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Performance Picks: Harsh Noise Videos IRL, LOL Sadism, and Theatre Ina Garden

THURSDAY

(via Housing Works)

(via Housing Works)

Loose: A Comedy Show
August 11, 7 pm at Housing Works Bookstore Cafe: $10. 

The always-effervescent Jo Firestone hosts this monthly evening of chuckles at the equally warmhearted Housing Works. But Firestone’s no ordinary comedy show host, no siree– she’s the brains behind ventures like Punderdome 3000, that oh-so-thrilling pun contest that’s either your worst nightmare or best dream come true.

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Performance Picks: Muskrats, Menstruation, And a Trip to Jupiter

(image via New Ohio Theater)

(image via New Ohio Theater)

WEDNESDAY

The Annotated History of the American Muskrat
Continues through July 16 at the New Ohio Theater, 154 Christopher Street, West Village. 7pm. Tickets are $18 ($15 students/seniors). More info here.
Originally developed in Boston, this play-slash-experiment was written by John Kuntz in collaboration with the show’s original cast of performers, and now will have a short run as part of the New Ohio Theater’s annual Ice Factory Festival. It follows a group of 8 people who must prepare and give a presentation about muskrats if they would ever like to sleep. American muskrats, specifically. Yes, these guys. Will you learn a lot about the muskrat? Will you learn anything at all? Is this really happening to these people or is it all some sort of wild rodent dream? Find out all this and more at the theater…

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Film: Dangle for Expanded Cinema and See Marnie’s BF Looking Not So Hot

Iraqi Odyssey 
Thursday Dec. 3, 6:05 pm and 9:20 pm at IFC Center, 323 6th Avenue: $14
How much do you know about Iraq, like really? Take away the Gulf War, Saddam Hussein, and our 43rd President’s awful pronunciation of the name belonging to a country that’s informed so much public discussion in the past few decades (but so little real understanding), and we’re guessing the answer is: not so much. Iraqi ex-pat filmmaker Samir takes viewers on an informative trip through his homeland’s history through a very personal lens, his family tree.

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Meriem Bennani Surfs Through Morocco in Gradual Kingdom

"Gradual Kingdom" at Signal Gallery in Bushwick (Photo: Nicole Disser)

“Gradual Kingdom” at Signal Gallery in Bushwick (Photo: Nicole Disser)

To get a feel for Meriem Bennani‘s work, it’s best to look up @meriembennani on Instagram. After scrolling through the photoshopped weirdness and absurd takes on everything from Drake videos to the avant-garde hijabs of Fardaous Funjab, you’ll find that Bennani is really good at the internet. So good, that the Times was moved to highlight her, qualifying her as a representative “Millennial Artist” fluent in the language of post-Internet. Millennial accusations aside, she’s one of those people who makes the internet weird/smart and not just weird/depressing. In other words, Bennani’s work actually deserves that happy-tears cat emoji.

Gradual Kingdom is the artist’s most significant solo-installation presence yet; now on view at Signal Gallery, it offers an opportunity for people to see Meriem Bennani, for once, in slow motion.

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Surface Support, the Show for Artists Who are Smashing the Screen

"Runaway Interludes / 20 Channel Jamboree vol. 8 (Market Static)" 2015, work by Jessie Stead on view at "Surface Support," Signal Gallery (Photo: Nicole Disser)

“Runaway Interludes / 20 Channel Jamboree vol. 8 (Market Static)” 2015, work by Jessie Stead on view at “Surface Support,” Signal Gallery (Photo: Nicole Disser)

A new group exhibition at Signal Gallery Surface Support started out with the question, “How does video exist outside itself?” Curator Amanda Schmitt has worked with video artists since about the dawn of Postinternet thinking. It’s almost as if now that thinking too heavily about the internet as a thing (and just accepting it as an inherent part of aesthetics, social interaction, and sadly even existence) we can get back to thinking about video in new ways again. “Video and of course screens changed the way we think,” Amanda explained. “We’re always on our phones now, so sometimes we take it for granted.”

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