Miss Meatface Opening Tuesday, July 2 at The Untitled Space, 6 pm to 9 pm. On view through July 13.
No, “Miss Meatface” does not refer to the latest right-wing woman to adopt the “carnivore diet,” that frightening all-beef culinary regime embraced by the likes of Jordan Peterson; it refers to the artist Kat Toronto, who creates bizarre and entrancing “performance-based photography” under the name Miss Meatface, which resemble stills from some surreal, experimental, BDSM-laced film you want to immediately consume in full. In addition to an exhibition of recent creations by Miss Meatface, Tuesday’s reception will also feature a zine signing and an artist talk between Meatface and The Untitled Space’s director, Indira Cesarine.
Family Album Opening Wednesday, June 26 at Anton Kern Gallery, 6 pm to 8 pm. On view through August 16.
Margot Bergman’s paintings draw you in, both with their rich colors and their appeal that’s grotesque, realistic, and dreamlike all at once. It makes sense, then, that she paints “imagined people,” abiding by only the rules of her brain when bringing brush to canvas. A selection of her curious, feminine creations will be on view at Anton Kern Gallery starting this Wednesday; Bergman usually only exhibits paintings, but Family Album will also include an array of “theatrical photographs” taken by the artist, featuring subjects posing with portions of Bergman’s collection of dolls and figurines.
We the People Opening Wednesday, June 19 at Howl! Happening, 6 pm to 8 pm. On view through July 21.
Some people go to prestigious and expensive schools to learn how to make art, throwing piles of cash at nice supplies in the process. Guy Woodard, on the other hand, honed his craft using a cheap ballpoint pen while incarcerated. The former counterfeiter and forger is opening a solo show of intricate ink drawings at Howl Happening in the East Village starting tonight. In addition to his drawings, which explore both political events and the ins and outs of everyday black life, the exhibition also features a selection of Woodard-created forgeries, including one of Trayvon Martin’s Howard University diploma.
The never-ending slew of Pride-related events of all types continues! This time, with an exhibition at the new gallery within The Ford Foundation, which opened this past February and focuses on the intersection of art and social justice. Radical Love, curated by Natasha Becker and artist Jaishri Abichandani, showcases the work of over 20 artists (many of whom are queer) making work about the impact of love in the midst of a chaotic world. Queer people aren’t the only marginalized community centered in the show; disabled people and people of color are also uplifted. And the theme of “love” may seem corny to those jaded folks out there, but the exhibition expands the conventional notion of love beyond the romantic, dealing in self-love, religion, devotion to the natural world, and more.
Occupational Hazards Opening Wednesday, May 29 at apexart, 6 pm to 8 pm. On view through July 27.
The central concept of apexart’s latest exhibition is pieces of art that have been “lost, damaged, or destroyed when shipped through the Middle East,” a theme that seems so specific it might seem like it could only result in a meager showcase. As the show contains over a dozen artists from all over the world, particularly those with ties to places like Iran, Kuwait, and Palestine, it is apparent that art in international transit can meet this fate more frequently than one might surmise. This can encompass more mundane wear and tear from the everyday bumpiness of travel and the customs process, or it can have more complicated, insidious origins, such as the time artist Ahmad Hammound’s passport-esque creation got torn up and marked with red pen for daring to remotely resemble a travel document. More →
fish mystery in the shift horizon Opening Wednesday, May 22 at Rubber Factory, 6 pm to 8 pm. On view through June 23.
The natural world is so vast and multifaceted it can seem like an impossible task to quantify it all. In fact, sometimes it is, and the scientific inability to identify a species’s baseline population size (known as “shifting baseline syndrome”) is one of the driving factors behind Catalina Ouyang’s latest show of sculptures and videos, which also draws from notions of diaspora and mistranslation. Huge, curious, jade-colored creatures populate the gallery space, looking simultaneously like cows, humans, fish, and some other fantastical creation entirely. They’re based off the Chinese paddlefish and baiji, creatures that are now extinct but once had a shifting baseline. The opening reception on Wednesday will not only feature Ouyang’s sculptures and videos, but also a durational performance among the aquatic creatures.
Broken Heaven Opening Tuesday, May 14 at 7 Franklin Place, 6 pm to 10 pm. One night only.
Art exhibitions featuring people who are formerly or currently incarcerated have been fairly common, but it would be unproductive to shoehorn them into a category. After all, no one goes about remarking about how there are too many art exhibitions featuring people who live in houses. If you’ve yet to go to an art show that draws from the profound and traumatic experience of incarceration on creators, or even if you have, head to Tribeca tonight for a show by the formerly incarcerated artist Pingo, who will be showing his work to the public for one night before a stint at this year’s Art Basel Miami. Pingo’s work is abstract and textural, recalling Jackson Pollock and utilizing shocks of colorful paint to convey a landscape of emotion. Not only that, but the exhibition will also include ice sculptures.
Shame is the First Betrayer Opening Thursday, May 9 at Victori + Mo, 6 pm to 8 pm. On view through June 22.
Art gallery Victori + Mo, which previously occupied a space within Bushwick’s 56 Bogart, is moving to Chelsea. The first exhibition in their new space, opening Thursday, is by multidisciplinary artist Phoenix Lindsey-Hall. The show takes its inspiration from the Lesbian Herstory Archives, specifically sections of the archive’s collection containing people’s personal belongings. Typically, these items stay in an archival setting, accessible only for people who already had the idea to go hunting for them. In Lindsey-Hall’s work, they come alive, as the gallery will be filled with replicas and reproductions of specific items that lesbians and queer women throughout the past decades possessed, whether that be everyday objects or treasured possessions. More →
The Portrait is Political Opening Wednesday, April 24 at BRIC, 7 pm to 9 pm. On view through May 12.
Portraits have become one of the most ubiquitous forms of imagery in our society. While their origins lie in fine art, today’s portraits can take any form, but the most common is surely the selfie. Some might argue the vast proliferation of selfies and such has diluted the significance of this form, but I’m more inclined to believe it has opened up the opportunity to start thinking more purposefully about portraiture; one must, to cut through the churn. The Portrait is Political, a “suite” of exhibitions opening at BRIC this week, seeks to reassert the power of depicting people in art. Jaishri Abichandani immortalizes Brooklyn’s South Asian feminists in paint, Texas Isaiah creates collaborative works with his subjects, and Liz Collins curates a sprawling spread of portraits from over 35 queer artists. More →
Phantom Paradise Opening Wednesday, April 17 at Lesley Heller Gallery, 6 pm to 8 pm. On view through May 19.
Delano Dunn’s work is colorful and busy; it draws you in and demands you stay a while, in order to soak up all the shades and shapes and details on view. The LA-based artist’s collages, paintings, and mixed-media creations aren’t just nice to look at, they also pack an emotional punch—each piece of art is one part of a patchwork quilt of memories Dunn recounts from experiencing the 1992 LA riots, which occurred in the midst of his childhood. Birds, protestors, flames, cops, and streaks of neon colors help tell a story of chaos that’s abstract and visceral.More →