A black-and-white illustration by David Wojnarowicz, on view last week at Chelsea gallery ClampArt, shows a grim reaper descending with a large scythe. The reaper claims to be “Democracy At Work,” but freely slices through individuals and activists voicing concerns like “No healthcare,” “Killer cops,” “Corrupt politicians,” and “Unemployment.” Though the piece was created in 1990, this so-called democracy keeps on wounding today.
Opening Thursday, June 15 at IDIO Gallery, 6pm. On view through July 15.
“Art is my life,” you’ve probably heard so many people proclaim. But rarely does it ring true in quite so literal a sense as this exhibition at Idio Gallery, in which “radical hospitality” means the East Williamsburg art space will be open from sun-up till sundown for 30 days in a row, welcome to all for any stretch of time. It’s the culmination of an ongoing exploration of the same name by the gallery’s curator Montana Simone, built partially by research and partially by actual times she experienced the hospitality of others, particularly in locations seen by Westerners as “hostile.”
It could take something as simple as a step-touch to unite the generations. At least that’s the impression you might get in a room with the company of experimental hip-hop and dance group Yackez. Most contemporary dance projects are rife with young and lithe bodies, but the cast of the latest and largest Yackez production, Give It To You Stage, ranges from ages 25 to 87. Keep Reading »
Queer-themed art shows are having a moment right now, and we can only expect that trend to continue as we enter a time of uncertainty about the future of LGBTQ rights in this country (and those of all marginalized people, really). An ongoing exhibition called Like Smoke (on view through December 4 at the New York Artists Equity Association on the Lower East Side) feels so right-now in that way. The show mines gay history and examines the ways in which oppression, both past and persistent, still creep into the present. Though it examines the queer body, you won’t see any actual bodies on display. Instead there’s a great gaping black hole, phantoms from the past, and a lingering sense of absence.
Mike Taylor: Condensed Flesh
Opening Thursday October 13 at Idio Gallery, 6 pm to 11 pm. On view through October 30.
East Williamsburg space Idio Gallery put out a call for crowdsourced financial support several months ago, which very well could have signaled that it was beginning to scale down. However, with a show at Bushwick Open Studios and another show opening shortly after, they don’t appear to be going anywhere. This one is a solo show, presenting works on paper and paintings by renowned graphic artist Mike Taylor, created between 2012 and now. Finished works won’t be the only thing on display in this show, as Idio’s downstairs basement space will be transformed into a showcase of the artist in-process, with drawings not yet done, prints, and “printmaking debris” on view as well. Taylor’s work is bold and bright, often utilizing neon colors and mixing abstract patterns with notes of realism and the human form filtered through the style of the illustrator and comic artist.
Co//Modified: A Showcase of Design Artists
Opening Monday October 3 at The Living Gallery, 7 pm to 10 pm. One night only.
In this one-night-only show curated by Mia Schachter, eight artists who “straddle the line of intention between utilitarian design and art” will make their way to Bushwick’s The Living Gallery to show their work. Many of these artists make work that they predominantly try to sell as useful objects, like hyperstylized papier-mâché percussion instruments, ceramic mugs or pots, and embroidery. This show seeks to lay their salesperson spirit to rest momentarily so they can merely show off their creations as art. But if you’d like to go home with a piece or two, you’ll be able to do so as well.
Opening Tuesday September 27 at The Untitled Space, 6 pm to 9 pm. On view through October 8.
No less than 21 female artists will descend upon Tribeca art gallery The Untitled Space this Tuesday for the show “Self-Reflection.” Their art spans multiple genres, but all pieces will focus on some form of self-portrait, using the artists’s own bodies as a tool for creation. These self-portraits aren’t the typical depiction of oneself; some are even constructed through wool tapestry weaving. Rather than being potrayed by others, where objectification and the pesky male gaze can run rampant, these women will take their bodies into their own hands (in some cases, literally) to construct a self that feels authentic to them, however that might manifest. Some photograph themselves, some use images of their own nude form for painting references– either way, it’s all them.
The House of Yes has something of a problem with their shimmering, funky, newish venue in Bushwick– they have a surplus of space, which is sort of a unique issue when it comes to digs in post-industrial-squatting Brooklyn. But as the performance collective settles into what’s by far their most functional and fanciest home yet, they’re filling up their calendar with even more events. Soon enough they’ll have every inch of the space and their time occupied by cool happenings. Take for example, the first-ever Question the Market (Saturday May 28 and Sunday May 29), billed as a new pop-up “queer design and arts market.”
“It will be shopping as nightlife, nightlife as shopping,” organizer Eric Schmalenberger told us. “I feel like shopping can be more than shopping. When given the right space, it can be more interesting and engaging, and the great thing about flea markets is that you, often, can engage with the maker.”