(Photo: Philharmonie Paris/Twitter)

(Photo: Philharmonie Paris/Twitter)

Kim Gordon’s forthcoming memoir (being plugged at BAM tonight and Strand tomorrow) has brought new attention to the No Wave scene she emerged from during her downtown days in the early ’80s — Glenn Branca, one of the movement’s forerunners, was even name-checked in yesterday’s All Things Considered story about the book. And yet the premiere of Branca’s sixteenth symphony at the Paris Philharmonic on Friday strangely hasn’t received much attention, even though the hour-long opus has a hell of a title (“Orgasm”) and was written for a staggering 100 electric guitars (that’s 80 six-string guitars and 20 basses).
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