Ok, give me your hands and I’ll read your mind. Hmmm. Interesting. You don’t know the difference between Psychic Twin and Psychic TV? That’s understandable, really—their names are pretty close, and they both have new material out and upcoming shows. I don’t know why you put this shortcoming in the “deepest shame box” in your subconscious, but I do know that the latest installment of Bands Apart can help you get it out of there.
I’ll be the first to admit it, my total “experience” with voodoo involves not much more than occasional trips to my local botanica to refresh my incense supply, and subsequently stressing about my decision to go with the “Fast Luck Egyptian Money Drawing” candle (*alleged) over the Reverse Action Evil Eye one (*also alleged). Which is to say, I have exactly no actual experience. I’m totally gonna let the lovely Haitian shop owners dress my devotional candle of choice with what looks like confetti and smells like potpourri, because why not? In my understanding, it’s best to cover all your bases on the warpath to riches, and I’ll take any and all of the help that the Supernatural Powers That Be, whoever they may be, are willing to give me.
For now, the glowing orange portholes carved out of the walls at the Rubin Museum are only sparsely occupied with curious objects: a panda bear figurine clutching a heart-shaped thing, a crinkled-up clip-on ID card. As part of the namesake installation at Genesis Breyer P-Orridge’s freshly opened show, “Try to Altar Everything,” these tiny viewing cubbies, resembling Japanese micro-hotelrooms for ants, serve as temporary homes for individual “offerings,” which the artist started accepting on Friday.
A Pre-Spring Solstice Weekend With Psychic TV
Saturday March 12 (7 pm) through Sunday March 13 (5 pm) at Trans-Pecos: $20/ night, $35 both days, Saturday after-party entry $10 after midnight, Sunday after-party entry $10 after 10 pm
Genesis P-Orridge has had a busy, well, life– but lately the founder of Psychic TV and Throbbing Gristle has threatened to surpass even h/er own level of hyper-productivity. Just 24 hours after opening h/er new interactive art exhibition, Try to Altar Everything, at the Rubin Museum on Friday, the artist is asking that people bring objects of significance to contribute to the “shamanic space” (stemming from ideas about the universe s/he soaked up during several visits to Nepal over the years). P-Orridge will post up at Trans-Pecos for a two-day vernal equinox party. Sure, it’s about a week ahead of schedule but it’s undeniably spring-like right now, and who wouldn’t want an extended celebration in their lives right now, anyway? Actually, the two-day marathon was originally scheduled for January, and was cancelled when Jonas hit and ruined literally everything. Ah, sweet revenge on winter.
There might be no other artist breathing today who lives their art as deeply and consistently as Genesis Breyer P-Orridge. The renowned occultist and “wrecker of civilization” has repeatedly taken a spiky club to the larger culture, even to h/er own body, as a means of dismembering ingrained mores. S/he did this first as a founding member of Throbbing Gristle– a band whose embrace of bristling, harsh sounds and antagonistic politics sought to dishevel the status quo, and sparked the inception of industrial music– and subsequently with Psychic TV. With h/er new exhibition, Try to Altar Everything (opening March 11), P-Orridge will transform the Rubin Museum into a participatory “shamanic space,” inspired by h/er travels to the Kathmandu Valley of Nepal. “We’re developing this bouncing conversation between the mundane and the sacred,” Genesis explained. “Everything can be sacred, and if you start to look for the sacred, you will find it.”
Yin Yangs, Sexy Neighbors, Citizen Blast Kane, World’s Greatest
Friday, Jan. 15, 8 pm at Shea Stadium: $10
The Yin Yangs were busy bees in 2015– what with dropping their new album (they premiered the track “21st century” on B+B over the summer), playing loads and loads of shows, and lending some of their members to the indie film They Read By Night (a veritable who’s-who of one particular sect of the Bushwick DIY scene). So if you haven’t had a chance to see their bass-driven guttural noise punk in person, here’s a wonderful opportunity.
Throughout h/er entire career in art, music, film, and writing, Genesis Breyer P-Orridge has constantly evolved — no matter how non-liner that path may seem to outsiders. That life and journey has now been crystalized in a photographic autobiography, featuring over 350 candid and often previous unseen images from the artist’s personal archives.
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