stain begins to absorb the material spilled on Opening Thursday, January 16 at Doosan Gallery New York, 6 pm to 8 pm. On view through February 15.
This “lab” exhibition by artists Tiffany Jaeyeon Shin and Jesse Chun is an intellectual and sensorial treat, offering much to see, hear, ponder, and even smell. The show focuses on the curious relationship between language and digestion, with each artist centering their work around one of these two components. Chun unpacks and deconstructs language’s ability to “render one readable as a subject,” from the ubiquitous presence of English to the power of official written documents, while Shin (who also has an ongoing session at Recess) utilizes ancient Korean vases used for fermentation to explore the tension between Westernization and traditional cultural values.
Comfort Opening Thursday, January 89 at Friedman Benda, 6 pm to 8 pm. On view through January 15.
Everyone has a different definition of comfort. Your grandfather’s old and cigarette-scented armchair might feel like home to you but cause another person to wrinkle their nose in disgust. Curator Omar Sosa’s latest show at Friedman Benda focuses on the harmonies and contradictions inherent in items, particularly pieces of furniture and design, meant to bring comfort in one way or another. As this is an art exhibition and not a furniture showroom, comfort is usually interpreted quite creatively—think a boxy bookshelf that leans but never falls, a sculpture entitled “Toilet Sink,” and a colorful blanket meant for a pair.
An Evening With Muses Opening Wednesday, December 18 at Ace Hotel New York, 6 pm to 8 pm. On view through December 20.
Whether it’s a ticketed drink and draw event, a university art class, or a 1-on-1 arrangement, the IRL relationship between artist and model is alive and well these days, though it’s still usually more of a private affair. But on Wednesday, art models Najee and Ume will take to the Ace Hotel to pull back the curtain for all to see with the exhibition An Evening With Muses, which is based on a live drawing series they held at The Ace’s restaurant. On view will be work created in those live sessions, showcasing the many different ways that artist can represent muse. And to show you how it all happens, there will also be a live drawing presentation.
Behind the Scenes Opening Thursday, December 12 at Staley-Wise Gallery. On view through January 25.
The world of fashion, be it editorial or runway, is very much a polished one. Outfits are perfectly tailored, images are retouched, runway shows are directed and planned, and makeup and hair is painstakingly crafted. It’s less common to get a peek at the work that goes into making this possible, but it’s the chief objective of photojournalist Harry Benson’s latest exhibition at Soho’s Staley-Wise Gallery. The prolific photographer, who has captured notable faces from JFK to The Beatles, has been snapping shots at fashion shows for decades. This show focuses on everything but the finished product (well, and some of that too): the designers at work, the models preparing to walk, the people who actually purchase couture, and more.
Present Bodies: Papermaking at Dieu Donné Opening Wednesday, December 4 at BRIC, 7 pm. On view through February 2.
Though it’s not quite as big a part of our lives as it used to be, paper is still ubiquitous. It creates our books, our restaurant menus, our never-ending piles of junk mail, and of course, our art. Starting Wednesday, our humble paper will get the star treatment at an exhibit at BRIC, showcasing artists who not only make art on paper but make the very paper displaying their art. The show features eight artists who participated in a recent residency at hand papermaking organization Dieu Donné. They all use their craft to explore marginalized bodies, taking both their identities and the medium their art exists on into their own hands.
Working Photos Opening Monday, November 25 at Fridman Gallery, 6 pm to 8 pm. On view through January 5.
Phill Niblock has been creating art for over fifty years, which is longer than the majority of people reading this have presumably been alive. This dedication to creation has manifested in the form of minimalist audio compositions, photographs, and film. He has collaborated with the likes of Sun Ra and shown work anywhere from the Tate Modern to DIY space Silent Barn. Now, he’ll be showing a wide variety of this multifaceted body of work at Fridman Gallery, in an exhibition that will be accompanied by a performance and screening series taking place both at the gallery and at Niblock’s longtime loft space on Centre Street.
Mallrat to Snapchat: the End of the Third Place Opening Friday, November 29 at Front Room Gallery, 7 pm to 9 pm. On view through January 12.
One of the most popular places to shop during the holidays is a mall, or at least it used to be. Now, these hubs for teen socializing, family activities, and hurried gift-searching are becoming a thing of the past, replaced by online stores and shifting shopping tendencies. Photographer Phil Buehler seeks to illuminate this cultural shift in his solo exhibition Mallrat to Snapchat, using a New Jersey mall that closed earlier this year as his main case study. The show will appropriately open on Black Friday, and features photographs of the mall in various stages of existence as well as paraphernalia like vinyl albums from 1973, the year the mall opened.
Mosaics have an interesting place in the realm of fine art. Similar to collage, they simultaneously occupy spots in both high and low art, and can occasionally be seen as part of home decor. As it turns out, Rashid Johnson works in both mosaic and collage, as well as sculpture, film, and other multimedia endeavors. His latest exhibition, The Hikers, is inspired by a film he shot in the Colorado mountains and uses all these artistic disciplines to explore the ever-growing anxiety that stems from the mere act of being alive in today’s tumultuous times, both in America and beyond. In addition to The Hikers, the gallery will also be opening a show of eclectic, colorful paintings by Mike Kelley.
A Part of US Opening Thursday, November 7 at Geary. On view through December 20.
The first thing an onlooker might notice about the works of Yvette Mayorga is the color, which draws you in with its fluorescent brightness and candied hues. Next, you might notice its unique style, consisting of acrylic piping on canvas instead of brushstrokes. Paired with the colors, the works almost resemble elaborate baked goods or confections—even her sculptures, made of glazed porcelain, could look good enough to eat. Mayorga isn’t just looking to please one’s sweet tooth; her work (on view starting Thursday at Soho gallery Geary) also provides commentary on the so-called American Dream, which isn’t quite so dreamy for everyone.
Envisioning the Liquid Land Opening Wednesday, October 30 at Lesley Heller Gallery, 6 pm to 8 pm. On view through December 21.
Envisioning the Liquid Land could be the title of a book on how climate change will undoubtedly plunge us all underwater one day, but it’s also the name of Nicole Awai’s latest solo show, on view starting Wednesday at Lesley Heller Gallery on Orchard Street. The Trinidad-born artist and teacher is known for utilizing a wide range of items in her art, from nail polish and resin to feathers and shells, in order to explore the intricacies of living in America today. Awai’s multifaceted style gives her work a multi-dimensional feel reminiscent of candy-colored dreamlands that look almost like normal life, but more surreal and more intriguing. That’s not all—in the gallery’s project space, there will also be an installation by Rachelle Dang, inspired by Hawaiian colonialism and botanical cabinets.
Harvest Opening Wednesday, October 23 at 172 East 4th Street, 6 pm to 8 pm. On view through November 20.
Frequently, galleries will show work by acclaimed artists who just happen to not be alive anymore. Sometimes their work gets combined with more contemporary creations, but not when art advisory group Sidel & McElwreath is concerned. Their focus is squarely on living artists, and they’ll be showcasing nine of their favorites at an East Village exhibition opening this Wednesday. The work included runs the gamut in both form and content, like a bountiful harvest should, and presents a chance for artists and viewers of art who may not normally gather in the same room to come together as a community.