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Minks Returns, But Not to ‘Kill Everyone Now’

MINKS

By the Hedge, the 2011 debut by Brooklyn-based indie-pop band Minks, was one of that year’s quietly underrated records: a languid, sumptuous guitar-rock record that cribbed sounds and textures from the U.K. bands who’d called Creation Records home two decades prior. We haven’t heard much from Minks since then. Turns out, that’s because lead singer/songwriter Sean Kilfoyle wanted to move away from that dense, shoegazer approach, toward something more musically direct.
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The Depreciation Guild Brought Back Its 8-Bit Shoegaze at Glasslands

(Photo: Kristin Knoll)

(Photo: Kristin Knoll)

“I can’t believe we’re here,” said Kurt Feldman on stage at Glasslands on Saturday. Considering the rapturous, slightly disbelieving response of the crowd, they couldn’t believe it, either. They’d gathered for what was billed as The Depreciation Guild’s first show in more than two and a half years.
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Depreciation Guild Returns, Plus Lots of Good Small Shows

Depreciation Guild's Facebook.

Depreciation Guild’s Facebook.

IN HER GENTLE JAWS
Pretty light week for super attention-grabbing shows in our neighborhoods this week — seems like all the big ticket items are in one or another of our fine city’s public parks. Nevertheless, there are a wealth of quality smaller shows to choose from, starting with The Depreciation Guild‘s return(!) at Glasslands on Saturday.
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Shows: Maxwell’s Is Closing, Bushwick Block Party

FAREWELL TO MAXWELL’S

When Maxwell’s opened its doors in August of 1978, no one could have guessed the inconspicuous corner restaurant/bar would eventually fit into the same pantheon of iconic NYC rock clubs as CBGB, Max’s Kansas City, and the Bottom Line — definitional venues that instantly conjure a specific sound, in a specific place, during a specific era. At Maxwell’s, that was the Hoboken sound: jangly, blue-collar guitar rock, as played by Yo La Tengo, the dBs, the Bongos, the Feelies, and countless other working-class bands that made Maxwell’s their home base, and a leading stop on the independent rock tour circuit since the ’80s.
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Wanna Go to Summer Camp With Some Brooklyn Bands?

summercampposter1The sleep-away camp we told you about last month has come and gone, but fear not: you can still revisit your summer camp experience in the honeyed glow of nostalgic reverie.

The Wild Honey Pie, a live-sessions-oriented music blog, is teaming up with Consequence of Sound to launch Summer Camp, a day of live recording sessions in the wilderness of northern Westchester County. (The specific location of the property is a secret.)
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Big Snow Is Closed and Owner Yoni David Is Recovering From a Shooting

Big Snow (Photo: Lauren Carol Smith)

Big Snow (Photo: Lauren Carol Smith)

Sad news: on Saturday morning, Bushwick DIY venue Big Snow Buffalo Lodge tweeted that it was “closed for good.” The venue’s co-owner Yoni David now tells Bedford + Bowery that he was “caught in the line of fire” of a shooting outside the venue.
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Unlocking the Truth’s Guitarist Sustained a Monkey-Bar Injury, But Shredded Anyway

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photo: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

Unlocking the Truth (Photos: Phillip Pantuso)

After getting a shoutout from Questlove and being called “the most brutal sixth grade metal band ever, ever, ever, ever” by Noisey, Unlocking the Truth has seen their preteen profile rise over the summer.

So anticipation was high when the 11- and 12-year-olds hit Cameo Gallery last night to unlock their crushing fusion of metal and hardcore, highlighted by thick heavy metal riffs, assaultive hardcore drums, and brutally epic breakdowns.
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Upcoming Shows: Wire, Some Bedroom Pop, and Lots of Noise


THERE’S SOMETHING GOING ON THAT’S ACTUALLY QUITE RIGHT
U.K. band Wire came of age in the first wave of punk, but they’re perhaps more responsible than any other band for pushing punk beyond its three-chord, rude boy roots into something more artful and articulate. Released between 1977 and 1979, Wire’s first three records — Pink Flag, Chairs Missing, and 154 — are as genre-scrambling, legacy-certifying, perfect a run you’ll see from any band. Their would-be fourth record, Change Becomes Us, never got recorded, as the band splintered and broke up until reuniting in 1985. Most of what they’ve released since then has been mediocre.
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Bushwick Is Burning: Underground Trap Raves Keep It Weird

Dancer, Dai Burger, Junglepussy, Kay Rizz, Contessa Stuto

Dancer, Dai Burger, Junglepussy, Kay Rizz, Contessa Stuto

Passion Lounge (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Dai Burger (Photo: Konstantin Sergeyev)

Dai Burger (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

 Contessa Stuto (Photo: Konstantin Sergeyev)

Contessa Stuto (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Dai Burger performing (Photo: Konstantin Sergeyev)

Dai Burger performing (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Passion Lounge (Photo: Konstantin Sergeyev)

Dancer (Photo: Konstantin Sergeyev)

Dancer (Photo: Konstantin Sergeyev)

Juliana Huxtable of House of Ladosha (Photo: Konstantin Sergeyev)

Juliana Huxtable of House of Ladosha (Photo: Konstantin Sergeyev)

Bailey Styles (Photo: Konstantin Sergeyev)

Bailey Styles (Photo: Konstantin Sergeyev)

Joey LaBeija (Photo: Konstantin Sergeyev)

Joey LaBeija (Photo: Konstantin Sergeyev)

Junglepussy (Photo: Konstantin Sergeyev)

Junglepussy (Photo: Konstantin Sergeyev)

Richard Kennedy (Photo: Konstantin Sergeyev)

Richard Kennedy (Photo: Konstantin Sergeyev)

 Dosha Devastation of House of Ladosha (Photo: Konstantin Sergeyev)

Dosha Devastation of House of Ladosha (Photo: Konstantin Sergeyev)

WC Kids TeeBurr and Matt Sebastian (Photo: Konstantin Sergeyev)

WC Kids TeeBurr and Matt Sebastian (Photo: Konstantin Sergeyev)

Santana WIlliams (Photo: Konstantin Sergeyev)

Santana WIlliams (Photo: Konstantin Sergeyev)

TeeBurr texts, Matt Sebastian and Kay Rizz share fishbowl

TeeBurr texts, Matt Sebastian and Kay Rizz share fishbowl

It’s 3 a.m. at Passion Lounge, the heavily mirrored club on Broadway previously known as Angels, and the roving underground party known as Ultra Velvet is in full swing. Brooklyn rapper Dai Burger coos a line from her new single into the mic: “Soufflé, I could come on these bitches all day.” She’s iced in iridescent blue from head to transparent heel. Her audience is similarly attired in ensembles ranging from the futuristic to the obscene. As lasers spin, they share fish bowls, sipping an orgy of liquor from long straws. Passion’s towering security guards look on, confused.
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Jorge Elbrecht of Lansing-Dreiden and Violens On His 7″ With Ariel Pink, Out Today

Self-portrait of Elbrecht as a child (from the new 7").

Self-portrait of Elbrecht as a child (from the new 7″).

Jorge Elbrecht’s introduction to the music industry came in the early 2000s with the success of his band/art collective, Lansing-Dreiden, which reissued its entire catalog this past spring. During its heyday, the group received two favorable “Art in Review” write-ups in The Times.

Following Lansing-Dreiden, Elbrecht went on to form Violens and earlier this year joined Ariel Pink’s band as their new guitarist. The Costa Rica-born artist has also become an in-demand producer, most notably making the new Au Revoir Simone record, whose single “Somebody Who” was released in June.
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Here’s What’s Popping Off This Fourth of July Weekend

MoMA PS1 Warm Up 2013: Dance floor

(Photo: Scott Lynch)

The Macy’s fireworks may have permanently decamped to the Hudson, and the city’s slowly bleeding out to the Hamptons, so it might seem that Bedford + Bowery’s neighborhoods have nothing to offer for Independence Day weekend. Au contraire! Herewith, a round-up of events and on-goings to keep you celebrating our great nation through the weekend.
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Upcoming Shows: Go to Dirty Beaches, Enjoy Some Clams Casino


Rest assured, Todd Patrick is doing more than just firing off e-mails this evening. As an aperitif to the imminent re-opening of the Market Hotel, he has organized a complete retrospective of Showpaper, the bi-weekly publication he founded in 2007 that immediately became the go-to source for every DIY all-ages show in New York City and the tri-state area. More than 160 issues will adorn the walls at the renovated Market Hotel, and most of them will be available to take home. The party is slated to end at 9 p.m. tonight, so get thee over to Market Hotel ASAP.

If you miss it, sorry for the late notice — but don’t worry: there’s a solid slate of shows in our nabes over the next week. For more complete listings, see the B+B calendar, or check out some highlights below.
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