Tarkovsky

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Week in Film: Dinosaurus!, a Highly Accurate Prehistoric Epic, Stalker Returns

Combat Cops
Thursday May 11, 9:30 pm at Nitehawk: $12

Perhaps you’ve heard of The Deuce Jockeys, the resident VJs at Nitehawk whose film series has a very specific mission: “Excavating the facts and fantasies of cinema’s most notorious block; 42 Street between 7th and 8th Avenues.” If you’re wondering, that’s the Port Authority Bus Terminal, once the epicenter of violence in Fear City. Around 1970, the Times described the place as a sort of terrifying, tortuous God’s waiting room– another circle of Hades that Dante himself would have considered just a bit too far even for tax evaders. Its occupants went one of two ways: “Some are waiting for buses. Others are waiting for death.”

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Film: Susan Howe Presents Tarkovsky’s The Mirror

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Here’s your opportunity to catch a rare screening of what’s often described as Tarkovsky’s most personal film. As part of Print Screen, the Film Society’s series in which authors screen films that have somehow inspired or influenced their writing, poet and essayist Susan Howe will show The Mirror and field a discussion related to her recently released collection of essays, The Quarry. Read more here.

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Film: Jayne County Leads an Outrageous ’80 German Trans Musical and Sisters Buck the Patriarchy

Film still from City of Lost Souls (Via UnionDocs)

Film still from City of Lost Souls (Via UnionDocs)

City of Lost Souls
Friday Nov. 20th, 7:30 pm at Union Docs: $9

Juliet Jacques, the author of Trans: A Memoir, which accounts for her own experiences transitioning from male to female and her life from childhood up to her present 30-something self, will be on hand to present City of Lost Souls, a “trans musical spectacular.” Filmed in 1982, it provides an early look at identity politics and trans identity years before there was mainstream understanding of what it means to be trans. The film is such an early example of gender exploration that it’s lacking in recognizable “transgender” language– in fact, the word is never mentioned in the film (though there are instances of its use at that time).

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