Despite the suffocating amount of luxury stores, there are still some small pockets of Soho that retain the neighborhood’s old gritty art spirit. As you pass The Performing Garage, where experimental troupe The Wooster Group and others still rehearse and perform, you’ll now encounter an new and improved iteration of the Leslie-Lohman Museum of Gay and Lesbian Art. After lengthy renovations, the museum has reopened and nearly doubled in size with Expanded Visions: Fifty Years of Collecting, an exhibition rich in the history and scope of queerness and the artistic expression surrounding it.
Of Ghosts and Girls
Opening Tuesday March 14 at The Living Gallery, 6 pm to 10 pm. One night only.
This one-night-only exhibition (as is the norm for The Living Gallery) showcases the work of Üriel Shlüsh-Reyna, a Bushwick-based artist who creates paintings, drawings, and sculptures. She also appeared as a cast member in immersive show Houseworld in 2015, which took place in the various rooms of a Greenpoint church. Her work zeroes in on matters of mysticism, fantasy, and magic. Also, she draws and paints a lot of women, some busty, some doe-eyed, some even tied-up and split in two. Of Ghosts and Girls will show a mix of old and new works in various mediums. She also indicates on her website that she’s inspired by both sleep paralysis and ice cream, which if anything is an interesting combo. The opening reception will also feature musical performances by Mike Campbell, Ben Pagano, and Charles Mansfield. Keep Reading »
Thursday, March 9 at Superchief Gallery, 8 pm: $10
Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.
It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? Keep Reading »
Opening Wednesday January 25 at Con Artist Collective, 7 pm to 11 pm. On view through January 27.
Inspired by the popularity of Netflix’s Stranger Things and other popular culture in genres that like to bring on the chills, Con Artist Collective’s Supernatural exhibition is a quick weeklong endeavor showcasing all things that go bump in the night. So, you’ll bear witness to ghosts, werewolves, demons, vampires, and other otherworldly creatures, but this won’t only be literal manifestations of the theme. Some artists will choose a more metaphorical path, rendering feelings of fear, suspense, or uncertainty through color, shape, or something else entirely. Boo! Keep Reading »
Make America Gay Again
Wednesday, January 18 at Ars Nova, 8 pm: $15
By now, the phrase Make America Great Again pretty much seems like old hat. Which is also a pun I didn’t mean to make, but there it is. Tonight, performance artist Chris Tyler hopes to put his own ribald spin on MAGA with this spangled variety show, claiming while that America has never been particularly great or even particularly good, it has indeed been “more than a little bit gay.” Republicans are welcome to this affair, though it’s unclear what their fate shall be when they arrive. The lineup includes “drag queens, poets, and punk musicians” such as performance artist Emily Oliveira, drag queen Kelsey, local rockers Gandor Chorale, Pussy Grabs Back: The Band, writer Jess Goldschmidt, and more. Advance tickets are sold out, but a waitlist begins at the theater at 7:30. Keep Reading »
Under the Radar
Wednesday January 4 through Sunday January 15, various showtimes at The Public Theater and other spaces: $20 and up
Ah yes, it’s that time again, when the slew of January performance festivals sail in every winter to overwhelm you with a seemingly endless supply of shows. One of these is The Public Theater’s Under the Radar festival, which presents a wide variety of music, performance, and more from artists based across the U.S. and all over the world.
Vapid & Screaming
Opening Monday January 2, 6 pm to 9 pm at 208 Bowery. On view through January 4.
Nowadays, gallery space in Manhattan is pricey, yet art is still being created left and right. For those still clinging on to the last kernel of hope that there is hope for the island, well, there might be something there. At least, for pop-up shows.
Take 208 Bowery–a former restaurant supply shop-turned-pop-up hub which recently featured a Drake-themed event, among other art shows and will now be the site of Vapid and Screaming, a pop-up show of work by “emerging fag, femme, and queer artists.”
Even though the year is ending, most things will continue after the clock strikes 2017. But not all of them. The queer nightlife collective known as The Culture Whore is saying goodbye not only to 2016 with their New Year’s Eve space-rodeo rave, “Night Riders.” The blowout will be the group’s final party, as they are disbanding.
Art Start Up!
Tuesday, December 27, 7 pm to 10 pm at Theater for the New City, RSVP by Email email@example.com to RSVP
This Tuesday, one of the last independent East Village art spaces still hangin’ on, Theater for the New City, will welcome a group of artists as well as an array community organizations to engage in a conversation about the East Village and Lower East Side arts scene. There’s a lot to survey: the current state of things, what’s missing, what improvements should be made to best suit the community the arts (hopefully) serve, and economic barriers that may be in place. That last one is sure to be a long conversation.
Time magazine declared a “transgender tipping point” in 2014 when it featured actress Laverne Cox on its cover. In the two years following that proclamation, mainstream media and pop culture attempted to follow suit. TV shows and movies like Transparent and Tangerine garnered critical acclaim and media buzz, but not all of it was positive. Despite increased portrayal of trans characters in media, the people creating and playing them remain predominantly cisgender.
Wednesday, December 7 at Vox Bizarre, 8 pm: FREE
Vox Bizarre is a new Ridgewood-based “store and workshop” pop-up devised by four design labels: Casey Caldwell, TILLYandWILLIAM, Claire Fleury, and LACTIC. Aside from all creating unconventional and intriguing attire and accessories, the common thread that unites these labels is that they are interested in shedding binary gender classifications within fashion and developing pieces that are inclusive to all body types. In addition to selling their wares, they’ve planned a variety of community-based events, such as performances, workshops, photoshoots, and more.
Gender-fluid electropop artist Addison XIV is all about “obsessive love” in their bouncy, sugary new EP S.H.O.U.J.O., which premieres today. The four-track EP includes tracks appropriate both for the club and for crying in your room, and touches on being in love, being in love with love, being “treated like a girl,” and even a disdain for canines.
S.H.O.U.J.O. includes “WHeN i SeE yR FaCE,” a high-energy but sad track with a groovy bassline that appeared on The Culture Whore’s annual mixtape earlier this year. It’s not the only catchy song on the EP by any means; they all have their earworm qualities, from the repeated spelling in the title track to the memorable lyrics of opener “I Don’t Like Dogs.” The EP’s production recalls a variety of flavors, from ’80s R&B and ’90s pop to “happy hardcore” electronic music, video game theme songs, and J-pop.