Vital Joint

No Comments

Indoor Comedy Shows, A Multitude of Taylors, and More Performance Picks

THURSDAY

(image via LAWL / Eventbrite)

LAWL
Thursday, May 25 at New Women Space, 7 pm: $5

It is good to laugh, and there are allegedly real scientific statistics to back up such a claim. In fact, I just found something literally called the Laugher Online University, and you know what, I have a lot of questions about it.  But why spend your time on weird websites when you can venture into the real world and get some actual laughter?

You’re in luck— Thursday night is LAWL (Ladies and Womyn Laughing), Arti Gollapudi’s comedy night showcasing women, trans, and gender non-conforming funny folk. Gollapudi is no stranger to curating spaces prioritizing these groups, as she is also a co-founder of the Comedy Cunt Collective. Tonight at LAWL, you can see jokes n’ silly stories by Sue Smith, Shannon Odell, and Wanjiko Eke. And if I’ve made you too curious about this University of Laughter, you can always just look it up on your phone in between acts or something. Keep Reading »

No Comments

Computers Writing Poetry, Eugene O’Neill + A Light Meal, and More Performances To Gaze Upon

WEDNESDAY

Eunice Wong in MOURNING BECOMES ELECTRA. (Photo: Gaia Squarci)

Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75

If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.

If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.

Keep Reading »

No Comments

Week in Shows: Fresh Newgaze, Disco Misnomers, and Phish Swims Up Livestream

(Flyer via Sunnyvale)

(Flyer via Sunnyvale)

Guilty Giraffe, Disco Cream, Sooner, Yairms
Wednesday December 28, 8 pm at Sunnyvale: $10

Welcome back friends, orphans, Santa assassins, and gainfully employed. This is our time to shine. Join us in grabbing life by the tender parts while everyone else is still blubber-stuffed and belly-up on their parents’ couch, where life has little meaning, and existence sits somewhere between sleep apnea and dreams invaded by Wilford Brimley, who himself is napping, bloated and spread-eagle on a powder blue La-Z-Boy while diabetic sugar-plum fairies shimmy across his spittle-soaked mustache.

Keep Reading »

No Comments

Exponential: an Experimental Theatre Festival For the Brooklyn Set

(Flyer via The Exponential Festival)

(Flyer via The Exponential Festival)

January is theatre-fest time: there’s the always exciting COIL fest, Under the Radar at the Public Theater, and the opera-centric summit Prototype. But Theresa Buchheister– a founding member of Title:Point, the DIY production company that runs Vital Joint at the Silent Barn– thought it was the perfect opportunity to introduce her own operation into the mix, The Exponential Festival, as a counterpoint to the usual. “Most of the festivals are very Manhattan-centric and exclusively feature artists who are well established–they’re already getting huge foundational support–some of them it’s their actual job to be an artist, which is that golden goose we’re all chasing,” she explained.

Keep Reading »

No Comments

The Exponential Underground Theatre Festival

(Flyer via The Exponential Festival)

(Flyer via The Exponential Festival)

January is theatre-fest time: there’s the always exciting COIL fest, Under the Radar at the Public Theater, and the opera-centric summit Prototype. But Theresa Buchheister– a founding member of Title:Point, the DIY production company that runs Vital Joint at the Silent Barn– thought it was the perfect opportunity to introduce her own operation into the mix, The Exponential Festival, as a counterpoint to the usual.

Read more here.