R. Luke DuBois Learning Machine #2, 2016 AVM voting machine (instruction model, blue, ca. 1955), voting booth, computer, camera, lights, screen
The Choice Is Yours Opening Wednesday October 26 at bitforms gallery, 6 pm to 8 pm. On view through December 23.
It seems to be a near-impossible task to find any sort of political media that does not deal heavily with those two folks with names beginning with D and H. If you’re interested in engaging with the current events but not with the media circus, consider checking out R. Luke DuBois’s solo show, part of LES gallery bitforms’s 15th anniversary season. The exhibition is a questioning of “individual agency,” from basic tasks to those with (supposedly) more weight, like voting.
Porterspace in Bushwick (photo: Cassidy Dawn Graves)
New York is expensive for business owners (ok, and everybody else), and this can ring especially true for those who run performance spaces. Indeed, commercial successes like Hamilton could lure the ignorant into the sense that it’s very feasible to make live theater work with a long and lucrative life. But that runs contrary to the climate that the smaller spaces and companies exist in, even when they’re the ones creating and initially developing the work that goes on to find success. More →
Pinc Louds may describe themselves as an “imaginary band,” but the type of imagination to dream such a group up is one that is incredibly memorable. Formed about one year ago, the trio consists of Claudi Ausbury, Ofer Bear, and Rai Mundo, and together they play songs that are a magical, whimsical blend of anti-folk, rock, punk, and something wild and theatrical. Though their rather outlandish and colorful appearance could lead some to see them as just a fun concept, their “hardcore acoustic doowop” music is equally transformative, seamlessly going from kind falsetto ballads to a shrieking, raucous number and back again, all while providing fantastical lyrics, and interesting stories.
The former Pfizer plant at 630 Flushing Avenue on the Bushwick/Bed-Stuy/Williamsburg border is odd and massive, a veritable maze sporting a slew of office culture flyers and a strange sterile smell. No longer a biopharmaceutical plant, the building still mostly looks that way, making it a unique and sometimes strange home for local food companies, office workers, and also, art. Last week, the Re:Art show opened, transforming the fifth floor of the building into a massive art display. Some work was spread out over large hallways or slyly hidden among machinery, but in one mighty room was the vibrant “Fatter IRL” show, showcasing only work by artists who identify as fat.
Contemporary women’s fashion label loup, previously only sold online and through retailers like NastyGal and Anthropologie, is opening its very first pop-up shop on Rivington Street. It will be a brief affair, starting on October 19 and wrapping up October 24.
The NYC-based label, helmed by designer Danielle Ribner, will be selling its Fall/Winter 2016 line, which features items like wide-leg “culotte jeans” and jumpsuits, boxy blazers, colorful sweaters, and plenty of denim, twill, and suede. As an exclusive to the pop-up shop, cozy crewneck loup sweatshirts will also be for sale, available in mostly grays and blues.
Though the buzz about buying local generally focuses on food, this time it rings true for the fabrics that adorn those sentient sacs of flesh we call bodies. The brand is Parisian-inspired (loup is French for wolf), but its production is genuinely local. According to its website, Ribner works “solely” with factories in the Garment District to produce the label’s clothes, so essentially every step of the process happens in the city.
Andrew Gori and Ambre Kelly, Sightseers Opening Tuesday, October 18 at Equity Gallery, 6 pm to 8 pm. On view through October 29.
Arielle de Saint Phalle curates a show of work by Andrew Gori and Ambre Kelly, founders of the SPRING/BREAK Art Show among other projects, curatorial and otherwise. For the first time, the two artists will be showing a series of collaborative photographs they’ve taken over the course of five years. The photos are described as a chronicle of “the self-portraiture practice of travelers and tourists,” which is essentially a fancy way to say you’re taking pix of people taking selfies in various locations. Not that there’s anything wrong with that. As selfies have become more and more ubiquitous throughout the world, a documentation of how people take them, especially in international travel hubs and beyond, sounds certainly intriguing. Sure, it’s definitely a little weird and voyeuristic to be showing them in a fine art space, but I suppose it’s just a more permanent form of people-watching. In stark constrast to the high-tech smartphone, which is prime vehicle for selfies, all of the photos on display were taken with 20th Century prosumer film cameras. So no, that’s not just a vintage Instagram filter.
Dogs, largely considered man’s best friend, will love you essentially no matter what you do. Instead of settling for the fact that a panting creature will be loyal to you just by existing, why not go the extra mile to celebrate pups everywhere at these October doggo gatherings. Whether you’re running around in parks with pooches or observing them from a distance, you’re sure to find something to make you bark with joy. Not so sure how thrilled your dog will be to prance around in a costume all day, but I’m not going to make that call for you.
Treetops explore the scientific inquiry “How do you make enormous rainbows form?” (photo: Daniel Montuoro)
Sometimes, when you go to a party, you want to leave your brain behind (the practical parts, at least) and just dance. Others like a bit more cerebral engagement. But just because a party makes you think, doesn’t mean it’ll also be stuffy or boring. Enter Treetops, whose parties have a proclivity toward wacky, interactive themes and quality music to keep you movin’. This Friday, the group is bringing its First Annual Mad Science Fair to House of Yes.
Singer, cabaret artist, and comedian Bridget Everett has had quite a couple of years. The powerhouse performer is certainly memorable: her Chardonnay-soaked live act includes joyous, belted requests to raise one’s “titties” in the air and a catchy, matter-of-fact song that asks the universal inquiry: “What I gotta do to get that dick in my mouth?” There’s also plenty of audience engagement. Typical stuff, like sitting on crowd member’s faces. Brash though she may be, Everett has captivated America and become fast friends with comedian Amy Schumer, which has led to spots on Schumer’s television show, her film Trainwreck, and other screen appearances like a recurring role in Maria Bamford’s Netflix show Lady Dynamite, with more projects in the works for the future.
Though she’s appearing on bigger and bigger screens lately, she made a name for herself through shows at downtown staple Joe’s Pub on Lafayette Street. For the recurring “alt-cabaret” fixture Our Hit Parade, she put unique spins on pop songs alongside fellow out-there performers like Neal Medlyn, Erin Markey, Kenny Mellman, and even Billy Eichner. There were also solo nights with her band The Tender Moments. We sat down with Everett at Caroline’s On Broadway ahead of her show at New York Comedy Festival to talk touring, creating, and of course, fanny packs. More →
Lane Moore‘s celebrated show Tinder Live returns to Park Slope venue The Bell House for yet another amusing evening of dating mishaps and more. This time around, she’s joined by comedians and/or generally creative folk Josh Gondelman (Last Week Tonight), New York Times bestselling author Mychal Smith, and writer Chloe Angyal, who genuinely has a PhD in romantic comedies. Moore is quite a multitasker herself. In addition to jokin’ and hostin’ her acclaimed comedy show, she also fronts the band It Was Romance (they garnered plenty of media attention for their Fiona Apple-inspired music video for queer song “Hooking Up With Girls”) and writes for a variety of publications. But enough about all that, this evening is all about Tinder. In a good and funny way, we swear. And in a real way: there will be live swiping. Maybe one day you’ll even end up as one of the folks Moore engages with onstage. There are many routes to stardom.