“As the hour grew late and working people around Tompkins Square Park began turning out the lights on Memorial Day 1967, police asked several hundred music lovers to turn down the volume of a guitar-and-bongo concert in the park,” reported the New York Daily News. “The crowd’s reply … was a barrage of bottles, bricks and fists that left seven officers injured.
Bushwick band Best Behavior is already catching attention and touring nationally — even though it only formed in January. A self-described “60s garage rock, surf punk” band, the four guys are preparing for the release of their debut LP, Good Luck Bad Karma, which drops today via Money Fire Records. As is required of any self-respecting garage-rock band, a celebration of the release will ensue at Union Pool on Saturday night. They’ll perform with Haybaby, The Rizzos, and Surf Rock Is Dead, which released a new single today.
The flame-throwing guitar in Mad Max: Fury Road was cool and all, but it wasn’t cinema’s first weaponized six-string. That distinction may well belong to the one in The Holy Mountain. If you don’t remember it (it appears at the 1:04 mark in the trailer above), it’s probably because there’s just that much batshit stuff going on in Alejandro Jodorwosky’s surrealist masterpiece. You’re more likely to remember the “sanctuary of 1,000 testicles,” or the “love machine” that makes Woody Allen’s Orgasmatron look like a pocket vibe (what’s with movies released in 1973 and sex machines?). Or the bloody battle between frogs and chameleons dressed in Aztec and Conquistador outfits.
For his new one-man show, East Village performer Salty Brine will take one of his favorite records and weave stories around the songs so the audience experiences the music in a new light. Spectacular Living Record Collection Cabaret premieres at the Red Room tonight with its first incarnation, based on the Beatles album Abbey Road.
Rhode Island’s favorite finger-pickin,’ acoustic-guitar-wielding, non-country act Deer Tick is ten years old — to celebrate, the band is setting up shop at the Brooklyn Bowl for five nights and playing a slew of cover sets drawn from classic albums like Lou Reed’s Transformer and Elvis Costello’s My Aim Is True. Keep Reading »