the damned

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Week in Film: Visconti Double Trouble and Some Colombian Noir

Soplo de Vida
Saturday April 9 and Saturday April 16, 10 pm at Spectacle: $5
Do you find yourself still watching new eppies of True Detective well into season two, ignoring the hammy dialogue and neverminding the complete void of character development that is Detective Colin Farrell? Do you often invoke the phrase, “It can’t rain all the time” with complete and utter sincerity only to be lol’d at by your friends who just don’t get it? Well, it’s likely you’re a fan of noir. It’s ok, friend, this is your safe place. But given all of the above, it’s likely you’ve had your way with the Hollywood stuff. Here’s a curveball– Soplo de Vida (“Breath of Life”) Colombian director Luis Ospina’s singular detour into noir. Too bad he only made one of these, because as it turns out, he’s rather good at it.

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Like Taking Candy from Captain Sensible: A Chat With the Director of ‘The Damned’ Doc

Photo: Ian Dickson

Photo: Ian Dickson

The Damned are widely credited—and widely take the credit—for being the first punk rock band from the U.K. to cross the pond: first punk rock band to release a U.S. single (“New Rose” in 1976), first to release an album (Damned Damned Damned in ’76), and first to tour the U.S.

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‘There Weren’t Any Pie Shops or Knitting Shops’ Last Time These Guys Rocked NYC

During some between-song banter at Red Hare’s live debut at the Knitting Factory last month, the band’s frontman Shawn Brown marveled at the contrast between Williamsburg today and his first time playing CBGB in the ‘80s with his DC hardcore band Swiz.

“I definitely remember the city being a little grittier,” Brown told Bedford + Bowery backstage. “There weren’t any pie shops or knitting shops, or anything like that on the Bowery.”
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