Mike Taylor: Condensed Flesh Opening Thursday October 13 at Idio Gallery, 6 pm to 11 pm. On view through October 30.
East Williamsburg space Idio Gallery put out a call for crowdsourced financial support several months ago, which very well could have signaled that it was beginning to scale down. However, with a show at Bushwick Open Studios and another show opening shortly after, they don’t appear to be going anywhere. This one is a solo show, presenting works on paper and paintings by renowned graphic artist Mike Taylor, created between 2012 and now. Finished works won’t be the only thing on display in this show, as Idio’s downstairs basement space will be transformed into a showcase of the artist in-process, with drawings not yet done, prints, and “printmaking debris” on view as well. Taylor’s work is bold and bright, often utilizing neon colors and mixing abstract patterns with notes of realism and the human form filtered through the style of the illustrator and comic artist.
Co//Modified: A Showcase of Design Artists Opening Monday October 3 at The Living Gallery, 7 pm to 10 pm. One night only.
In this one-night-only show curated by Mia Schachter, eight artists who “straddle the line of intention between utilitarian design and art” will make their way to Bushwick’s The Living Gallery to show their work. Many of these artists make work that they predominantly try to sell as useful objects, like hyperstylized papier-mâché percussion instruments, ceramic mugs or pots, and embroidery. This show seeks to lay their salesperson spirit to rest momentarily so they can merely show off their creations as art. But if you’d like to go home with a piece or two, you’ll be able to do so as well.
Self-Reflection Opening Tuesday September 27 at The Untitled Space, 6 pm to 9 pm. On view through October 8.
No less than 21 female artists will descend upon Tribeca art gallery The Untitled Space this Tuesday for the show “Self-Reflection.” Their art spans multiple genres, but all pieces will focus on some form of self-portrait, using the artists’s own bodies as a tool for creation. These self-portraits aren’t the typical depiction of oneself; some are even constructed through wool tapestry weaving. Rather than being potrayed by others, where objectification and the pesky male gaze can run rampant, these women will take their bodies into their own hands (in some cases, literally) to construct a self that feels authentic to them, however that might manifest. Some photograph themselves, some use images of their own nude form for painting references– either way, it’s all them.
Arlene Schulman: The First 100 Years Reception Tuesday September 20 at The David N. Dinkins Municipal Building, 5 pm to 7 pm. On view through September 29.
Bronx-born Arlene Schulman has had a robust career as a photographer, with an array of published books, including the award-winning The Prizefighters: An Intimate Look at Champions and Contenders. Her photos reflect a lifetime living in the city, and I mean lifetime: she started taking photos when she was a mere eight years old. They focus on the everyday and the working class, portraying subjects like police officers and boxers in large-format prints. And photography isn’t all she does– she also writes, edits, and teaches. This exhibit, presented by Manhattan BP Gale A. Brewer, seeks to showcase her large body of work and the unique way she sees the city. But careful, don’t go offering her the chance to shoot artful pictures of any lima beans or olives—she writes on her website that she hates those.
In this show, artist Raque Ford takes on the character of Georgia Brown, a “temptress” figure from the 1940s film and Broadway musical Cabin in the Sky. The show made history as the first production to feature an entirely African-American cast, but the creators were (shocking!) all white. Using a variety of techniques, including plexiglass sculpture and a zine of handwritten letters that attendees can take home with them, Ford will reexamine and rewrite the narrative of Georgia Brown through a rigorous and contemporary lens.
Everyday Things Opening Friday September 9 at Disclaimer Gallery (inside the Silent Barn), 6 pm to 9 pm. On view through October 2.
Though artist Megan Tatem often works in illustration, creating works for magazines and doing graphic design over at Hearst Media, this “tongue-in-cheek” exhibition will showcase another side of her work: photography. The show provides commentary on imagery related to racial stereotypes, but wrapped up in a tight layer of sarcasm. This results in lighthearted visual observations on assumptions like “white people can’t dance” and who holds the highest proclivity for fried chicken, but also delves into darker, serious territory, also acknowledging how racial stereotypes like the assumption that people of color are dangerous or prone to crime can (and has) lead to unwarranted violence against them.
Up Against The Wall Opening Tuesday August 30, 7 pm to 10 pm at Booklyn. On view through September 27.
Greenpoint “artist and bookmakers organization” Booklyn, which has impressively been hanging around since 1999, presents this exhibition of prints by two projects: Imagining Apartheid, a Montreal-based initiative bringing awareness to Palestinian liberation and the BDS movement with a focus on Israeli Apartheid, and Celebrate People’s History: Iraq Veterans Against the War, a portfolio project which aims to highlight veteran and active duty members who were against the war and have spoken out over the last ten years. Placed side-by-side, these prints and posters highlight years of a common struggle and fight for demilitarization and justice regardless of country or nationality.
Consumption Opening Monday August 22, 6 pm to 9 pm at The Living Gallery. On view one night only.
For one night only, the humble Living Gallery will be taken over by artist and “earth-loving dumpster-diver” Jill Rosati’s fantastical sculptures. Among them are “vomcanoes,” vaguely grotesque creations that look as if a mound of dirt grew legs and eternally spewed a fine stream of luminescent sludge that may or may not contain human hair. Yum! Rosati is committed to showing the ugly and excess-filled side of human nature (and sometimes, just nature itself), but smartly does so using sustainable and recycled materials so she doesn’t necessarily waste in order to portray waste.
Artist Sharon Spell seems to have each one of her hands equally in art and comedy: she’s worked with UCB since 2007, performs at The Moth, and has illustrated comic strips for the freaky people at The Onion, just to name a few bits from her resume. These two worlds unite in her “Close Hamm” diptychs– paintings depicting two distinct people joined together to create one image, much like the fine art of balance an improv-comedy duo’s always aiming for.
Peyton Freiman’s “JFK was a Realist,” 2015 (Image courtesy of Shin Gallery)
Long Gone and Missing Opening Wednesday August 1, 7 pm to 9 pm at Shin Gallery. On view through September 10.
Imagine a beach on the Lower East Side. Now imagine that beach stuffed inside an art gallery. Some might call it crazy, but this wacky dream will become reality at the opening of Peyton Freiman’s solo show, Long Gone and Missing. The Brooklyn-based artist (who also recently showed a piece in loft-gallery Club 157’s first group show) will transform Shin Gallery into a “veritable beach playground” filled with his colorful mixed media works on paper.