While art space The Living Gallery originally started in Bushwick, it has since expanded to a smaller outpost location in the East Village. To celebrate that space’s two-year anniversary, the gallery will be hosting one of their signature “BYO Art” nights, which are exactly what they sound like. Rather than entering into a space where some elite artists has their work on display, BYO Art welcomes anyone who makes art to bring a piece and hang it on the walls. There’s a $10 suggested donation, but any sales made will go directly to the artists in full.
Mother and Child Vol. II Opening Monday, July 15 at 198 Allen Street, 6 pm to 9 pm. One night only.
If you’ve as much as glanced at the news lately, you probably know we have a problem, the kind of problem that involves both children and adults being mistreated and kept in literal cages as politicians essentially look the other way. There are many ways to at least attempt to fight back against this barrage of injustice, one of which is through art. Tonight in the Lower East Side, Colossal and Sugarlift will be presenting a group art show featuring over 50 artists exhibiting works themed around the subject of family. Everything will be for sale (prices start at $100 and go up from there), with 100% of the proceeds will be donated to immigrant right organizations The Young Center, Kids in Need of Defense, and The Florence Project.
African Spirits Opening Thursday, July 11 at Yossi Milo Gallery, 5:30 pm to 7:30 pm. On view through August 23.
Your standard art history education tends to stay pretty Eurocentric, so some people might not know that portrait photography has had quite a heyday in Africa, dating back to the early 1900s, when both European visitors and African locals experimented more and more with the form. The 1950s through the 1980s were considered the “golden age” of portraiture in West Africa, and images from this time will be showcased in a new group exhibition at Chelsea’s Yossi Milo Gallery, which range from staged studio imagery to more candid nightlife captures. These photos will be displayed alongside works from more contemporary photographers of all stripes.
Miss Meatface Opening Tuesday, July 2 at The Untitled Space, 6 pm to 9 pm. On view through July 13.
No, “Miss Meatface” does not refer to the latest right-wing woman to adopt the “carnivore diet,” that frightening all-beef culinary regime embraced by the likes of Jordan Peterson; it refers to the artist Kat Toronto, who creates bizarre and entrancing “performance-based photography” under the name Miss Meatface, which resemble stills from some surreal, experimental, BDSM-laced film you want to immediately consume in full. In addition to an exhibition of recent creations by Miss Meatface, Tuesday’s reception will also feature a zine signing and an artist talk between Meatface and The Untitled Space’s director, Indira Cesarine.
Family Album Opening Wednesday, June 26 at Anton Kern Gallery, 6 pm to 8 pm. On view through August 16.
Margot Bergman’s paintings draw you in, both with their rich colors and their appeal that’s grotesque, realistic, and dreamlike all at once. It makes sense, then, that she paints “imagined people,” abiding by only the rules of her brain when bringing brush to canvas. A selection of her curious, feminine creations will be on view at Anton Kern Gallery starting this Wednesday; Bergman usually only exhibits paintings, but Family Album will also include an array of “theatrical photographs” taken by the artist, featuring subjects posing with portions of Bergman’s collection of dolls and figurines.
We the People Opening Wednesday, June 19 at Howl! Happening, 6 pm to 8 pm. On view through July 21.
Some people go to prestigious and expensive schools to learn how to make art, throwing piles of cash at nice supplies in the process. Guy Woodard, on the other hand, honed his craft using a cheap ballpoint pen while incarcerated. The former counterfeiter and forger is opening a solo show of intricate ink drawings at Howl Happening in the East Village starting tonight. In addition to his drawings, which explore both political events and the ins and outs of everyday black life, the exhibition also features a selection of Woodard-created forgeries, including one of Trayvon Martin’s Howard University diploma.
The never-ending slew of Pride-related events of all types continues! This time, with an exhibition at the new gallery within The Ford Foundation, which opened this past February and focuses on the intersection of art and social justice. Radical Love, curated by Natasha Becker and artist Jaishri Abichandani, showcases the work of over 20 artists (many of whom are queer) making work about the impact of love in the midst of a chaotic world. Queer people aren’t the only marginalized community centered in the show; disabled people and people of color are also uplifted. And the theme of “love” may seem corny to those jaded folks out there, but the exhibition expands the conventional notion of love beyond the romantic, dealing in self-love, religion, devotion to the natural world, and more.
Occupational Hazards Opening Wednesday, May 29 at apexart, 6 pm to 8 pm. On view through July 27.
The central concept of apexart’s latest exhibition is pieces of art that have been “lost, damaged, or destroyed when shipped through the Middle East,” a theme that seems so specific it might seem like it could only result in a meager showcase. As the show contains over a dozen artists from all over the world, particularly those with ties to places like Iran, Kuwait, and Palestine, it is apparent that art in international transit can meet this fate more frequently than one might surmise. This can encompass more mundane wear and tear from the everyday bumpiness of travel and the customs process, or it can have more complicated, insidious origins, such as the time artist Ahmad Hammound’s passport-esque creation got torn up and marked with red pen for daring to remotely resemble a travel document. More →
fish mystery in the shift horizon Opening Wednesday, May 22 at Rubber Factory, 6 pm to 8 pm. On view through June 23.
The natural world is so vast and multifaceted it can seem like an impossible task to quantify it all. In fact, sometimes it is, and the scientific inability to identify a species’s baseline population size (known as “shifting baseline syndrome”) is one of the driving factors behind Catalina Ouyang’s latest show of sculptures and videos, which also draws from notions of diaspora and mistranslation. Huge, curious, jade-colored creatures populate the gallery space, looking simultaneously like cows, humans, fish, and some other fantastical creation entirely. They’re based off the Chinese paddlefish and baiji, creatures that are now extinct but once had a shifting baseline. The opening reception on Wednesday will not only feature Ouyang’s sculptures and videos, but also a durational performance among the aquatic creatures.
Broken Heaven Opening Tuesday, May 14 at 7 Franklin Place, 6 pm to 10 pm. One night only.
Art exhibitions featuring people who are formerly or currently incarcerated have been fairly common, but it would be unproductive to shoehorn them into a category. After all, no one goes about remarking about how there are too many art exhibitions featuring people who live in houses. If you’ve yet to go to an art show that draws from the profound and traumatic experience of incarceration on creators, or even if you have, head to Tribeca tonight for a show by the formerly incarcerated artist Pingo, who will be showing his work to the public for one night before a stint at this year’s Art Basel Miami. Pingo’s work is abstract and textural, recalling Jackson Pollock and utilizing shocks of colorful paint to convey a landscape of emotion. Not only that, but the exhibition will also include ice sculptures.