In the Victorian age, those who lost a loved one would enact an odd and intimate ritual known as mourning braiding. This practice consisted of braiding the actual hair of the deceased into a piece of jewelry. Artist Nene Humphrey is no stranger to incorporating mourning-centric behaviors into her work, and come Wednesday she will open a new exhibition at Lesley Heller Workspace on Orchard Street that combines the brain’s reaction to grief with this old-school hair ritual. The installation and “ritualized site of production” includes braiding stations featuring wire instead of hair and walls covered with weaved strands. Instead of actual people doing the braiding, the stations sit empty and projected videos show the plaits being constructed alongside similar-looking images of the brain. More →
Channels Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.
Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.
Lateral Thinking With Withered Technology Opening Thursday, December 14 at Catinca Tabacaru Gallery, 6 pm to 8 pm. On view through January 21.
Though the title of this exhibition may call to mind a really wrinkly cell phone, it is in fact a reference to the ideology of the creator of the Nintendo Game Boy, Gunpei Yokoi. This sort of reference feels right at home when it comes to this show by Shinji Murakami, which will transform a gallery space into an illuminated augmented reality playland. His materials of choice tend to be more traditional, such as wood, plastic, and glue, but he also uses vast amount of LED lights. Altogether, this creates a homage to 1980s gaming, particularly the simple and nostalgic 8-bit aesthetic. In the midst of this 8-bit world, the artist has turned an LED panel into a real-time display of Elon Musk’s Twitter feed, a clear reminder that while the gallery may look rooted in the technology of the past, we are in the present, and it’s a present that may not be too far away from colonizing other planets. More →
Mind Body Sound Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.
One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! More →
I’ve Been Heard Opening Thursday, November 30 at Fort Gansevoort, 6 pm to 8 pm. On view through
“Public Parks to this day exist as one of the very few remaining spaces that are designed to be democratic: free and open to all,” proclaims a statement for artist and boxing teacher Cheryl Pope’s latest installation at Fort Gansevoort. While the intent for a location isn’t always put into practice by all, it does remain true that public parks provide, or attempt to provide, such a freedom. Pope’s installation focuses on NYC youth, who often flock to parks and the street basketball courts that accompany them. After speaking with an array of young people, she created banner flags and “All-American Varsity Letterman Jackets” displaying some of their statements, elevating the words of youths who may be often ignored into literal fine art.More →
Dawn of the Looney Tune Opening Thursday, November 16 at Derek Eller Gallery, 6 pm to 8 pm. On view through December 23.
Not all sculptures involve components like carrots and bread, but Michelle Segre’s sculptures certainly do. You can see them this Thursday at LES space Derek Eller Gallery, when her latest exhibition opens. As these works often involve organic matter such as the aforementioned carrots and bread, and gallery shows are often on view for quite some time, it is almost guaranteed that Segre’s work will subtly change as time goes by. More specifically, that organic matter is probably going to get mushy. Or grow fur. Or change colors. Either way, it will shift. And you will get a healthy reminder that like it or not, we are all slowly but surely decaying. Happy Monday! More →
It’s common to see many artists showing work in one gallery show, but less so to see a singular artist (who isn’t a long-deceased master or buzzy household name) exhibiting at multiple galleries in the same city at the same time. Though this may be rare, queer artist Loren Britton is far from ordinary. Both exhibitions explore the confines and freedoms of bodies and language, specifically in regards to the queer and gender non-conforming experience.
At Chelsea’s Field Projects, their charming but rough paper pulp wall reliefs reside. Over at Bushwick’s Disclaimer Gallery, a sandbox installation rife with pastel, pulp, and radical politics makes its home. At the former, it’s recommended attendees “stay clean”; at the latter, “getting dirty is encouraged.” Rounding out the artist’s presence is a coloring book collaboration with artist/designer Laura Coombs; people are encouraged to fill in the book on their time between exhibitions. More →
This swift three-day exhibition shows the work of queer ceramic artist Caitlin Rose Sweet. I first encountered Sweet’s work when I interviewed her about a show she was doing inspired by Bosch’s notorious triptych The Garden of Earthly Delights. Since then, she hasn’t stopped whipping up sculptural pieces that impressively mix elements of grotesque and feminine. Friday, her solo show Objectified is unveiled to the public, placing the queer femme body in all its manifestations on view. Sweet’s ceramic sculpture creations can resemble traditional craft art, domestic home goods, genitalia, gnarled fingers, and fantastical beasts all at once. Will you be entranced or spooked? More →
The Past, Too, Is An Intruder Opening Tuesday, October 24 at A-Pou’s Taste, 7 pm to 10 pm. On view through October 29.
Although East Williamsburg space Idio Gallery is no longer formally operating in the Grand Street building they called home, this has not stopped the gallery and its fearless leader Montana Simone from continuing on in new and creative ways. This Tuesday marks the opening of an exhibition of paintings by A. Savage that will still be on view on Grand Street, but not in a gallery space. Instead, they will find a home for the week at A-Pou’s Taste, a dumpling shop across the way. At the opening, you will certainly be able to purchase as many dumplings as your heart desires while gazing upon colorful works by the multi-hyphenate A. Savage, a visual artist who also performs music solo and as part of Parquet Courts and co-founded the label Dull Tools. If you’re looking to get more of an insight into the artist’s process, there will be a talk with Savage and artist Jonathan Campolo this Thursday at 7 pm. More →
Particulates Opening Tuesday, October 17 at Dia:Chelsea. On view through June 2.
The space at Dia:Chelsea is big and expansive, as it used to belong to the Alamo Marble Company. This makes it a particularly good fit for Rita McBride’s Particulates, a light sculpture installation consisting of sixteen lasers, water molecules, “surfactant compounds,” and appropriately, some marble dust. The result of this interesting collection of materials is a recreation of what seems to be the vast expanse of outer space mixed with a neon sci-fi world of the future, which should be good news to the people who have always wanted to feel enveloped in the galactic void but do not have the means to actually get up there. For those who cannot make it to the exhibit in-person, there is also a livestream of it. More →