I don’t often think about laser tag. Maybe my life would be more interesting if I did, but it’s just not frequently on my mind. However, I was thinking of that childhood adventure game as I walked up the stairs into A.R.T. New York’s theater building in Hell’s Kitchen. There, I was handed a square of grey foam that I held to my chest like a shield as I walked into a industrial-feeling room constructed of black rubber milk cartons. Not that I was about to be faced with beams of light and fog. Not yet. I was here to see a play. Keep Reading »
Now through May 7 at the Mezzanine Theater at A.R.T. New York Theaters, 8 pm (select times at 3 pm and 5 pm): $35+
Though this show is playing up near Hell’s Kitchen, it’s commissioned by Soho Rep, the acclaimed and boundary-pushing theater that recently left its longtime home base on Walker Street, downtown, due to conflicts regarding what the building was zoned for and what they needed to do to operate the theater. Without any sign of stopping their production output, Soho Rep and artistic director Sarah Benson have been putting up shows elsewhere in the meantime.
Samara unites two downtown theater heavy-hitters, Benson and Richard Maxwell of the New York City Players. Maxwell rarely brings outside directors on board, but has asked Benson herself to direct his latest work. They’ve assembled a cast that is diverse in gender, race, and even age, as the ensemble’s age range is 14 to 92. Notably, the cast includes singer-songwriter Steve Earle, who has a storied (and Grammy-winning) career in American roots and folk music and has penned tunes recorded by Johnny Cash, Emmylou Harris, and more. Earle has also composed music for the play, so whether you’re a fan of avant-garde theater or just good old-fashioned American grooves, you’ll probably find something to like about this show. Keep Reading »
Steve of Tomorrow
Continues through March 19 at HERE Arts Center, 145 6th Ave., Tribeca. 7pm; tickets are $20. More info here.
Steve of Tomorrow is a multimedia work of puppetry following a sci-fi fan who makes a blog post inviting any time travelers to greet him with their presence, but the only one to come by is lazy and not at all what he’d hope the progressive future to be. This piece questions technological advancement while utilizing the latest in video puppetry, created in the signature style of David Commander’s Toy Theater. Regardless of your feelings on tech or the capabilities of future-folk, it’s sure to be pretty cool.