Fresh off their adventures at last week’s Elements Lakewood Fest, Bushwick’s JunXion crew celebrated their fourth anniversary on Saturday night with a party in four different locations, plus plenty of creatively designed buses. With help from fellow collectives Orijins, The Battle for Mau Mau Island, Ambrosia Elixirs, Ecstatic Dance, DOMLO, and BAE, JunXion’s founder Myk Tummolo led his organizers as the sun rose, partying until the morning. Keep Reading »
The last time I saw a bunch of RAE BK‘s work all in one place was in 2015, just after the street artist and Brooklyn-native had opened his guerrilla-style solo exhibition in Chinatown. But the show wasn’t held at a gallery, instead RAE’s site-specific installation was housed inside a dingy old basement, accessible only by way of an unmarked, totally unassuming rust-red metal door adjacent to a bustling produce market. Even then, I was so jaded that I couldn’t allow myself to believe that this was a real basement with real dirt and dust everywhere. But actually it wasn’t just a fancy pop-up rental space with a stage-grit makeover, nor was it an attempt by some developer to “activate” a particular corner before the building was torn down. As RAE told me, the basement was simply on loan from a recently-retired butcher with whom he had a “tentative relationship,” and the show, called Trunk Work, was one of those rare art happenings that was both real and strange.
Even though the year is ending, most things will continue after the clock strikes 2017. But not all of them. The queer nightlife collective known as The Culture Whore is saying goodbye not only to 2016 with their New Year’s Eve space-rodeo rave, “Night Riders.” The blowout will be the group’s final party, as they are disbanding.
The mood was shifting just as I made my way toward House of Yes around 10 pm last night. Commentators on NBC, CNN, and anywhere else were starting to look flustered– especially Wolf Blitzer (a guy who looks like he passed up coffee to stick his fingers into an electrical socket) whose discombobulated outbursts and spastic reportage were only adding to a slowly-building sense of panic. Many battlegroud states were still too close to call, but Trump and Hillary were now neck-and-neck. That menacing meter on the New York Times site, which measured the probability of a Trump victory, was jumping up from its position at “we’re cool” to “we’re so, so fucked.”
Not too long ago, Michael Alan, the multimedia artist of Nude Thrift Shop notoriety, hosted an event at Bowery venue Teatro IATI and “really fucked up,” in his own words. “There was cake everywhere and, like, a bunch of bugs for months after,” he recalled. “I turned every person into a cake, and there was fish and garbage, for like a whole month I collected garbage. There was this infestation. They were really nice– they didn’t kick me out, they were just like, ‘Let’s take a break.’”
WEDNESDAY, OCT. 26
Brooklyn Bazaar, 150 Greenpoint Ave., Greenpoint; 7pm; free
The web’s best animators set out to prove that everything is scarier when it’s looped for all eternity at this contest from the folks at GIPHY and Brooklyn’s Animation Block Party. The coolest entries are being screened and measured up by celebrity judges at the Brooklyn Bazaar’s new four-story space — here’s hoping for lots of animated homages to the dancing pumpkin man. Plus, on Saturday BK Bazaar is doing their “Brooklyn Fright Bazaar,” with musical tributes to The Cramps and The Bee Gees, games, karaoke (guess they found a manager), a Halloween drinking game contest (yikes), food and more.
It’s rare when a music trend hits at all levels of the listener spectrum, but right now African music is resonating with everyone from pop junkies and passive, whatever’s-playing-at-the-club consumers to crate-diggers with eclectic collections and torrent combers with multiple hard drives devoted to the most obscure sounds they can find.
Sometimes, when you go to a party, you want to leave your brain behind (the practical parts, at least) and just dance. Others like a bit more cerebral engagement. But just because a party makes you think, doesn’t mean it’ll also be stuffy or boring. Enter Treetops, whose parties have a proclivity toward wacky, interactive themes and quality music to keep you movin’. This Friday, the group is bringing its First Annual Mad Science Fair to House of Yes.
Some of us have the distinct memory of weaving up and down the aisles of Kim’s Video– or really, any old-school place of a similar disposition with B-film and cult-movie analogue tapes galore– while an endless stream of campy horror flicks played on the junky old TV set. Did you ever feel a burning desire to run your fingers up and down the spines of those dusty VHS tapes? Then use those same gritty fingers to grab handfuls of mushy bananas and stuff them into your face?
If somehow the answer to this twisted fantasy is “yes,” then you best get over to Terra Firma tonight, because believe it or not all these things will be available to you there, coz lord knows the days of the video store (it’s kind of like Netflix, only IRL) are over and done with. This is where your people are now.
There are three things that are really difficult to do in Manhattan (in ascending order): maintaining a bar, maintaining a music venue, and maintaining your weirdo energy. Impressively, Berlin, the Avenue A booze/music bunker, has been doing all three for a year now.
To celebrate, the literally underground spot— known for its musically inclined clientele— is throwing a two-night-long party complete with performances by Berlin’s owner and glammy garage rocker Jesse Malin and his friends.
Dozens of women and femmes will descend upon the Good Room in Greenpoint this Thursday to party until that oppressive cis-white-male toxic-masculinity is done for. Or at least they’re gonna try.
The Femmequerade Ball, a fierce feminist bash filled with DJ sets, performances, and lots o’ partyin’, is the brainchild of Raechel Rosen (aka Mima Good, best known for leading her eponymous witchy music group, The Coven of Mima Good). It’s co-hosted by Brujas, the Bronx-based all-woman skater crew that won some pretty legit attention from a recent profile in the New York Times, as well as an inclusive electronic-music collective known as Sister, and a satirical “art-bro” duo called Hot Schmucks.
Get your “disgusted-but-intrigued” face ready: the Morbid Anatomy Museum, the ultimate haven for the morbidly curious, is putting on a new exhibition. The Gowanus center for all things bizarre has featured enough deathly art and grotesque miscellany to last any one of us a lifetime. So let’s just assume that you’re dead. But has Morbid’s “temple of the weird” gone to the dogs? Apparently so. And the cats. And birds. And undoubtedly dozens of other long-dead animals.