SCREENINGS

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Week in Film: Herzog’s Inferno, Mayan Prophecy Collides with Screen-Zombie Apocalypse


Videofilia (And Other Viral Syndromes)
Friday December 2 through Thursday December 8 at Spectacle, $5

As we’re constantly reminded these days, technological progress is hurdling faster and faster toward the speed of light. These days, we don’t even have to get off our asses and schlep it to the dollar store for toilet paper– we can simply press a button and the butt paper shows up like magic, encased in an obscenely large cardboard box.  Then again, there are times when you’re riding the subway and you’re overwhelmed by an apocalyptic dread, having realized that every single human on board is playing Candy Crush. These things serve to remind us that End Times are nigh, and these phone zombies will be the beginning of a very dark, totally uncool end.

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Week in Film: Slippery Suffocaters and a Skin-tastic Japanese Pink Film Redux

(Flyer via Spectacle)

(Flyer via Spectacle)

Daydream
Saturday October 14,  midnight at Spectacle: $5

Throughout the month of October, Spectacle is running a series on Pink Film, a Japanese cinematic movement that began in the groovy ’60s– a time when counterculture thrived in Japan and, just like the U.S. and France and other countries across the world, ideas about free love and experimental art-making began to take hold.

According to the theater, this is “the largest and most comprehensive [retrospective] of its kind in North America” and covers Pink’s evolution from start to present. Sick.

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Week in Film: Love Like ’70s Pulp Revenge Cinema, an Idiotic Prophecy Most Accurate, and More


What’s Revenge?
Saturday October 8 and Saturday October 15, 10 pm at Spectacle: $5

I trust that most of us here can agree that far too many films about sex and relationships are heteronormative, replete with sexist tropes, gender binarism, the male perspective, and/or female archetypes that are just godawful and tend to make those of us with brains in our heads question whether we are just totally insane for feeling zero identification with these boring storylines and banal characters. So we either play along, grumble and complain, laugh darkly, develop a self-depleting tick like methodically tearing out each and every hair on our heads, or avoid any sort of TV/film portrayals of romance and relationshits as if they were a postulating butt rash.

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Week in Film: Punk Rock’s Golden Daddy and ‘Ludicrous’ Janis Joplin Remixes


Danny Says
Friday September 30 through Thursday October 6 at IFC Center: $14

Danny Fields was the music manager “at the pulse of the underground,” the man behind the best rock n’ roll to come out of the ’70s New York City scene and actually some of the most influential rock of all time. Iggy Pop, Lou Reed, and the Ramones were just a few of his associated acts and though all of this stuff is standard by now, back in Danny’s glory days it was nothing short of insanity.

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Four Films: Reenacting a TV Suicide, Politically Involved Girls, and Madge at Her Best


Kate Plays Christine
Friday August 26 through Thursday September 1 at IFC Center: $15
This year at Sundance, there were two films focused on Christine Chubbuck, the Florida news reporter who killed herself live on the air in the summer of 1974 during the broadcast of her talk show– although the filmmakers in each case took a wildly different approach to exploring not only the story of Chubbuck’s death but our own unrelenting fascination with her suicide and how knowing that it was caught on film makes the whole situation strangely titillating.

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A Safe Space to Swap VHS Tapes, Share Banana Spit, and Get Brunch-Level Ripped

(image via Horror Boobs / Tumblr)

(image via Horror Boobs / Tumblr)

Some of us have the distinct memory of weaving up and down the aisles of Kim’s Video– or really, any old-school place of a similar disposition with B-film and cult-movie analogue tapes galore– while an endless stream of campy horror flicks played on the junky old TV set. Did you ever feel a burning desire to run your fingers up and down the spines of those dusty VHS tapes? Then use those same gritty fingers to grab handfuls of mushy bananas and stuff them into your face?

If somehow the answer to this twisted fantasy is “yes,” then you best get over to Terra Firma tonight, because believe it or not all these things will be available to you there, coz lord knows the days of the video store (it’s kind of like Netflix, only IRL) are over and done with. This is where your people are now.

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Yer Week in Film: Disco Inferno, Poland on Fire, and Aural Crime Solving


Wild Combination: a Portrait of Arthur Russell
Thursday August 18, 9:30 pm at the Metrograph:$15

It seems like the perfect moment to revisit this 2008 documentary about Arthur Russell, the eccentric experimental musician whose disco dance records are seeing a serious resurgence more than 20 years after his death– what with a sampled homage to Russell’s “Answers Me” on Kanye’s new oneLife of Pablo, and Eric Copeland’s “self-described Arthur Russell-influenced album” Black Bubblegum.

Wild Combination: a Portrait of Arthur Russell reflects on the late musician’s wide ranging talent as a classically-trained cellist, steeped in traditional Indian music, who had a knack for meditative dance tracks and even a bit of rock music under his belt from his time in a power pop group called the Necessaries.

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Twillerama, the Trillest Film Festival for Animations and by Animations

(Via Twillerama)

(Via Twillerama)

A quick hypothetical for you: if real people host film festivals with “real films,”  then wouldn’t it make sense that an animated film festival should be hosted by animated people? Crazy, I know, but filmmaker Morgan Miller seems to think it’s worth a shot.

After completing an animated short starring the characters Jeff Twiller and Randy—two coarse guys who enjoy the simple things in life and “like to hang out at the dump” in a place “kind of like Queens”—Miller decided that they’d be perfect hosts for their own film festival.

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Film: Seven Reasons to Poison Yourself + Charlie Parker’s Doppel in Black-and-White


Bottle Rocket 
Wednesday August 10, 6 pm, 8:15 pm, and 10:30 pm at Syndicated: $3

There’s a Wes Anderson retrospective happening this week at Syndicated which is… something. If celebrating Wes Anderson’s particularly noxious brand of twee makes you want to pour cyanide in your cereal, then feel free to move on to our next pick. But if you’re something of a masochist, read away.

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At Free Films in Tompkins, the Real Star-Crossed Lovers are Baz Luhrmann + Guac

Free Films at Tompkins (Photo: Joshua Davis for The Local East Village)

Free Films at Tompkins (Photo: Joshua Davis for The Local East Village)

Dinner theater is often regarded as cheesy, and not in a good way. Cinemas serving food with flicks can be pricey (and let’s be honest, sometimes a little too air conditioned)– also, where’s that food even coming from? One of those Wolfgang Puck airport terminal franchises? Let’s be real, the answer’s probably much worse than that. So what is one to do when they want to enjoy the blissful multitasking of watching moving pictures with their eyes while shoving deliciousness into their mouths?

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Yer Near Future in Film: Smashing Smithereens + One Pervy Crustacean

Multiple Maniacs
Friday August 5, 7:20 pm and 9:40 pm at IFC Center: $15
John Waters’s second full-length film, Multiple Maniacs, a black-and-white absurdist comedy that he shot in 1970 for just $5,000, might be his best film ever. But most of us wouldn’t know– the film never saw wide release beyond a 1994 VHS tape. Until now. Thanks be to the Criterion Collection for restoring this masterpiece to its former, er, glory’s not the right word exactly– unless of course we’re talking glory holes.

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In Bight of the Twin, Genesis P-Orridge Travels to Benin, the Birthplace of Voodoo

Genesis Breyer P-Orridge in "Bight of the Twin," a new documentary from Hazel Hill McCarthy III

Genesis Breyer P-Orridge in “Bight of the Twin,” a new documentary from Hazel Hill McCarthy III

I’ll be the first to admit it, my total “experience” with voodoo involves not much more than occasional trips to my local botanica to refresh my incense supply, and subsequently stressing about my decision to go with the “Fast Luck Egyptian Money Drawing” candle (*alleged) over the Reverse Action Evil Eye one (*also alleged). Which is to say, I have exactly no actual experience. I’m totally gonna let the lovely Haitian shop owners dress my devotional candle of choice with what looks like confetti and smells like potpourri, because why not? In my understanding, it’s best to cover all your bases on the warpath to riches, and I’ll take any and all of the help that the Supernatural Powers That Be, whoever they may be, are willing to give me.

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