While a pro-Hillary pantsuit competition brews in Bushwick, NYU is warning its students that “thousands of people” are expected to attend a Bernie Sanders rally in Washington Square park at 6 p.m. on Wednesday. A campus-wide email from the school’s Vice President for Health advises that some streets in Greenwich Village will be closed off and the area will be crowded, but if you’re an NYU student wondering whether this means you get to miss class (or your shift at Bedford + Bowery) — sorry, no.
New York University will raise the minimum wage of Work Study recipients and other student workers to $15 per hour in the next three years. In a memorandum sent out today to the entire NYU community, the university’s new president, Andy Hamilton, laid out his plan to gradually increase the student workers’ minimum wage, which is currently $9 per hour. The memorandum explained that NYU’s Budget Office will implement a minimum wage of $12 per hour for the academic year 2016-17, $13.50 per hour for 2017-18, and $15 per hour 2018-19.
And there she is: on the heels of Chopt’s opening at 51 Astor this week, signage has gone up indicating that next month, Flywheel will move into the sleek new office building next month. New York City! Sinning is out and spinning is in.
Fear not, NYU students! No longer will you have to log on to Seeking Arrangement in order to pay your student debt. In a memorandum sent on Thursday to the school’s entire staff, faculty, and student body, new university president Andrew Hamilton decided to address one of the issues that repeatedly causes NYU students to top the list of “Sugar Baby” schools: tuition and housing.
In conjunction with the ongoing exhibition (through Saturday February 13) Language of the Birds: Occult & Art the show’s curator Pam Grossman (who’s manned the esoterica blog Phantasmaphile for the last 10 years) will host a panel discussion featuring Professor Susan L. Aberth (author of Surrealism, Alchemy, and Art), Jesse Bransford (Chair of the Art Dep’t at NYU, Grossman described him as “an unbelievable occult artist” and his work is featured in the show), and William Breeze of the band Coil.
Read more here.
Last weekend marked a victory for goths, Tarot freaks, and magic nerds everywhere as the second annual Occult Humanities Conference convened at NYU for a sold-out marathon of lectures with names like “Blues Magic,” “Bohemian Occult Subculture in Britain’s 1890s,” and “The Cut in Ritual Psychoanalysis and Art.” And while, yes, in many ways this was an academic-ish conference, organized by Pam Grossman (founder of the esoterica blog Phantasmaphile) and Jesse Bransford (Chair of the Art & Art Professions Department at NYU), the convening of occultists and occult obsessives still managed to keep it real.
“Ordinary morality is only for ordinary people,” Aleister Crowley once said. That maxim echoes inside the walls of a new exhibit at 80WSE, Language of the Birds: Occult and Art. Even now, when dabbling in the occult has become morally ambiguous rather than universally derided, the work shown at NYU Steinhardt’s gallery is far from ordinary. Spanning the beginning of the last century to the present day, its authors range from avant-garde filmmakers (Kenneth Anger), to spiritual philosophers (Aleister Crowley), to industrial music makers (Genesis Breyer P-Orridge), and “just” plain artists (Kiki Smith). Somehow these varied participants share a similar worldview, which they’ve communicated (at various points in time) through symbols and talismans that have remained fairly static throughout.
Read more here.
In Brookline, Massachusetts, former governor Michael Dukakis recently invited folks to bring their unwanted turkey carcasses to his house, so Dukakis (or rather, DuCarcass?) could save them and make soup out of them.
That may be charming and resourceful, but in New York, there’s something bigger and better brewing. It’s called Transfernation, a non-profit founded in 2013 by current NYU seniors Samir Goel and Hannah Dehradunwala. Keep Reading »
A couple weeks back, Bikini Kill reissued their very first demo tape from 1991, Revolution Girl Style Now, via the band’s own record label. You’re probably about dried up after drooling over those three previously unreleased tracks included on the reissue and all the killer old photos of Kathleen Hanna and the band that emerged across the internet as a nod to the occasion. But get ready to salivate anew, coz we did some time travel of our own and rifled around (as gently as possible) the Kathleen Hanna Papers.
It’s back-to-school time, which means hardened hustlers have a fresh crop of bright-eyed, bushy-tailed young things willing to stop, chat, and be talked into buying a genuine Movado watch for $20. (They don’t call it St. “Marks” Place for nothing.) And that steady hum you hear? That’s the sound of CD burners whirring.
According to an alert from NYU’s public safety department, two students were robbed by a group of “CD bullies” at the corner of Broadway and 10th Street on Sunday, at around 3:10 p.m. Here’s a description of the incident — the latest of several.
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With NYU having prevailed in a lawsuit that contested its expansion and Cooper Union just this week settling a lawsuit brought by opponents of its new tuition scheme, you’d think things would’ve quieted at the neighboring academic institutions. But yesterday students and faculty of both, along with those of New School, marched to NYU’s doomed Greenwich Village gymnasium to make clear that they weren’t giving up the fight.
“One day we were playing a really sad song, and when I finished a girl came over and hugged me,” says Jordi Nus as he adjusts his violin. His cheeks turn a deeper shade of pink and he grins. It’s Thursday morning and Nus, a violinist, is performing in the Delancey Street Station with his friend, Pedro Curvello, a singer and guitar player.
While the two guys in their mid-20s look like your standard buskers as they stand in front of their amplifier and open guitar case, they’re actually graduate students in NYU’s film scoring program. They started busking a month ago to complement their composition work and have a set of 15 songs that they play – a mix of “gypsy jazz,” folk and alternative music.