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Greenpoint Horror Flick They Look Like People Isn’t Just ‘a Movie About a Crazy Guy’

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North Brooklyn has seen its share of campy DIY horror films (think Ava’s Possessions and Summer of Blood), but They Look Like People is dead serious. Last night at the kickoff to Northside Film Festival, Perry Blackshear’s work of psychological suspense elicited gasps during scenes in which its tightly coiled tension snapped like Hitchcock’s noose.

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We’ve Helped Nitehawk Pick the Top 17 Simpsons Episodes of All-Time

Woo Hoo! Every Monday this March, Nitehawk Cinema will be screening four episodes in its countdown of the 17 best Simpsons episodes of all time (according to Nitehawk, anyway). You can bet the recent episode featuring this Downton Abbey parody didn’t make the cut. Nitehawk’s pick for its #1 Episode screens March 31st, followed by the Simpsons Movie.  Until then, we’ve enlisted the biggest Simpsons fan we know to compile a list of his own. We’ll compare lists at month’s end. 
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Pretty Sweet: Movies, Munchies, Music and Beer by the Domino Sugar Factory

Domino Sugar [color crop]

(Photo: Dima James)

Starting Tuesday, everyone’s favorite place to get shmasty in the dark is adding live music to its magic formula of movies, munchies and booze — and taking the party outdoors, for free.

Nitehawk Cinema is hosting a series of “screenings under the stars” at Havemeyer Park, an old lot turned grassy knoll across the street from Domino Sugar factory.
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Rocks Off Film Festival Docks in EV, SummerScreen Comes to McCarren

These upcoming flicks, films and festivals have us Reel Psyched.

Rocks Off is best known for taking sex, drugs and rock n’ roll to the water via their concert cruises; now they present the first ever Rocks Off Film Festival, focusing on (you guessed it) rock n’ roll.
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Reel Psyched: Feminism, Punk Rock, Bloodshed and Free Pizza

Here’s what we’re really excited to see this week in local theaters (or, for that matter, at local bars and rooftops).

Sarah Jacobson was an independent filmmaker who believed wholeheartedly in feminism and punk rock, and fully embraced a DIY method of filmmaking. Before cancer cut her life short at age 32, she made some of the most influential underground films of the ’90s, including “I Was a Teenage Serial Killer,” “Road Movie (Or What I Learned In a Buick Station Wagon),” and a feature film, “Mary Jane’s Not a Virgin Anymore.”
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