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Hairy Ape in an Armory, Patriarchy Smashing, and More Performance Picks

WEDNESDAY

(image via Chris Tyler / Facebook)

Not Normal: Intersection, Corporate Doubleteam, and Orangutan
Wednesday, March 22 at Irondale Ensemble Project, 8 pm: FREE

As long as politics are a hellscape, there will be artists to create work about it. Tonight, Not Normal will present a three-part evening all about the utter nonsense that seems to grow greater every day. Even the word “greater” seems tarnished now and conjures images of red hats and the pallid, fleshy faces wearing them.

In any case, the evening’s programing begins with The Intersection, an “artistic conversation about identity” spearheaded by a group of creators but open to the public. It’s dubbed a discussion “jam session” of sorts. Next is Chris Tyler’s Corporate Doubleteam, a play about how the white boys will play when the Trump is away, and by “play” I mean do a circle jerk potentially involving an intern. Haven’t we all been there? Closing out the night is Orangutan, a one-woman show written by Troy Deutsch and performed by Kristina Mueller all about the curious character of Trump’s mother. If you’re feeling generous, the show will also be accepting donations for Planned Parenthood.

THURSDAY

(image via Knockdown Center / Facebook)

Incarnata Social Club
Thursday, March 23 at Knockdown Center, 8 pm: $10 suggested

The experimental art salon started in a basement by Kembra Pfahler and Orlando Estrada has moved on to bigger digs, taking up residency in the massive Knockdown Center this Thursday. A fittingly sizable lineup will be showing work, with a bill comprised of Social Club regulars and newcomers alike, including Nandi Loaf, Chris Cole, Whitney Vangrin, Cameron Cooper, Shawn Escarciga, and more. Anyone with a bigoted attitude will presumably be booted, as Estrada proclaims the show a “queer, femme, trans, POC, GNC safe space” and a “no shade zone.”

FRIDAY

(flyer via New York Neo-Futurists)

The Neo Show: Smash the Patriarchy
March 24-25 at The Kraine Theater, 10:30 pm: $20

The New York Neo-Futurists have recently rebranded their recurring show, formerly known as Too Much Light Makes the Baby Go Blind, but they’re still up to the same artistic madness. Which is to say, they’re definitely still trying to do 30 short and strange plays in 60 minutes. Or, at least “a barrage” of short plays in an evening. This weekend, in a reprisal of sorts of their popular Too Many Ladies show last year, an all-female cast of Neo will be taking over the Kraine Theater to strut their stuff and dismantle some oppressive systems in the form of many feminist short plays. It wouldn’t be out of the ordinary for this show to include a literal smashing of the patriarchy, as the Neo-Futurists pride themselves on their unique technique of creation in which everyone plays themselves and what they are doing in the moment is true. Aside from that, they’re up for anything.

SATURDAY

(image via Park Avenue Armory / Facebook)

The Hairy Ape
March 25-April 22 at Park Avenue Armory, various times: $30+

The glorious Park Avenue Armory will see a revival of Eugene O’Neill’s classic 1921 expressionist play The Hairy Ape, starring Tony-nominated actor Bobby Cannavale. The Armory is no stranger to elaborate theatrical productions, acting as host to such spectacles as Paul McCarthy’s grotesque and sprawling WS installation. The production, directed by Richard Jones, initially appeared at The Old Vic in London. Its subject matter is certainly relevant for American audiences, as it centers around a worker who seeks for belonging amidst a sea of the filthy rich, including those found in the money-laden areas of New York. Will capitalism ever be dismantled? Not if you spend money on this play, I guess.

SUNDAY

(flyer via In the Works / Facebook)

In the Works
Sunday, March 26 at The Duplex, 9:30 pm: $10 advance, $15 doors plus a 2-drink minimum

Spend your Sunday taking in the musical stylings of several new composers at this edition of the In the Works series, presented by Honeck-Moss Productions. The evening will showcase a handful of composers, each presenting about 15 minutes of newer material that they are working on. This time around, you’ll hear pieces from patriotic songbird Marcus Goldhaber, edgy belter and rock opera creator Terra Warman, and “piano troubadour” Peter Trevino, who has collaborated with members of Journey and The Foo Fighters.

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Something ‘Terrifying’ and Four More Performance Picks

WEDNESDAY

(image via Maude Gun / Facebook)

Maude Night #4
Wednesday, March 15 at Muchmore’s, 9 pm: $5-7 suggested donation

This is decidedly not the UCB showcase, but a queer/femme/POC space for variety performance and expression helmed by witchy, culty performance-art band Maude Gun. The lineup includes “Mountain Moving Witch of the West Coast” Carissa Matsushima, “Ritualistic Serotonin Poem Witch” Tara Jayakar, “Nose Bleeding Drama Queen Healer” Holly Simple, and a closing piece by Maude Gun themselves. Though it is the name of their band, they seem to be rather generous with the term “maude,” referring to their booked performers and potentially everyone in the room by the moniker. In the event description is a reminder: “let’s mind our pronouns! (call everyone a MAUDE if you’re lost)” Keep Reading »

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This Hip-Hop Dance Production Involves a Mascot, Wrestling, and a Senior Aerobics Class

(photo: Maria Baranova)

It could take something as simple as a step-touch to unite the generations. At least that’s the impression you might get in a room with the company of experimental hip-hop and dance group Yackez. Most contemporary dance projects are rife with young and lithe bodies, but the cast of the latest and largest Yackez production, Give It To You Stage, ranges from ages 25 to 87. Keep Reading »

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Performance Picks: Communal Reading for the ACLU, Space Travel Blues Cabaret, and More

WEDNESDAY

(flyer by Phoebe Randall, via The Silent Barn)

This Is How You Talk To People
Wednesday, February 22 at The Silent Barn, 7 pm: $5

Tonight, Bushwick mainstay The Silent Barn will welcome a “communal reading” of a play by Rachel Davies, who has written for outlets such as Rookie, Complex, Nylon, and The Le Sigh. This Is How You Talk To People is Davies’s first play, and chronicles a variety of women from a talk show host  to a student who are collectively trying to navigate shifting friendships and relationships. The reading will be done communally in “an attempt to make the performance more accessible,” and profits from the evening will be donated to the ACLU.

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Performance Picks: Riot Grrrl Antigone, Marionettes Abound, Toasty Roasts

WEDNESDAY

(flyer via Room Service / Facebook)

(flyer via Room Service / Facebook)

Room Service
Wednesday, February 15 at The Jane Hotel, 8 pm: 

Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »

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Bejeweled Opera, Empowering Blurred Lines, and More Performance Picks

WEDNESDAY

(image courtesy of Hallie Haas)

(image courtesy of Hallie Haas)

Masterpiece Classic: Women in Art
Wednesday, February 8 at UCB Chelsea, 8 pm: $7

It is generally agreed upon that art is Good. However, the art world is where things get a little more polarized. This new character-based show by comedian and actress Hallie Haas takes on the type of people who consider themselves high and mighty creators, the type of people who take themselves reeeeeeally seriously. The premise is that Laura Linney, of course, has gathered together seven of the most sophisticated and acclaimed women artists for an evening that feels a lot like a certain public access television show. Only probably a lot weirder. Especially considering Haas will be playing every character. This spoof on PBS classics feels especially timely, considering I just got an email asking me to sign an online petition so that Donald Trump doesn’t get rid of PBS Kids. Please, think of the children. And the art.

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Disney Burlesque, a Show in a Bathtub, and More Primo Performance

THURSDAY

(flyer via The Slipper Room)

(flyer via The Slipper Room)

Burlesque Tribute to the Ladies of Disney
Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10 

Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of ThronesStar Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »

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Performance Picks: Chatbots Gone Rogue, Snowed-in Radio Plays, Psychedelic Burlesque

THURSDAY

(flyer via Bordello / Facebook)

(flyer via Bordello / Facebook)

Bordello: Psychedelic
Thursday, January 26 at Bizarre Bushwick, 10 pm: $10 suggested donation 

Sinister and sultry variety show Bordello, hosted by Madame Vivien V, features a slew of out-there performers who will brighten up your night with acts of drag, dance, performance art, fire, and more. On the lineup this time is B-boy and boylesque dancer Eckszooberante and drag performer Chris of Hur, along with performer Amber Von Toxn and Heather, who appears to proudly carry the title of “The Worst.” This iteration of the show, which has been billed as “punk rock meets burlesque meets performance art,” has a psychedelic bent to it, so who knows what sensorial adventures your eyes will be asked to behold. Let the aptly-named DJ Penny Lane spin you into color-crazed oblivion, fix your eyes to the stage, and trip out.

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Bromancing Assassins and the Myth of the Great Writer Genius in Holden

"Holden" by Anisa George (Flyer courtesy of George & Co.)

“Holden” by Anisa George (Flyer courtesy of George & Co.)

In a vacuum, The Catcher in the Rye is a pretty straightforward story– not a whole lot happens. But if you’re at all familiar with American culture, you’re probably well aware that it has taken on an enormously prolific life of its own. Probably you read the book for school as a teen, or even a tween if you grew up here, and you might have noticed that it has a somewhat polarizing effect. If you identified with the book’s hero, a 17-year-old kid named Holden Caulfield, anyone else who shared this affinity was an OK person too. But plenty of people just don’t get Holden’s misanthropic cynicism, and it’s weird, but there seems to be a built-in emotional trigger point here for those who do: clearly the haters must be “phonies” then, too. As time goes on, and teenage angst either subsides or turns into something else, like, playing in a black metal band or four-martini lunch hours, Holden’s frustration with the world’s many, many disappointments seems more like kid stuff. And most people realize that, OK not everyone is such a phony after all. But not everyone lets go of Holden so easily.

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Make American Gay Again, Theater As Light, and More Performance To Ease The Pain

WEDNESDAY

(image via Ars Nova / Facebook)

(image via Ars Nova / Facebook)

Make America Gay Again
Wednesday, January 18 at Ars Nova, 8 pm: $15

By now, the phrase Make America Great Again pretty much seems like old hat. Which is also a pun I didn’t mean to make, but there it is. Tonight, performance artist Chris Tyler hopes to put his own ribald spin on MAGA with this spangled variety show, claiming while that America has never been particularly great or even particularly good, it has indeed been “more than a little bit gay.” Republicans are welcome to this affair, though it’s unclear what their fate shall be when they arrive. The lineup includes “drag queens, poets, and punk musicians” such as performance artist Emily Oliveira, drag queen Kelsey, local rockers Gandor Chorale, Pussy Grabs Back: The Band, writer Jess Goldschmidt, and more. Advance tickets are sold out, but a waitlist begins at the theater at 7:30. Keep Reading »

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A Talking Astor Place Cube, Queer Vloggers, and More Performance Picks

WEDNESDAY

(flyer via Wild Project)

(flyer via Wild Project)

F*@#d in the East Village
January 11-17 at The Wild Project, 7:30 pm: $20, $16 students/seniors.

The East Village isn’t what it used to be, I think we all know that. Samantha Fontana and Roger Manix especially do, so much that they’ve crafted a comedic play all about it. F*@#d in the East Village is one of those plays where two people play many characters, but in this case the show begins with only two people: a “recently dumped high school senior” who meets “her twentysomething gay man self in 2005.” Now that that pattern of logic has been established, the audience will go on a journey back in time to the East Village of the past, only it’s a little weirder and more surreal. Not in the sense of there being more avant-garde art spaces, but like, in the sense that the Astor Place Cube is granted the ability to speak. You know, just average stuff like that. Fontana is a born-and-bred East Villager, so this isn’t a mediation on “old New York” by people whose first interactions with the city included Duane Reades and Starbucks on every corner already.

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This Queer Performance Festival Wants to Mend Our Generational ‘Disconnect’

Banjela Davis

Banjela Davis (Photo courtesy of La MaMa’s Squirts)

Nowadays, it’s common to see one generation insisting that the other will never understand them, whether its Jerry Seinfeld lamenting that college kids are “too PC,” the drag performer Lady Bunny balking at “crybabies” and new pronouns, or tweens making memes decrying the whole bootstraps thing (every Boomer’s favorite piece of outdated advice).

Given this disconnect, it’s not everyday that you see a generational cross section of people in the same room together, let alone actually listening to each other. This rings especially true for people in the queer community, who experience generational differences in even starker terms because of the gaping hole that the AIDS epidemic left behind. But bridging this gap is exactly what La MaMa’s Squirts: Generations of Queer Performance seeks to do.

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