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Shakespeare in the Parking Lot Saved, Making For Some Dreamy Midsummer Nights

Performers from Shakespeare in the Parking Lot’s “Hamlet”, including Gracie Winchester as Ophelia and Jane Bradley as a female Hamlet (Photo posted on Instagram by Gracie Winchester)

Shakespearean tragedies don’t typically see a peaceful resolution, but it looks like there’ll be a happy ending for a drama that unfolded center stage at a Community Board 3 meeting last month.

There, Hamilton Clancy, artistic director of the non-profit that runs Shakespeare in the Parking Lot, bemoaned the potential loss of their performance space at the parking lot managed by the Clemente Soto Vélez Cultural and Educational Center. His efforts to find a second home for the theater company in Sara D. Roosevelt Park had been met with bureaucratic red tape. All hope seemed to be lost.

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A Pair of Slasher Plays Carved by Bloodlust and Feminism

(Photo by Phoebe Brooks)

(Photo by Phoebe Brooks)

When you think about classic horror flicks, the word “feminism” probably doesn’t jump out at you– those blood-bathed scenes are usually dominated by hot young women, running around helpless and screaming for their lives. But Spicy Witch Productions is turning the slasher genre on its head in their new repertory season at The Clemente, by exploring the fetishization of violence through the lens of an all-female creative team.

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Unibrow Brilliant: A ‘Movement Installation’ Goes Beyond the Frida Kitsch

Las Fridas PerformancePhoto1_hires

What do you think of when you hear the name “Frida Kahlo?” Her lush, Tehuantepec-inspired dresses? Her flowered headdresses? Her unmistakeable unibrow? These days, one of the most iconoclastic and eccentric artists of her time is often reduced to a mass-produced fashion icon. With all the Halloween costumes and kitschy Frida-printed magnets, bags etc, she’s surely one of the most recognizable Mexican figures in the world–and the most commodified. (Though those El Chapo t-shirts could change that.)

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