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The Man Who Fell to Earth: David Bowie’s Formative Years in ’70s New York

Mourners laid flowers and outside David Bowie's apartment on Lafayette Street (Kavitha Surana)

Mourners laid flowers and outside David Bowie’s apartment on Lafayette Street (Kavitha Surana)

By now you’re well aware that David Bowie has died, just days after his 69th birthday and the release of his 25th studio album. During the wee hours of January 10, it was announced that the beloved glam-rock icon who embraced androgyny and far-out, endlessly influential aesthetics “died peacefully today surrounded by his family after a courageous 18 month battle with cancer.”

After finding fame in his hometown of London and absconding to the U.S. in 1974, Bowie moved amongst New York’s downtown crowd, popping up at places like Andy Warhol’s Factory and Max’s Kansas City, before relocating to Los Angeles. We consulted a number of publications — one of them yet to be published — that offered an eye into Bowie’s life in early-’70s NYC.
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Watch the House Videographers at CBGB Call Richard Hell a Crybaby

As you may have read over at Rolling Stone, Pat Ivers and Emily Armstrong — in what’s sure to be one of the highlights of the CBGB Festival — are screening some of their rare late-70s and early-80s concert footage at Bowery Electric tonight, between performances by Cheetah Chrome of the Dead Boys, Syl Sylvain of the New York Dolls, and Glen Matlock of the Sex Pistols. We were lucky enough to have the authors of our weekly Nightclubbing column into the B+B Newsroom last Friday, along with Richard Boch, who’s working on a memoir of his time manning the door of the Mudd Club, and Pat Irwin, the guitarist for the Raybeats, 8 Eyed Spy and the B-52s, who spoke about his recently unearthed collaboration with Philip Glass.

If you missed Friday’s discussion, watch the replay above. Here’s what the gang had to say about Suicide (we spoke to Martin Rev of that band back in June) and the evolution of the Ramones.
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