“Everybody should be testing their soil before they garden,” said Allison Currier, an organizer at NAG. “North Brooklyn especially. That’s because if you’re a resident of Greenpoint or Williamsburg, in all likelihood you’ve got some lead on your hands.
Because it’s shot in the sort of bold, hyper-real HD-quality style that’s available to even low-budget filmmakers now, Desire Will Set You Free already feels too real from the POV of click-play. Which is funny, because filmmaker Yony Leyser (who stars as Ezra, an American expat) is celebrating the freewheeling, anything-goes Berlin of the twenty-teens (aka now), a place where weirdos, freaks, and artists can live out their fantasies, especially the sexy ones, which is all about negating the supposedly fixed norms of society and transgressing life as it was handed to us. Even the title, “Lust Macht Frei” in German, is the opposite of the infamous “Arbeit Macht Frei,” which appeared sometimes welded into iron gates at the entry point to Auschwitz and other Nazi death camps.
Berlin has been the place for your coolest friends to flock to over the last several years, and if you haven’t made the trip, “Desire” is definitely a great way to get acquainted with the city’s “hedonistic queer underground,” as Spectacle writes, and its nonstop, freaky deaky nightlife. The theater is hosting three screenings that serve as the film’s New York City premiere, and judging by the sparkly cast (Dev Hynes, Peaches, and Nina Hagen, among others), the promised “Q&A with special guests” is probably gonna be pretty great.
Sunday February 26 at Anthology Film Archives: $11
This 1979 sci-fi-tinged horror film is a Cronenberg classic, and Anthology is screening it this weekend as part of its Canadian classics series, Gimme Shelter: Hollywood North. In part, The Brood is exactly what we’ve come to expect from the filmmaker’s own “body horror” sub-genre obsession– blood, guts,– but the film puts even more weight on what’s in some ways a much spooky psycho-thriller-style of horror storytelling that recalls The Shining (and, sure, stylistically the two movies feel cut from the same cloth too).
At the center of the film is a woman, Samantha Eggar, who is deemed psychologically unstable and pursues experimental treatment by a doctor who believes that dramatic physical changes in the body’s chemistry can eradicate mental illness. Meanwhile, Eggar’s ex-husband steps in to take care of their daughter, and promptly pursues full custody. She might be far away, geographically and mentally, but Eggar knows what’s up, and her treatment has the terrifying consequence of enabling her to undertake “the spawning of a brood of murderous mutant children who act on [her] rages.”
Cronenberg wasn’t just guessing, either– he was actually in the middle of his own messy divorce and custody battle when the film was under development. Anthology writes that the director has called The Brood “my version of Kramer vs Kramer, while noting that that film’s ‘happy ending’ was a million miles away” from his own take on the process of unraveling a marriage.TVTV Looks at the Oscars
Saturday February 25, 10:15 pm at The Metrograph: $12
Hey! The Oscars are coming up. I bet you, like myself, could care less. Like, really, why would anyone wanna spend their Sunday evening (Friday February 26 at 5:30 PST) watching a bloated film industry hand out a bunch of little gold alien man statues to a film literally called La La Land in an awkward display of “Hey! Look at us! Seriously, we aren’t racist”? The award ceremony (and really, any mainstream award ceremony) has so little to do with our day-to-day lives that it’s barely worth kvetching about. And yet here we are…
Thankfully, the Metrograph has put together an alternative program hosted by TVTV, a “guerrilla video”-making collective that got its start in San Fransisco way back in 1972,”– like, long before it was full of the dregs of humanity (i.e. tech bros). Consisting of tape from the 1976 award ceremonies, when Lily Tomlin was nominated for Best Supporting Actress for her roll in Nashville, TVTV put together this
“close-up look at Hollywood’s annual awards ceremony that mixes intimate behind-the-scenes views with deadpan comedy, featuring [Tomlin] as a mousy homemaker watching the Oscars in her suburban home.”
Getting a haircut is never as simple as it sounds, especially in this city. You’re gonna need some help, unless you have one or more of the following: a) extremely liberal views on what counts as presentable b) a steady pair of hands, and c) tremendous flexibility á la the double-jointed faction of showtime kids. Good luck with that whole finding-a-stylist thing, by the way. If you’re searching within a two-mile radius of Greenpoint alone Yelp turns up 218 hair salons. On top of that, professional hair choppin’ is a fiercely competitive scene, and yet salons still manage to be painfully expensive and, in some cases, rather uncomfortable.
Wednesday, February 15 at The Jane Hotel, 8 pm:
Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »
Local politicians are condemning the “reprehensible symbolism” of swastikas that appeared in a South Williamsburg apartment building, and are calling on the Trump administration to denounce what they say is a result of “the politics of hatred and fear.”
A statement released this afternoon speaks out against the anti-semitic graffiti that appeared last week in the Schaefer Landing apartment building on Kent Street, home to a large number of Orthodox Jews.
Friday February 10 through Thursday February 16 at IFC Center: $14
This beautifully shot, futuro nightlife fantasy flick is sort of like a glammed-up, femme-fatale version of Splash, only the mermaids here are hardly damsels in distress. These sister mermaids are flesh-eating fish people with vampy tendencies. They have the same power to entrance and, well, lure that sirens are supposed to have, but that somehow American imaginings have left out (Puritans, ughhh). I guess it took some Catholic guilt and Polish imagination to get this darkened-disco retelling of The Little Mermaid off the ground. IFC writes, “One sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred.”
When Quimby’s opened up a few weeks back just off the Metropolitan stop, Williamsburg gained another hip little bookstore in an area where it sometimes feels like culture is on the way out. Thankfully, Quimby’s is the real deal, even if it’s a revival of a Chicago institution first opened by Steven Svymbersky in the ’90s.
But wait a minute, isn’t there already a specialty book store on the block? Yeah, there most definitely is: Desert Island, probably the best comic bookstore in the city, and maybe one of the most glorious shops dedicated solely to graphic novels and arty comics.
Burlesque Tribute to the Ladies of Disney
Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10
Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of Thrones, Star Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »
The New York chapter of comedy theater The Annoyance has announced they’ll be closing their location on Bedford Avenue in Williamsburg at the end of March. Originally started in Chicago 28 years ago, The Annoyance began holding classes in Williamsburg in January 2014, and went on to open up a physical location in the city later that year in December.
Friday February 3 (10 pm), Thursday Feb 13, (7:30 pm) Monday Feb 20 (10 p), and Sunday Feb 26 (5 pm) at Spectacle: $5
“Punk” is maybe one of the most confused, contradictory, and misunderstood terms, like, ever. For some people it’s a lifestyle, a fashion statement, or a style of music, for others its Liberty Spikes and an ever-present leather jacket with pins and patches and even more spikes. In its simplest form it’s an immediately recognizable baditude, and boy do these ladies at an all-girls borstal (the British school system for juvenile delinquents) know a thing or two about punk.
Purple Rain: Terror Beyond Belief
Friday January 27, 7:30 pm at Spectacle: $5 always
Ok, so I might be outing myself as a giant lame by admitting this but, until I came across this mind-blowing feature presentation, I had no idea that “détournement” is actually, like, its own thing. Basically, that’s just a fancy word for (re)appropriated movies that have been drastically altered and yet retain some of the original characteristics of their source films which tend to be instantly recognizable classics. The result is a chunky, weird-tasting at first, but then loveably gritty combination of parody/homage, familiar/totally alien, nostalgic/apocalyptic– or post-modern upchuck that could trick your grandma and scare the kids. In other words, it’s very punk.
Hugh A. Reid, proprietor of the eponymous Greenpoint funeral home, died last week at age 89. [Greenpointers]