscoll’s sculptures resemble hodgepodge collections of found objects or avant-garde furniture pieces crossed with a science fair, but they’re much more than something to puzzle over: they contain minuscule microphones and speakers, and a “reflective foil” that creates sound with help from whatever objects are nearby. And though it’s in the lower level, Levy’s video work deals with the upper crust of Versailles, depicting the palace’s contents steadily crumbling due to an earthquake.More →
Joel Osteen (Jessie Pierrot) part 1, 2018 Single Channel Video 00:31:28
Holy Fools Opening Wednesday, January 9 at Rubber Factory, 6 pm to 8 pm. On view through February 3.
Clowns are perhaps one of the most polarizing figures on this green earth. Some people have a literal phobia of them, some find them distasteful, some chuckle at them, some employ them, some become them, and some make art about them. One of the art world’s more notable clown-based endeavors is Bruce Nauman’s 1987 piece Clown Torture, featuring a slew of video displays portraying “an absurd misadventure of a clown” that’s both morbid and humorous. Over three decades later, artist Ondine Viñao is putting her own spin on this work in an exhibition at Rubber Factory, recruiting four all-female clownish performers to stage their own mishaps, mixing both trauma and folly.More →
It’s the new year, and most of us are probably reflecting on what we did over the last 365 days and what we can do to at least be marginally better. Rather than dream up a more perfect being, artist Logan T. Sibrel prefers to focus more on the flaws and complications of being alive, making drawings depicting people who are acting difficult, awkward, aroused, and sometimes all three at once. Deemed “a serious joke,” his mixture of words and images are reminiscent of a sort of existential comic book. Perhaps they’ll inspire you to finally think of a resolution, or maybe just to ditch the concept entirely.More →
Close Your Eyes Opening Thursday, December 13 at The Storefront Project, 6 pm to 9 pm. On view through January 6.
Looking at Nat Girsberger’s collages, on view at the Lower East Side’s Storefront Project starting Thursday, is a good way to get lost in a kind of psychedelic fantasy land. Outer space, nature, animals, and human figures intermingle in landscapes with colors that seem brighter than what one would typically encounter in reality. In a time where the news feels more and more anxiety-inducing every day, it’s important to have little moments of escape, where we’re not filled with dread and instead perhaps wondering about the inner life of a deer standing among very large mushrooms standing on a vivid path that seems to be leading into the sun.
Flash of the Spirit Opening Friday, November 9 at Salon Bowery 94, 6 pm to 8 pm. On view through December 21.
Lyle Ashton Harris’s photos, on view at Salon 94 Bowery starting this Friday, contain much colorful, vivid imagery, but few human faces. Instead, the faces in the bodies he captures are covered by elaborate, striking masks sourced from a variety of places, including several African masks from his uncle’s collection. These images are actually self-portraits, but you might not know it. And that’s kind of the point: throughout history, people putting on masks has been equated with them transforming into someone (or something) else, whether that be an improved version of oneself or a way to avoid accountability. Harris has been making work dealing with queerness, Blackness, and the self in the context of diaspora for decades, and this is a chance to see what he’s up to now.More →
Hot Farce Opening Thursday, November 1 at Field Projects, 6 pm to 8 pm. On view through December 15.
Throughout centuries, one thing has remained the same when it comes to art: in some way, nudes will be there. Curator and artist Kristen Racaniello knows this, but seeks to do something a bit different with her group show Hot Farce. The work on view seeks to be the antithesis of the “hetero-sexy nude,” meaning nudes that trouble the binary, nudes that question why you’re looking at them, nudes that may not even qualify as nudes at all. According to the exhibit statement, Hot Farce’s artists “admire figuration and are at the same time deeply suspicious of it,” a feeling in this time of existential dread I can only assume is shared by many.More →
In the Name of the Hypersurface of the Present Opening Wednesday, October 17 at Rubber Factory, 6 pm to 8 pm. On view through November 11.
Presented in conjunction with Lower East Side Art Week, which spotlights women artists in the neighborhood, this solo show by Pakistani artist Umber Majeed may have a sci-fi-sounding name, but the work on view more closely resembles Word Art, trippy memes, or old Geocities web pages than any high-tech, augmented reality creation. That’s not to diminish its appeal; the distorted text, flattened graphics, and occasional use of Comic Sans creates a world of online intrigue that feels half in the past, half far in some weird corner of the future. Through this, Majeed seeks to explore a “feminist re-historicization of Pakistan as the first ‘Muslim nuclear state,’” bringing it out of the patriarchy and into a more radical framing.More →
White Lies Opening Thursday, October 11 at Derek Eller Gallery, 6 pm to 8 pm. On view through November 11.
For better or for worse, we can all agree something there’s no shortage of in today’s world is information. From partisan pundits to much-maligned “fake news” to legitimate educational content, it’s hard to tune it all out completely, even if you try. This is evident in the work of painter Despina Stokou. What initially looks like colorful abstract work is revealed to be artistic, chaotic renderings of words: Twitter posts, political commentary, hashtags, and the multifaceted feelings of people living in America today. But of course, some of these painted-on phrases have become hard to understand, quite literally erased by broad strokes of white. Sound familiar?More →
Watermelon Melange Opening Saturday, October 6 at 21 Ludlow Street, 7:30 pm to 10 pm. On view through October 7.
Have you ever been to a silent disco? You know, the kind of weird outdoor party where everyone’s wearing bulky headphones and dancing to the various channels of music blaring from them, making them look strange to any onlooker who doesn’t know what’s going on? This art exhibition by Mason Roberts, a painter from Perth, Australia whose 26,000 Instagram followers are equally likely to see both documentation of his artistic process and shirtless selfies, provides a somewhat similar experience. He’s partnered with lo-fi hip-hop artist Stirling Caiulo to create a multisensory artistic experience—don noise-canceling headphones and walk into a dark gallery, then you’ll hear beats n’ tunes while you steadily discover a series of paintings on display, lit by spotlights.More →
Inside Out Here Opening Thursday, September 27 at La Mama Galleria. On view through October 20.
La Mama, the historic East Village theater space primarily known for presenting a range of experimental performance, also maintains a gallery space on Great Jones Street. Thursday, it will open Inside Out Here, an exhibition by multidisciplinary artists Devin N. Morris and Frederick Weston. Morris was born in 1986 and Weston in 1946, 40 years prior; uniting these two to create work around queerness, blackness, and how these communities have made space for themselves throughout history has made for a show that quite literally stretches across generations.More →