La Monte Young, the minimalist master whose trailblazing work with droning has influenced everyone from the Velvet Underground to Sonic Youth to Brian Eno, who once called him “the daddy of us all,” made a rare public appearance at Red Bull Studios on Thursday, dropping some tantalizing details about a new Dream House installment coming in June to Dia:Chelsea.
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Few nightclubs exemplified the excesses of the drug-fueled ‘60s like the Electric Circus. Trapeze artists, mimes and jugglers illuminated by pulsating strobe and black lights created a psychedelic atmosphere; predictably, the Circus became the club of choice to smoke pot and drop acid. But the Electric Circus also presented a powerhouse array of rock bands, many of who would become superstars: Sly and the Family Stone, Dr. John, Deep Purple and the Allman Brothers Band all played the Circus early in their careers.
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The Local is pleased to launch a regular column in which Pat Ivers and Emily Armstrong sift through their voluminous archive of punk-era concert footage as it becomes part of the Downtown Collection at N.Y.U.’s Fales Library. They’ll share their favorite stories and clips along the way.
Pat: On a hot sticky night in July, 1975, I began videotaping punk bands at CBGBs. It was during the CBGB Rock Festival of Unrecorded Bands, with 40 groups that formed the core of the nascent music scene downtown. I was part of Metropolis Video, a video collective of eight, most of whom worked at MCTV’s public access department. That first night, we shot Blondie (still doing some covers, like the Velvets, Femme Fatale), the Talking Heads on their third or fourth gig out of RISD, and the Heartbreakers, a downtown super group with Richard Hell, who had just left Television, and Johnny Thunders and Jerry Nolan of the Dolls. It was their first Manhattan date. It was exciting and we shot now and then for about a year but the center would not hold and the collective dissolved.
Luckily, I met Emily Armstrong and after a night seeing Patti Smith at CBs, she agreed to work with me and a new partnership was formed. Our first band was the Dead Boys in 1977 and we continued for the next four years, often at CBs but also at other clubs like Max’s, Hurrah’s, Mudd Club, and Danceteria.
Emily: Now 32 years later, N.Y.U.’s Fales Library is making everything new again. The Downtown Collection is preserving and restoring the Nightclubbing archive of nearly 100 musical performances, 20-plus interviews, video art projects and more. It will be available for scholars (yes!) to rifle through and enjoy. I hope they do – I know I did. Keep Reading »